David_Liebman_and_Ellery_Eskelin-Renewal-2008-SnS
- Section
-
MP3/FLAC
- Group
- SnS
- Size
- 83,98 MB
- Files
- 9
- Date
- 2009-11-11
NFO
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▀▀▓▓█▌ David Liebman & Ellery Eskelin - Renewal ░
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▀▀▄▓▒▓ Artist .....: David Liebman & Ellery Eskelin ▓▒▓
▐█▓▓ Title ......: Renewal ▓▓█
▀██▓ Year .......: 2008 ▓██
██▓ Genre ......: Jazz ▓██
███ Label ......: Hatology ▓██
███ Source .....: CD ▓█▓
███ Bitrate ....: 188 kbps avg ██▓
███ khz ........: 44.1 █▓▓
███ Mode .......: Joint Stereo ██▓
██▓ Encoder ....: LAME v3.97 -V2 --vbr-new ██▓
██▓ Reldate ....: 2009-11-11 ▓██
██▓ Storedate ..: 2008-00-00 ▓██
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█▓▓ ▓▀▀▀ ▄▓▄ ▀█▀ ▀ ▓▓█ ▀▀▀
██▓▄▀ ▀ ▄▓▄ ▓██
███▌ Tracklist ▀ ███
██▓▀ ███
███ 1. Cha 7:50 ███
███ 2. The Decider 9:11 ███
███ 3. Out There (Take 2) 5:07 ███
███ 4. Renewal 6:53 ███
███ 5. Palpable Clock 5:03 ███
███ 6. Dimi And The Blue Man 10:09 ███
███ 7. IC 8:53 ███
███ 8. Free Ballad 2:02 ███
███ 9. Out There (Take 1) 6:44 ███
██▓ ----- ▓██
██▓ 61:52 ▓██
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███▌ Release ▀ ███
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██▓ Renewal is the brilliant follow-up to Different But ▓██
██▓ The Same (Hatology, 2003), the debut of ▓██
██▓ saxophonists David Liebman and Ellery Eskelin's ▓██
██▓ co-led quartet. Initially perceived as a curious ▓██
██▓ pairing, with Liebman the conservative elder to ▓██
██▓ Eskelin's liberal youth, the two tenors actually ▓██
██▓ share numerous aesthetic similarities, including an ▓██
██▓ affinity for both inside and outside playing. ▓██
██▓ Although separated by a generational divide, they ▓██
██▓ have longstanding ties; Eskelin studied with ▓██
██▓ Liebman in the early eighties. ▓██
██▓ ▓██
██▓ Liebman's stalwart bassist Tony Marino and ▓██
██▓ Eskelin's frequent collaborator, drummer Jim Black ▓██
██▓ form the reliable rhythm section. The quartet ▓██
██▓ continues to skirt the tenuous divide between free ▓██
██▓ jazz and post-bop, a delicate balancing act they ▓██
██▓ accomplish with vivacious aplomb. A varied set, ▓██
██▓ Renewal features two tunes apiece from the session ▓██
██▓ co-leaders, one each from Black and Marino, a ▓██
██▓ freely improvised ballad and two enthralling takes ▓██
██▓ of Eric Dolphy's classic "Out There." ▓██
██▓ ▓██
██▓ Much as they did on their debut, Liebman and ▓██
██▓ Eskelin continue to confound stylistic ▓██
██▓ preconceptions. A complementary pair with an ▓██
██▓ uncanny flair for spontaneous harmonies, they ▓██
██▓ elicit untapped aspects from each other with a ▓██
██▓ conversational acumen that avoids hackneyed tenor ▓██
██▓ duels and cutting contests. ▓██
██▓ ▓██
██▓ Liebman's early studies with Lennie Tristano and ▓██
██▓ Charles Lloyd cemented his mastery of chord changes ▓██
██▓ and traditional forms well before his ▓██
██▓ apprenticeship with Miles Davis in the early ▓██
██▓ seventies, yet his predilection for more ▓██
██▓ exploratory avenues has always hovered in the ▓██
██▓ margins. In the company of like-minded peers, he is ▓██
██▓ joyously unrestrained; he even surpasses Eskelin in ▓██
██▓ intensity with his impassioned solo on the ▓██
██▓ ebullient opener, "Cha." ▓██
██▓ ▓██
██▓ A veteran of the nascent Knitting Factory scene, ▓██
██▓ Eskelin is renowned as a wild and wooly free ▓██
██▓ improviser, yet his lyrical and harmonic ▓██
██▓ contributions in the company of Liebman are ▓██
██▓ masterfully sublime as he orbits melodic niches ▓██
██▓ with focused moderation. ▓██
██▓ ▓██
██▓ A pliant rhythm section, Black and Marino veer from ▓██
██▓ roiling intensity to cool understatement. Their ▓██
██▓ raging coda on Black's infectious "Cha" brims with ▓██
██▓ punk rock energy, as Marino's hyperkinetic ▓██
██▓ pizzicato fuels Black's throttling palpitations. ▓██
██▓ The title track is the inverse, an introspective ▓██
██▓ ballad feature for Marino's sinewy bass, tempered ▓██
██▓ with soulful restraint from the horns. ▓██
██▓ ▓██
██▓ Despite their relatively limited palette, the ▓██
██▓ quartet embraces a wide range of territory. ▓██
██▓ Inspired by a recent trip to Mauritania, Liebman's ▓██
██▓ modal travelogue "Dimi and the Blue Man" ebbs with ▓██
██▓ rich North African harmonies and colorful ▓██
██▓ percussive accents. Eskelin's multi-sectional "The ▓██
██▓ Decider" ranges from somber introspection to ▓██
██▓ brusque, angular free jazz, while the two tenors' ▓██
██▓ circuitous interaction reaches a fevered pitch on ▓██
██▓ the petulant "IC." Stretching the bounds of ▓██
██▓ tradition, Marino's 10 bar blues "Palpable Clock" ▓██
██▓ saunters with a languorous Mingus-like fervor. ▓██
██▓ ▓██
██▓ As an exploration of the limitless potential found ▓██
██▓ in the two tenor quartet format, Renewal is a ▓██
██▓ stunning example of modern jazz that straddles the ▓██
██▓ line between freedom and form by musicians who ▓██
██▓ transcend expectations. ▓██
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▓██▌ Group ▀ ▓██
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▄ ▀▄▓▄▓██ if you have something to offer contact us. ███
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Files
| Path | Size |
|---|
| 01-david_liebman_and_ellery_eskelin-cha.mp3 | 11,10 MB |
| 02-david_liebman_and_ellery_eskelin-the_decider.mp3 | 12,24 MB |
| 03-david_liebman_and_ellery_eskelin-out_there_(take_2).mp3 | 7,52 MB |
| 04-david_liebman_and_ellery_eskelin-renewal.mp3 | 8,04 MB |
| 05-david_liebman_and_ellery_eskelin-palpable_clock.mp3 | 7,04 MB |
| 06-david_liebman_and_ellery_eskelin-dimi_and_the_blue_man.mp3 | 13,88 MB |
| 07-david_liebman_and_ellery_eskelin-ic.mp3 | 12,01 MB |
| 08-david_liebman_and_ellery_eskelin-free_ballad.mp3 | 2,55 MB |
| 09-david_liebman_and_ellery_eskelin-out_there_(take_1).mp3 | 9,60 MB |