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Sack und Blumm - Shy Noon
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r i p p i n g n o t e s . . . . . . . ▀
date Jul-25-2003
style Other
label gefriem
cat.no. gefriem 009
source CDDA
type Album
quality 192kbps 44,1hz Joint-Stereo
size 57,2 MB
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r e l e a s e n o t e s . . . . . . . ▀
Harald "Sack" Ziegler and Frank Schⁿltge "Blumm" are Sack & Blumm.
First introduced with a 7" release on Dhyana Rec. in 1998 Sack &
Blumm spread rumours and appeared in a variety of radio and DJ charts
that year. With their debut CD on Tomlab Sack & Blumm continued a
homerecording series that travels between their postboxes in Cologne
and Berlin that has since seen releases on other labels such as
Staubgold or Gefriem and wider success especially in Japan..
Sack & Blumm are not a band or a studio project but may be described
rather as a homerecording project that was conceived independendly in
their bedroom studios in Berlin and Cologne. The digital
multitrackers and the german postal service ferrying their ideas back
and forth were definitely playing a major role in the production of
the album.
Tracks were produced in several steps, e.g. Frank would record an
African finger piano for a track and send a dat to Harald in Cologne
who would then layer the recording with his french horn and send the
tape back to Berlin.
Instead of sequencing work on computers, the music lives from the
experience of two musicians. Folk themes are set against digital
fragmentations, and techno tropes are taken up on acoustic
instruments. Most of the instruments are played live onto the
multitrack and the arrangements of the electronic sounds are produced
with Harald's toy instruments.
Sack & Blumm like it best to produce their music
mechanically/physically in the room, using more or less everything
that they can get in their hands. Structures arise from their
curiosity in the origin and the physicality of sounds (wood, stone,
sheet metal, paper, air... ) and from experimenting and playing with
the materials (plucking, beating, rubbing, blowing...). Musical
instruments are based on these principles of generating sound and
musical instruments can be everything and they can be found
everywhere. The ones that you find in the toy stores are most of the
times very attractive because they carry these very beautiful
overtones in their ground noise level or they
tend to be totally unpredictable which makes a high potential for
surprising results.
Harald 'Sack' Ziegler was born in 1961 in Berlin and is living in
Cologne since 1986. He was studying music and composition in
Frankfurt, his main instrument is the french horn. Since 1986 he is
working for televison and radio stations as a music corrector. More
or less at the same time he started to compose and perform his own
music and got involved in the 80ies tape scene (published more than
30 solo tapes and contributed to more than 100 compilation tapes
distributed over europe through the network of the tape scene in
editions of 100-300 copies). Harald is involved in numerous projects
from radioplays to classical music and well known in Germany for
remarkable live performances featuring his collection of toy
instruments and lovely underground popsongs.
He was a guest musician for Kreidler (live), Mouse on Mars
(contribution to the CD "Iaora Tahiti"), Faust (live) and Arosa2000
(contribution to multimedia CD The Electronic Dreamplant). His
discography is enormous and you should have a look at his webpage
www.haraldsackziegler.com for more info.
Frank Schueltge "Blumm" was born in 1968 in Bremen and lives in
Berlin where he is working as a musician and a producer for
radioplays. Besides his contributions to the Sack&Blumm he is
involved in the production of radioplays with Rininat Rebresch alias
Christian Bremer "rebresch&blumm". With the support of drummer Ralf
Jaeger he is playing in the duo 'STROEM', a instrumental postrock
formation from Berlin.
(www.tomlab.de/artists/sackundblumm.html)
Shy Noon is the second album of Harald Sack Ziegler and Frank
Schultge Blumm after their Tom release in 1999. Some have noticed
that they are in fact a threesome in practice, Harald Sack Ziegler in
Cologne, Frank Schultge Blumm in Berlin, and the German postal
service ferrying their ideas back and forth. Sack & Blumm take song
structures and translate them into unlikely arrangements. Just
polished enough, these are home-fashioned treasures, craft-music at
once sophisticated and naive. Folk themes are set against digital
fragments, and techno tropes are taken up on acoustic instruments.
Highly sophisticated composed music in pop structures, including the
7" "Die Funfte Dengelophonie". Top ten music for the next generation
space ships. Open minded, unrivaled, and inexhaustible.
(www.forcedexposure.com)
artist's site: (www.haraldsackziegler.de)
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p l a y l i s t . . . . . . . . . . . ▀
01 better net 02:44
02 tony one 03:36
03 mel under 02:22
04 greg b. roy 03:53
05 trace deep 02:06
06 kiss a cushion 02:41
07 shy noon 01:47
08 carol upduba 02:48
09 kate bee 03:30
10 home rush 03:48
bonus tracks:
11 die fⁿnfte dengelophonie 05:59
12 toygrooves 06:22
. .
41:36 min
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t h e p u r p o s e o f i t a l l . . ▀
digaphobia public sound specializes in releasing so-called
'intelligent dance music', experimental electronic music, dark
ambient, drone/noise, beat-laden indie, and a spot of techno.
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t h e h e a d s . . . . . . . . . . . ▀
peace to music lovers everywhere
1real agw amok chr cmg cms diss fuffens hit2k its just kw mgc
ms nuhs om pulsar pyt rac radial sb sfe sour tr tronik ube wos
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j o i n t h e a r m y . . . . . . . . ▀
looking for MD/DAT recordings of electronic music shows
track us down on IRC if you'd like to help
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a l w a y s r e m e m b e r . . . . . ▀
go to the show. buy the t-shirt. order the vinyl.
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