Sarband_And_Fadia_El-Hage_-_The_Arabian_Passion_According_To_J.S._Bach-2009-CMG

Section
MP3/FLAC
Group
CMG
Size
93,50 MB
Files
14
Date
2009-10-31

NFO

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     █ █▓███████▄   ▄▄█████▀▀▀▀▀  .;.C M G.;.  ▀▀▀▀▀▓▓███▄▄   ▄█████████ █
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    ▀▓▀  ▓ ▀██▄ ▀▀▀▀▀     ▓█▄.Council Music Group.▄█▓     ▀▀▀▀▀ ▄██▀ ▓  ▀▓▀
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           █▀   Sarband & Fadia el-Hage - The Arabian Passion Acc ▀█
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              ▀▀███  ▓ Type ........: Album              ▓  ███▀▀
              ▀  ██  ░ Music Style .: Classical          ░  ██  ▀
              ▄  ▐█    Release.Date : 10.31.2009            █▌  ▄
             ▀▓▀ ▐█    Release.Size : 93,5 MB               █▌ ▀▓▀
                  █    Playtime ....: 77:00 min             █
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                             ▀ ..;.TracKList.;.. ▀

           01   :::   Erbarme Dich                         :::   07:10
           02   :::   Mein Jesus Schweigt Zu Falschen      :::   02:29
                      Luegen Stille
           03   :::   Geduld, Geduld!                      :::   06:21
           04   :::   Jesum Von Nazareth                   :::   02:59
           05   :::   Nay-Taqsim - O Grosse Liebe          :::   06:35
           06   :::   Koennen Traenen Meiner Wangen        :::   10:32
                      Nichts Erlangen
           07   :::   Taqsim - Wenn Ich Einmal Soll        :::   05:01
                      Scheiden
           08   :::   Wir Haben Ein Gesetz                 :::   03:25
           09   :::   Aljaum                               :::   06:34
           10   :::   Von Den Stricken Meiner Suenden      :::   06:44
           11   :::   Mein Teurer Heiland                  :::   07:19
           12   :::   Und Weinete Bitterlich               :::   03:34
           13   :::   Es Ist Vollbracht!                   :::   04:47
           14   :::   Ich Bin's, Ich Sollte Buessen        :::   03:30

                                                   Total   :::   77:00

           ░                  ..;Release Notes;..                    ░

           ░        The two passion oratories by J.S. Bach           ░
           ░        which have survived in their entirety,           ░
           ░        the St. John Passion, BWV 245, and the           ░
           ░        St. Matthew Passion, BWV 244, are                ░
           ░        considered the culmination of the Baroque        ░
           ░        art of expression and rank high in the           ░
           ░        Occidental canon of great works of music.        ░
           ░        Every year in the weeks leading up to            ░
           ░        Easter, they figure prominently in               ░
           ░        European concert programmes and                  ░
           ░        Christian religious life alike. No               ░
           ░        composer has conveyed the suffering of           ░
           ░        man, embodied in Jesus Christ, God               ░
           ░        incarnate,                                       ░
           ░        in music in as striking and passionate a         ░
           ░        manner as Bach in these works.                   ░
           ░                                                         ░
           ░        Sarband confronts BachÆs passions with           ░
           ░        the disastrous present-day situation in          ░
           ░        JesusÆ native land, the Middle East, but         ░
           ░        also                                             ░
           ░        with the conflicts between the Arabic            ░
           ░        world and the West, between believers and        ░
           ░        those who believe differently,                   ░
           ░        between the future-oriented and the              ░
           ░        tradition-minded. All over the world,            ░
           ░        regardless of their origins or religions,        ░
           ░        people are suffering on account of these         ░
           ░        conflicts.                                       ░
           ░                                                         ░
           ░        In his Arabian Passion, Vladimir Ivanoff,        ░
           ░        musical director of Sarband, compares            ░
           ░        JesusÆ suffering and that of the                 ░
           ░        colonized Middle East in the time of the         ░
           ░        New Testament with the current situation.        ░
           ░                                                         ░
           ░        BachÆs Baroque precision and complexity          ░
           ░        meet the spontaneity of classical Arab           ░
           ░        music and Jazz: two traditions which have        ░
           ░        a lot in common, for example highly              ░
           ░        sophisticated and structured                     ░
           ░        improvisation techniques, but also two           ░
           ░        voices which could hardly be more                ░
           ░        different: that of the traditional Arab          ░
           ░        world and a new voice that is spreading          ░
           ░        through the worldùthe American way of            ░
           ░        life. Arab musicians, two jazz                   ░
           ░        saxophonists and the Modern String               ░
           ░        Quartet have joined to reinterpret BachÆs        ░
           ░        passion music.                                   ░
           ░        Western and Middle Eastern musicians find        ░
           ░        each other in the music of Bach. In a            ░
           ░        world full of differences and conflicts,         ░
           ░        this musical cooperation creates an              ░
           ░        intense and contemplative space for              ░
           ░        mutual respect and peace.                        ░
           ░                                                         ░
           ░        ôThe Arabian Passionö is a musical plea          ░
           ░        for peace. A plea nourished by the               ░
           ░        confidence which forms the basis of              ░
           ░        BachÆs passions:                                 ░
           ░        that one day all suffering will come to          ░
           ░        an end.                                          ░
           ░                                                         ░
           ░                     www.sarband.de                      ░
           ▒     ▀                                             ▀     ▒
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       v0.2       ▀ ▄ ▀   ..;. Council Music Group .;..   ▀ ▄ ▀



Files

PathSize
01_erbarme_dich-cmg.mp38,76 MB
02_mein_jesus_schweigt_zu_falschen_luegen_stille-cmg.mp32,65 MB
03_geduld_geduld-cmg.mp37,69 MB
04_jesum_von_nazareth-cmg.mp33,86 MB
05_nay-taqsim_-_o_grosse_liebe-cmg.mp38,12 MB
06_koennen_traenen_meiner_wangen_nichts_erlangen-cmg.mp313,46 MB
07_taqsim_-_wenn_ich_einmal_soll_scheiden-cmg.mp35,52 MB
08_wir_haben_ein_gesetz-cmg.mp34,57 MB
09_aljaum-cmg.mp36,95 MB
10_von_den_stricken_meiner_suenden-cmg.mp37,91 MB
11_mein_teurer_heiland-cmg.mp39,45 MB
12_und_weinete_bitterlich-cmg.mp34,50 MB
13_es_ist_vollbracht-cmg.mp35,74 MB
14_ich_bins_ich_sollte_buessen-cmg.mp34,33 MB