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▓▒▒▒▒▓▓▓▓▓▓▓▓▓░:░ Release notes ░▒▓▓▓▓▓▒▒░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░▓▒░
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▒▒ ▀ ▄ ■ ▀ ▒▒
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▒░ Lush - Spooky ░░
░░ ░░
░░ Artist ....: Lush ░░
░░ Album .....: Spooky ░░
░░ Genre .....: Indie ░░
░░ Label .....: 4AD/Rough Trade ░░
░░ Catalog # .: rtd 120.1259.2 ░░
░░ Language ..: English ░░
░░ ░░
░░ Source ....: CDDA ░░
░░ Size ......: 65,2 MB ░░
░░ ░░
░░ Rel. date .: Oct-06-2009 ░░
░░ Str. date .: 000-00-1991 ░░
░░ ░░
░░ http://en.wikipedia.org/wiki/Lush_%28band%29 ░░
░░ ░░
░░ ----------------------------------------------------------------------- ░░
░░ ░░
░░ Spooky is the debut album of British shoegazing act Lush, produced by ░░
░░ Robin Guthrie of Cocteau Twins. The album follows the band's debut ░░
░░ mini-album Scar, several EP releases, and the compilation album Gala. ░░
░░ Spooky reached the British Top Ten and topped the national indie ░░
░░ charts. The album produced three singles, "Nothing Natural," "For ░░
░░ Love," and "Superblast!" ░░
░░ ░░
░░ *** ░░
░░ ░░
░░ Out of print in the U.S.! Moody and ethereal guitar-fueled 'shoegazing' ░░
░░ band led by Miki Berenyi and Emma Anderson. Originally released in ░░
░░ 1991, this was their first true album for the 4AD label. ░░
░░ ░░
░░ *** ░░
░░ ░░
░░ Gads, do I miss this band and woe is the day I didn't call out sick ░░
░░ when a free ticket to see Lush came my way one night then Jane's ░░
░░ Addiction the next. Talk about things you kick yourself later for... ░░
░░ ░░
░░ London's Lush was one of those psych alt bands of the nineties like ░░
░░ Cocteau Twins, Kitchens of Distinction, Ride, Blue Aeroplanes and My ░░
░░ Bloody Valentine and while Lush's hypnotic form of sonic expression ░░
░░ could only be bested by the Cocteau Twins, the British fuzz trippers ░░
░░ found brief notoriety for themselves, largely due to a spaced-out ░░
░░ rhythm section that defined audile effervesence, at least on their ░░
░░ first two official records, Gala and the translucent Spooky. ░░
░░ ░░
░░ Time would prove Lush to be the most commercially-ambitious of the ░░
░░ entire lot given the eventual defragmentation of their bread and butter ░░
░░ sound walls fortified on Gala and Spooky, the former being a collection ░░
░░ of their Scar, Mad Love and Sweetness and Light EPs. Spooky is a bridge ░░
░░ album in Lush's way-too-brief career, yet it's one of their greatest ░░
░░ accomplishments. Of course, that depends on your propensity for the ░░
░░ more streamlined punk and alt rock grooves Lush would seek out on Split ░░
░░ and Lovelife. Strangely enough, you find Lush fans frequently ░░
░░ subdivided bewtween the Gala camp and the Split and Lovelife camp, ░░
░░ while Spooky is the bastard stepchild plying for attention between the ░░
░░ two. ░░
░░ ░░
░░ I suppose the writing was on the wall with the positively yummy "For ░░
░░ Love" on Spooky that indicated Lush's desire to be a commercial ░░
░░ powerhouse outside of visionary distortion tweakers. Of course, I find ░░
░░ myself frequently backing up "For Love" because it's one hell of an ░░
░░ adorable tune, even as the aerodynamic "Superblast!" appeals to the ░░
░░ escapist in me, as does the surreal, tappy tone splashes of ░░
░░ "Untogether," which is modified pop in itself. ░░
░░ ░░
░░ The term "shoegazing" crops up frequently around Lush by most ░░
░░ journalists, and I have to admit a dumb fondness for it, because if you ░░
░░ take a floaty pop song like "Tiny Smiles" from Spooky, the shoegazing ░░
░░ could well likely be from an inverted, freefall position. In fact, much ░░
░░ of Lush's material from Gala and Spooky are like tubular aeronautics ░░
░░ with their dreamy mix of harnessed distortion and clean, twinkling ░░
░░ plucks shot back in granular feedback so that Lush could sound more ░░
░░ aquatic than others of their kind. Add to the aural nirvana the ░░
░░ collective sigh of Miki Berenyi and Emma Anderson's breathy sirens, and ░░
░░ Lush possessed the capacity to sweep and swoon beyond the majority of ░░
░░ their peers. Credit where it's due; the stark vibrancy alone of ░░
░░ "Sweetness and Light," "De-Luxe" and "Scarlet" from the Gala collection ░░
░░ are all landmark tracks of the alternative rock explosion. ░░
░░ ░░
░░ Sure, "shoegazing" might apply more to the mopish and diaffected reverb ░░
░░ of The Cure, Echo and the Bunnymen and Bauhaus, but it's frighteningly ░░
░░ easy to fall into the splendor of Lush and feel nothing but the ░░
░░ tremendous vacuum they suck you into. Shoegazing might be considered ░░
░░ the initial contact, but the desire to loosen the strings and kick the ░░
░░ dratted things off your feet in order to give yourself the illusion ░░
░░ you're floating in the same weightless realm that Spooky establishes ░░
░░ upon greeting with the anticipatory hello "Stray" is the bigger emotion ░░
░░ staked here. In such a footloose surrender, Lush hoists you by the ░░
░░ shoulders with the ambitious mini epic "Nothing Natural," and you're ░░
░░ instantly spellbound, as Miki Berenyi flirts her lyrics "don't you know ░░
░░ you're beautiful" into your ear while her shotgun partner Emma Anderson ░░
░░ provides gasping high-end vocal fills. You'll feel as beautiful as ░░
░░ Berenyi wants to impart (she's no slouch herself, assuredly, as I'll ░░
░░ admit she was one of my many fleeting musician crushes over the years) ░░
░░ with each lofty bar of the song. ░░
░░ ░░
░░ Produced by none other than Cocteau Twins' Robin Guthrie, who took his ░░
░░ share of flack as much as praise for Spooky, by all means is his ░░
░░ influence felt as he is perhaps the only one of Lush's producers to ░░
░░ recognize their potential for wrapping Sonic Youth's quick-wristed ░░
░░ string bullying into snug, composite rock songs with their heads stuck ░░
░░ firmly in the clouds. "Take," "Monochrome," "Ocean" and especially the ░░
░░ pumping throb of "Laura" exemplify Lush's sometimes powerful propensity ░░
░░ to remove you from your head space. ░░
░░ ░░
░░ While many Lush fans swear by the band's next two outings Split and ░░
░░ Lovelife, the transition from psychedelic starlets to international jet ░░
░░ setters is worth pointing out, in particular the way Lush fuses some ░░
░░ mod into their punkish Lovelife album. Granted, the first two songs, ░░
░░ "Ladykillers" and "Heavenly Nobodies" rock seriously hard, even if ░░
░░ they're inherently aspirant to be The Pixies or The Breeders. Of ░░
░░ course, this metamorphosis into a stripped-down alt band that bore ░░
░░ hints of the sonic grandeur of Gala and Spooky paid off for Lush, ░░
░░ particularly from the attitude-laced "Ladykillers." Sadly, drummer ░░
░░ Chris Acland took his life shortly after Lovelife struck the well in ░░
░░ 1996 and the band never recovered. ░░
░░ ░░
░░ While Split is an interesting listen that yields some of Lush's best ░░
░░ writing, for my tastes, Gala and especially Spooky are my fuzz du jour. ░░
░░ Save for playing these albums on the road, I do believe I've listened ░░
░░ to Lush mostly barefooted as I am this very second, shoes be damned... ░░
░░ ░░
░░ - Ray Van Horn, Jr , 2008 ░░
░░ ░░
░░ ░░
░░ *** WHO ARE Lush ??? ░░
░░ ░░
░░ Meshing dreamy, feedback-drenched guitars with airy, catchy melodies, ░░
░░ Lush were one of the most prominent shoegazing bands of the early '90s. ░░
░░ Led by guitarists Miki Berenyi and Emma Anderson, the British band ░░
░░ earned a cult following within the British and American undergrounds ░░
░░ with its first EPs, yet the group never quite attained the critical ░░
░░ respect given to its peers My Bloody Valentine and Ride. Even so, Lush ░░
░░ lasted longer than any other of their contemporaries (with the ░░
░░ exception of the Boo Radleys), developing sharp pop skills as their ░░
░░ career progressed. By the time of their final album, 1996's Lovelife, ░░
░░ they had converted themselves into a power pop band with dream pop ░░
░░ overtones, which resulted in the greatest chart success of their ░░
░░ career. Their success was dealt a blow when drummer Chris Acland ░░
░░ committed suicide in the fall of 1996, effectively bringing the band to ░░
░░ an end. ░░
░░ ░░
░░ Miki Berenyi, Emma Anderson, Chris Acland, Steve Rippon (bass), and ░░
░░ Meriel Barham (guitar) formed Lush in 1988 in London, England. Prior to ░░
░░ the group's formation, school friends Berenyi and Anderson had ░░
░░ collaborated on a fanzine together, as well as played in a number of ░░
░░ other bands individually. Anderson, who had been working as a DHSS ░░
░░ clerical assistant, had played bass with the Rover Girls, while Berenyi ░░
░░ had been a member of I-Goat, Fuhrer Five, and the Lillies. Berenyi's ░░
░░ then-boyfriend, Acland had previous played with several other groups as ░░
░░ well, including Panik, Infection, and A Touch of Hysteria. Barham left ░░
░░ Lush soon after the band's formation to form the Pale Saints, and the ░░
░░ remaining members began playing around London, quickly earning a number ░░
░░ of fans, including Robin Guthrie of the Cocteau Twins. Guthrie helped ░░
░░ the band secure a contract with 4AD Records, and they released their ░░
░░ acclaimed debut EP, Scar, in 1989. Lush supported the EP with opening ░░
░░ tours for Loop and the Darling Buds, and by 1990, they had graduated to ░░
░░ headlining tours of their own. ░░
░░ ░░
░░ Throughout 1990, the band's reputation in the British music press began ░░
░░ to grow as they released the acclaimed EPs Mad Love and Sweetness and ░░
░░ Light, played high-profile gigs like the Glastonbury Festival, and ░░
░░ became favorites of the music weeklies' gossip columns. Gala, an album ░░
░░ compiling their three EPs, became the band's first American release at ░░
░░ the end of 1990. Lush spent most of 1991 recording their debut album, ░░
░░ releasing the Black Spring EP in the spring. Rippon left the band ░░
░░ during the sessions, and was replaced by Philip King, a former picture ░░
░░ researcher for NME and a previous member of Felt, Servants, and Biff ░░
░░ Bang Pow. Lush finally released their delayed debut album, Spooky, in ░░
░░ the spring of 1992. While the album sold well, reaching the British Top ░░
░░ Ten and topping the U.K. indie charts, it was criticized in the press ░░
░░ for Guthrie's heavy-handed production. The band supported the album in ░░
░░ America by appearing on the second Lollapalooza tour, but their dream ░░
░░ pop wasn't well-received by an audience hungry for metal. Lush released ░░
░░ their second album, Split, in the summer of 1994 to mixed reviews. ░░
░░ Split was lost in the twin waves of Brit-pop and American post-grunge, ░░
░░ even through the band's songwriting was more pop-oriented than ever. ░░
░░ ░░
░░ After regrouping during 1995, Lush returned in early 1996 with ░░
░░ Lovelife, an album that showcased a debt to the pop-single ideals of ░░
░░ Brit-pop. The musical changeover paid off as "Single Girl" and ░░
░░ "Ladykiller" became their two biggest hit singles, and the album became ░░
░░ a British Top 20 hit; in America, it was their highest-charting album, ░░
░░ even if it just scraped the charts at 189. Lush had completed their ░░
░░ supporting tours and summer festival appearances when Chris Acland ░░
░░ unexpectedly hanged himself in his parent's house on October 17, 1996. ░░
░░ Devastated by his death, the remaining members of Lush went into a long ░░
░░ period of mourning, eventually disbanding. ░░
░░ ░░
░░ ░░
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░░ THIS IS *NOT* A SUBSTITUTE OF THE ORIGINAL. ░░░
░░ --------------------------------------------------------------------- ░░░
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░░ NB TRACKNAMES: LENGHT: ░░░
░░ ░░░
░░ 01. Stray 02:08 ░░░
░░ 02. Nothing Natural 05:55 ░░░
░░ 03. Tiny Smiles 04:27 ░░░
░░ 04. Covert 03:34 ░░░
░░ 05. Ocean 04:49 ░░░
░░ 06. For Love 03:29 ░░░
░░ 07. Superblast! 04:08 ░░░
░░ 08. Untogether 03:34 ░░░
░░ 09. Fantasy 04:27 ░░░
░░ 10. Take 03:28 ░░░
░░ 11. Laura 03:22 ░░░
░░ 12. Monochrome 05:06 ░░░
░░ 48:27 min ░░░
░░ --------------------------------------------------------------------- ░░░
░░ TO THE INVOLVED ARTIST(S), CONSIDER THIS AS A FREE WORLDWIDE ░░░
░░ PROMOTION CAMPAIGN. TO THE END USER, SUPPORT THE ARTIST(S) OR DEL! ░░░
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█▓▒▒█▓▒▒▓▒▒░░▒▒▒▒▒▓▒▒▒▒▒▒░░▒▒░▒▓▒▒▒▒▒▒▒░░░░▒░░░░ ░░▒▒▒▒▒▒ ▀▀▀▓▓▓▓▓▓▒▒ ▒▓░░
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▓██▀ "Oi" to: ░▒▒░ ░ ▓▓▒▒░░ ▀▓▓▒▒▒░░░ ▀▀▓██▓▒▒░░
▓█▌ ░▒▒░░ ▀▓▓▓▒▒▒░░ ▀▀▓▓▓▓▒▒▒▒░░ ░▓█▓▒░
▒█░▒▓▓▓▒▒▒▒▒▒▒▒▒▒░░░░░░░░░░░ ░░░ ░ ░░▒▒░░ ▀▀▓▓▓▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓▓▄░░░▓▓░░
▒█ ░░▒▒▒░░░░░▀▀▀▀▀▀▀▀▀▀▓▓▓▄▄▀▀▓▓▄▓▓░░
▒▓ ░ ▀▀▓▓▄░▀▓▓░░
░▓ ▀▓▓░░▓░░
░▓ █▓░▓░░
░▒ 4 HORSEMEN, █▓▓░░
░▒ 801, █▓░░
░▒ ADDiCTED TO MUSiC, APOCALYPSE PRODUCTiON CREW, AUDiO ARCHiVE FORCE, ▓░░
░░ BEAT MASTERS iNTERNATiONAL, BEATS iN CONTROL, ▒░░
░░ CHROMANCE, CiTADEL CREW MP3 DiViSiON, COMPRESS DA AUDIO, ▒░░
░░ CORE OF RESiSTANCE, CRiSiS, CSWCN, ░░░
░░ DA OLDSCHOOL CREW, DEiMOS MP3, DEAFNESS, DECiBEL COURiERS, ░░
░░ DiGiTAL SOUND PROPHETS, DiSSiDENT, ░░
░░ EVERY DAY MP3Z, EViGHET, ░░
░░ FRENCH SOUND PROViDER, ░░
░░ HiGH iNTELLiGENCE TROLLS, ░░
░░ iMAGiNE, iMPULZ, iNDECENT XPOSURE, iNTERNET MUSiC PiRATE GUiLT, ░░
░░ JAZ, ░░
░░ KiLOHERTZ, ░░
░░ LOGOS, ░░
░░ MCKENNA, MiLLENNiUM GENERATiON MUSiC, MiSTAHWAX, MUSiC AND DECiBELS, ░░
░░ MUSiC iN PROGRESS, MUSiC TO MASSES, ░░
░░ NEW WORLD ORDER MP3, NORDiC MUSiC ENSEMBLE, ░░
░░ NUTRiCiOUS HEARiNG SUPPLiES, ░░
░░ OTAKU, ░░
░░ PROViDERS OF SOUND, PSiLOCiBiN, ░░
░░ RABiD NEUROSiS, RADiAL, RARE MUSiC FiNDER, REVOLUTiON, ░░
░░ ROCKERS' BREWiNG CORP, ROTATiON, RUDE BWOY KUTZ, ░░
░░ SCHOOL OF THE OLD, SDL, SMOKE WEED EVERYDAY, STRONGER THAN ALL, ░░
░░ SYNTHESiS MEDiA, ░░
░░ THE FLAME ARROWS MP3, TOUCHDOWN, TWEE, ░░
░░ VENi ViDi ViCi, ░░
░░ WALL OF SOUND, WE LOVE WAREZ MP3, ░░
░░ ░░
░░ *ALL* OF OUR FRIENDS AND FAMILY HERE AND GONE... ░░
░░ ░░
░░ ░░
░░ ---------------------------------------------------------------------- ░░
░░ ░░
░░ "Those who do not remember the past are condemned to repeat it." ░░
░░ ░░
░░ George Santayana ░░
░░ ░░
░░ ---------------------------------------------------------------------- ░░
░░ ░░
░░ ░░
░░ ▄▄█▓▀ ▄▄ - IF YOU DON'T LIKE THIS RELEASE THEN ░░
░░ ▄▄▓███▓▓▓░░███▓▓▓▄▄▄ ENFUCKINGCODE IT YOURSELF! ░░
░░ ▄▓████▀░░▒▒▒▒▒▓▓▒▒▒▒▒▒▓█▄▄ ░░
░ ▄▀▀▄░░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓██▄ - WE SHIT ON *ALL* SCENE-IDIOTS: ░░
░ ▄░░▒▒▓▓▓▓█▀▀▀▀▀▓▓██▀▓▓▓▓▓▒▒▓█ "H8ERS", NUKERS, PUBBERS, -EON, ░░
░ █▓▓▓▀██▓▀▀▀▄▓▒░░▄██▌░░ ▓▀▓▓▓▓█ MAYBE ON YOU TOO?! ░░
█▓▓▀▄▓█▓▓░░░░█████▓█▓▄▄▄█▓ ▀▓▀▓▓ ░░
█▀ █▓▀▓███▄▄▄███▓▓▓█████▓█▀▄▐▌ █ - WE ONLY BELIEVE CURRENT YEAR CDDAS ░░
█ ▐█████▀ ████▓▓█▌▀██▓▓ ▐▓ IS TEH GOOD MUSIC! ░░
░ ███▀ ▐████▓█▓ ▐▓▀ ▀ ░░
░░ ▓ ███▓███▓ ▀ - WE CONSTANTLY LOOKING FOR 10Gb/s, 500Tbs ░░
░░ ▐███▓▓██▌ W/ 0SEC ATTITUDE THAT CAN'T ACHIEVE MORE THAN SIX ░░
░░ ██▓▓▓▓█▌ MONTHS OF UPTIME. WHQ SPOT AVAILABLE!!!!!!!!!!!!! ░░
░ ▓█▓▒▒▓█ ░░
░░ ██▒▒▒▓█▌ - ICQ US! ░░
░░ ▐█▌░▒▒▓██ ░░
░░ ▐█▌░░▒▓█▌ YOUR **TRUE** PSEUDO-FRIENDS, ░░
░░░ ██▒░▒▓█▌ ▓ ▄■ ░░
░▒░ ▐█▌▓▀▓█▌ ▓▄▓ · WASHED UP SCENESTERS ░░
░▒▒ ░██▌▒▒▓█▓▌▓▒█▀·▄■▄ ▄ ▓▓▄▄▄ 'o9 ░░
░▒▒▌ ▒▒██▒▒▓▓░█▓▒▒▒▀▒▒▄▄ ▄ ██▓▓███▄▄▄▄▄ ░░
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THIS IS NOT PIRACY.