Nicola_Matteis_(Amandine_Beyer)--False_Consonances_of_Melancholy-(Zig-Zag_Territoires)-2009-UKi

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MP3/FLAC

Group

UKi

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92,29 MB

Files

40

Date

2009-10-29

NFO

      a r t i s t : Nicola Matteis (Amandine Beyer)
        t i t l e : False Consonances Of Melancholy
          d a t e : 2009
        l a b e l : Zig-Zag Territoires
	    c a t : ZZT 090802
      s o u r c e : CDDA
        g e n r e : Classical
  r l s.  d a t e : Oct/2009
      t r a c k s : 40
    b i t r a t e : VBRkbps
          s i z e : 92,3 MB

   _______________________________________________________________________

     His music and his invention always oscillate between
     certainty and magic, the known and the impalpable. The path
     leading to Matteis is strewn with pitfalls because of the
     halo of mystery that surrounds him, but for me it has
     something of the initiatory quest, worthy of a fairytale,
     where each piece picked up en route is a pearl whose powers
     of evocation have been preserved intact. Amandine Beyer

     Amandine Beyer - after playing known and reknown pieces
     (Vivaldi, Bach) - whishes to bring light and sound to less
     known composers which however contributed to the
     extraordinary flow of pieces for violin which prepared Bach
     or Vivaldis masterpieces. We have Matteis (released in
     september) and Rosenmuller for spring 2010 ; both challenging
     exploration of unrecorded repertoires related to the
     fantasticus style of germany, italy and england.

     Nicola Matteis is an outstanding figure who crossed Europe by
     foot from Naples to London where he contributed to develop
     the violin to brillant virtuosity before Pisendel and Bachs
     Sonatas and Partitas.

     Amandine Beyer - puzzled by iconographies of Matteis holding
     the violin very low - decided to change her technique for
     this recording.ôconvinced that, in a musician-composer,
     musical technique and invention are closely connected, and
     that if we try to get as close as possible to the way Matteis
     himself played, it can have a drastic influence on the
     performers musical gesture. Amandine Beyer
   _______________________________________________________________________

      01-Sonata (adagio)                                        [02:02]
      02-Diverse bizzarrie sopra la vecchia sarabanda o pur     [04:14]
      ciaccona
      03-Passaggio rotto (andamento veloce)                     [02:14]
      04-Fantasia                                               [01:43]
      05-Preludio in fantasia                                   [01:17]
      06-Allegro                                                [02:01]
      07-Aria malinconica (adagio)                              [02:26]
      08-Giga (allegro)                                         [00:41]
      09-Aria amorosa                                           [03:24]
      10-Aria                                                   [01:22]
      11-Preludio                                               [01:25]
      12-Musica (grave-presto)                                  [01:42]
      13-Sarabanda (adagio)                                     [02:38]
      14-Aria                                                   [01:11]
      15-Aria burlesca (presto)                                 [01:57]
      16-Fuga (prestissimo)                                     [01:08]
      17-Giga al genio turchesco                                [00:57]
      18-Preludio                                               [00:52]
      19-Adagio                                                 [02:11]
      20-Allemanda ad imitatione d'un tartaglia                 [01:37]
      21-Movimento incognito                                    [04:06]
      22-Sarabanda amorosa (adagio)                             [01:34]
      23-Gavotta (presto)                                       [01:49]
      24-Preludio. presto                                       [01:42]
      25-Pavana armoniosa                                       [02:01]
      26-Il russignolo                                          [01:18]
      27-Preludio allegro (prestissimo). malinconico (adagio)   [01:26]
      28-Aria (adagio-presto)                                   [02:20]
      29-Vivace eco                                             [02:07]
      30-Fuga (presto)                                          [01:44]
      31-Preludio (adagio)                                      [01:30]
      32-Prestissimo                                            [00:35]
      33-Un poco di maniera italiana. aria ridicola (presto)    [01:26]
      34-Aria                                                   [01:33]
      35-Fantasia                                               [01:36]
      36-Preludio in ostinatione. passagio rotto                [01:09]
      37-Andamento malinconico. divisone ad libitum             [02:44]
      38-Grave (adagio)                                         [02:04]
      39-Aria for the flute                                     [01:16]
      40-Giga                                                   [01:48]
                                                                -------
                                                                 72:50 min

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