Rodrigo_Y_Gabriela-1111-(Bonus_DVD)-2009-MTD
- Section
-
MP3/FLAC
- Group
- MTD
- Size
- 46,06 MB
- Files
- 4
- Date
- 2009-09-15
NFO
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▐▓▌▐█▌ Artist : Rodrigo Y Gabriela ▐█▌▐▓▌
▐▀▄██ Album : 11:11 ██▄▀▌
▄███▌ Label : ATO Records ▐███▄
▀███▌ Genre : Instrumental Rock ▐███▀
▐▄▀██ Street date : 2009-09-08 ██▀▄▌
▐▄▀██ Codec : Dolby Digital 2.0 ██▀▄▌
▐▓▌▐█▌ Quality : 116 kbps / 44.1kHz / Joint Stereo ▐█▌▐▓▌
▓█▄▀▀ Encoder : Lame 3.97 -V2 --vbr-new ▀▀▄█▓
▓███ Size : 48.29 MB ███▓
▀ ▀█▌ Time : 55:16 min ▐█▀ ▀
▓▄███ Url : http://www.cduniverse.com/productinfo.asp?pid=798 ███▄▓
▐▓████▌ 0171 ▐████▓▌
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█▓▌ 1. Live Rehearsal 20:45 ▐▓█
█▓▌ 2. Lumbini 3:16 ▐▓█
█▓▌ 3. Buster Voodoo Tutorial 20:27 ▐▓█
█▓▌ 4. Questions 10:48 ▐▓█
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▐▓▌▐█▌ The very first moments of Rodrigo y Gabriela's sophomore ▐█▌▐▓▌
▐▓▌▐█▌ effort, 11:11, hit the listener cold in the face, and not ▐█▌▐▓▌
▐▓▌▐█▌ just because of the amazing guitar playing. Sure, it's there, ▐█▌▐▓▌
▐▓▌▐█▌ but it's what anyone who heard the duo's astonishing debut ▐█▌▐▓▌
▐▓▌▐█▌ would expect. No, it's the sound of the record: immediate, ▐█▌▐▓▌
▐▓▌▐█▌ forceful, crystalline; it's in-your-face compelling and ▐█▌▐▓▌
▐▓▌▐█▌ impossible to ignore. 11:11 features 11 new compositions, ▐█▌▐▓▌
▐▓▌▐█▌ dedicated to 11 musical artists (not all guitarists, either) ▐█▌▐▓▌
▐▓▌▐█▌ who have had an influence on the duo. Recorded in Ixtapa, ▐█▌▐▓▌
▐▓▌▐█▌ Mexico, the set was self-produced with the exception of two ▐█▌▐▓▌
▐▓▌▐█▌ cuts, which were co-produced with John Leckie. The set was ▐█▌▐▓▌
▐▓▌▐█▌ mixed in Wales and London by Colin Richardson, who has worked ▐█▌▐▓▌
▐▓▌▐█▌ with metal bands Trivium and Slipknot. The set opens with the ▐█▌▐▓▌
▐▓▌▐█▌ striking, rhythmically complex "Hanuman," dedicated to Carlos ▐█▌▐▓▌
▐▓▌▐█▌ Santana. While it doesn't work so much on the level of ▐█▌▐▓▌
▐▓▌▐█▌ Santana's soaring solos, what it does do is capture the ▐█▌▐▓▌
▐▓▌▐█▌ dramatic, rhythmically complex elements of his trademark ▐█▌▐▓▌
▐▓▌▐█▌ style and roots him directly inside the entire lineage of ▐█▌▐▓▌
▐▓▌▐█▌ great Latin guitarists. Next up is "Buster Voodoo," dedicated ▐█▌▐▓▌
▐▓▌▐█▌ to Jimi Hendrix. The late guitarist's original nickname was ▐█▌▐▓▌
▐▓▌▐█▌ Buster, and he wrote "Voodoo Chile," hence the title. This ▐█▌▐▓▌
▐▓▌▐█▌ track is far afield from the preceding one in that it lifts ▐█▌▐▓▌
▐▓▌▐█▌ elements of the Hendrix tune, and moves into a solid meld of ▐█▌▐▓▌
▐▓▌▐█▌ heavy metal dynamics and contemporary Latin style -- there's ▐█▌▐▓▌
▐▓▌▐█▌ even the use of a wah-wah pedal on a nylon-string guitar to ▐█▌▐▓▌
▐▓▌▐█▌ excellent effect. The fuzzed-out intro to "Santo Domingo" is ▐█▌▐▓▌
▐▓▌▐█▌ a rather jarring effect for a tune that is dedicated to Latin ▐█▌▐▓▌
▐▓▌▐█▌ jazz pianist and composer Michel Camilo, but it's named for ▐█▌▐▓▌
▐▓▌▐█▌ the city of his birth and therefore captures in sound the ▐█▌▐▓▌
▐▓▌▐█▌ splendor and color of the city. The Afro-Cuban, Spanish, and ▐█▌▐▓▌
▐▓▌▐█▌ Mexican rhythmic complexities shown by Gabriela Quintero are ▐█▌▐▓▌
▐▓▌▐█▌ perhaps more astonishing than the stellar, even dazzling ▐█▌▐▓▌
▐▓▌▐█▌ single-string work by Rodrigo Sanchez. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ "Atman," dedicated to the late Dimebag Darrell of Pantera and ▐█▌▐▓▌
▐▓▌▐█▌ Damageplan, features a searing guest appearance by Testament ▐█▌▐▓▌
▐▓▌▐█▌ guitarist Alex Skolnick and is truly one of the high points ▐█▌▐▓▌
▐▓▌▐█▌ on the recording. It is also a terrific reminder that Rodrigo ▐█▌▐▓▌
▐▓▌▐█▌ y Gabriela began their musical careers as electric guitarists ▐█▌▐▓▌
▐▓▌▐█▌ in heavy metal bands. Other standout tracks include "Master ▐█▌▐▓▌
▐▓▌▐█▌ Maqui," with acoustic solos by Strunz & Farah; "Hora Zero," ▐█▌▐▓▌
▐▓▌▐█▌ inspired by -- and dedicated to -- Argentinean composer Astor ▐█▌▐▓▌
▐▓▌▐█▌ Piazzolla; and "Savitri," dedicated to the John ▐█▌▐▓▌
▐▓▌▐█▌ McLaughlin-led acoustic trio Shakti. The set whispers to a ▐█▌▐▓▌
▐▓▌▐█▌ close -- in sharp contrast to its beginning -- with the title ▐█▌▐▓▌
▐▓▌▐█▌ track, dedicated to Pink Floyd and featuring the piano work ▐█▌▐▓▌
▐▓▌▐█▌ of Edgardo Pineda Sanchez. Throughout, Rodrigo y Gabriela ▐█▌▐▓▌
▐▓▌▐█▌ showcase their metal chops as part and parcel of their ▐█▌▐▓▌
▐▓▌▐█▌ Mexican guitar heritage. They've not simply melded the two, ▐█▌▐▓▌
▐▓▌▐█▌ but have created an entirely different form of music for the ▐█▌▐▓▌
▐▓▌▐█▌ acoustic guitar in the process. It's also important to note ▐█▌▐▓▌
▐▓▌▐█▌ that while their technical facility is indeed dazzling, this ▐█▌▐▓▌
▐▓▌▐█▌ is not the reason to sit down and dig into this record; it's ▐█▌▐▓▌
▐▓▌▐█▌ the music itself. It's infectious and accessible, full of ▐█▌▐▓▌
▐▓▌▐█▌ pathos, intensity, passion, and color. It's dazzling because ▐█▌▐▓▌
▐▓▌▐█▌ the compositions are so imaginative and tight -- a light ▐█▌▐▓▌
▐▓▌▐█▌ year's growth from their debut. This music is arranged with ▐█▌▐▓▌
▐▓▌▐█▌ flair, soul, intelligence, and economy; as busy and full as ▐█▌▐▓▌
▐▓▌▐█▌ it sounds, there isn't an extra note anywhere here. 11:11 ▐█▌▐▓▌
▐▓▌▐█▌ reveals a true musical and sonic expansion without Rodrigo y ▐█▌▐▓▌
▐▓▌▐█▌ Gabriela losing sight of their strength as an acoustic duo. ▐█▌▐▓▌
▐▓▌▐█▌ Awesome. [There is a Deluxe Edition of the CD that contains a ▐█▌▐▓▌
▐▓▌▐█▌ bonus DVD as well. On it are interviews with Rodrigo y ▐█▌▐▓▌
▐▓▌▐█▌ Gabriela, a live rehearsal, a documentary, and a tutorial for ▐█▌▐▓▌
▐▓▌▐█▌ "Buster Voodoo."] ▐█▌▐▓▌
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Files
| Path | Size |
| 01-rodrigo_y_gabriela-live_rehearsal.mp3 | 17,51 MB |
| 02-rodrigo_y_gabriela-lumbini.mp3 | 2,86 MB |
| 03-rodrigo_y_gabriela-buster_voodoo_tutorial.mp3 | 16,96 MB |
| 04-rodrigo_y_gabriela-questions.mp3 | 8,73 MB |