Data-The_Prologue_EP-HZN036EP-VINYL-2009-sour
NFO
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: : artist (Data ) | .---. |
: : title (The Prologue EP ) | 0 | | |
: : record label (Horizons Music (HZN036EP) ) | 9 | | |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2009/10/14) | 7 |%%%| |
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: : :.: (04 tracks) (24:27 min) ( 33.2 mb) | `---' |
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nr times track titles
.----^-------^----------------------------------------------------------------.
| A 6:40 Data - The Sprawl |
| B 6:48 Data - Vice |
| C 5:26 Data - The Enemy Within |
| D 5:33 Data & Cell - Antenna |
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| | | |
| | Horizons Music proudly presents The Prologue | |
| | EP, a glimpse at a dystopian future, created | |
| | by Data (N.Burne). Ambience, vibe, groove and | |
| | experimentation are brought to the fore, | |
| | whilst each track has it's own distinct tone | |
| | and direction. Heavily inspired by works such | |
| | as William Gibson's "Neuromancer" and | |
| | "Burning Chrome", the music contained within | |
| | aims to create images in the mind. Data has | |
| | also created some quotes to help set the | |
| | scene. Come and take a walk through the | |
| | Sprawl... | |
| | | |
| | "The Sprawl". The dome towered over them, | |
| | protecting them from the harmful rays that | |
| | the Ozone layer could no longer shelter them | |
| | from. Their sun was not one of gold, but of | |
| | grey... Sinister ambience creeps towards you | |
| | from the speaker as a heavy stepping beat | |
| | provides the pace through The Spawl. Distant | |
| | cries and the buzz of machinery mingle | |
| | amongst each other, whilst drones buzz | |
| | overhead. Dramatic effects break the beat | |
| | apart before the breakdown, where a menacing | |
| | bass enters the fray. Percussion hits, | |
| | fragments of breaks and strange fx keep | |
| | things moving throughout the track, with a | |
| | distinct change in the second section keeping | |
| | the listener interested till the end. | |
| | | |
| | "Vice". Welcome to the Sprawl's Red Light | |
| | District, where anything can be bought...Lush | |
| | chords and vocal stabs introduce "Vice", | |
| | whilst a broken and staggered beat provides | |
| | the rhythm. An sleazy vibe is brought forth | |
| | from the arrangement, which builds to its | |
| | dramatic drop, with a huge bassline, that | |
| | folds around the beat perfectly. The 2nd half | |
| | of the track takes on a more musical | |
| | approach, with lush synth tones providing a | |
| | stunning melody to finish the track. | |
| | | |
| | "The Enemy Within". Pain streaked through his | |
| | body as the virus began to eat away at his | |
| | cybernetics. Time was running out. Twisted | |
| | and abstract, The Enemy Within is driven by | |
| | it's disgusting synth line and strange glitch | |
| | beat. Technical yet restrained, it's | |
| | hypnoticpatterns draw you into it's midst, | |
| | whilst bell like tones provide an ominous | |
| | atmosphere. Hissing bitcrushed ride cymbals | |
| | pick up the pace, whilst a distorted midtone | |
| | provides the response to bass. | |
| | | |
| | "Antenna". They fear the visionary | |
| | experience, for you have to go through a kind | |
| | of death to experience it... Featuring Cell | |
| | and clocking in at 140 bpm, Antenna is mostly | |
| | ambient in it's approach until the later | |
| | sections, where a huge thumping and distorted | |
| | drum line is matched with a massive 808 bass | |
| | section. Space like pads and synths and | |
| | matched by strange whirring sounds, whilst | |
| | distorted tones glitch in and out of it's | |
| | audio landscape. Fragments of radio messages | |
| | can be heard, metaphysical messages that echo | |
| | out of the speaker into your mind. A totally | |
| | unique and abstract approach. | |
| | | |
| | NOTE: | |
| | Track C indeed ends very oddly. This is most | |
| | likely either intentional or a pressing issue | |
| | - not our fault in any way. | |
| | | |
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| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2009 ]
Files
| Path | Size |
|---|---|
| a-data-the_sprawl-sour.mp3 | 8,88 MB |
| b-data-vice-sour.mp3 | 8,86 MB |
| c-data-the_enemy_within-sour.mp3 | 7,29 MB |
| d-data_and_cell-antenna-sour.mp3 | 8,20 MB |