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┌─────────────────────────────────────────────────────────────────────┐
│ Title │
┌─────────────────────────────────────────────────────────────────────────┐
┌─│─│─∙ ─│─│─┐
│ │ | RiPPER..: -=Team OSC=- │ GENRE......: Jazz | │ │
│ │ :.LABEL...: B. Sharp │ SCENE DATE.: 12/20/2002 .: │ │
│ │ · bITRATE.: 192kbps/44.1Hz/Full S│ STORE DATE.: 00/00/1994 · │ │
│ │ : ENCODER.: Lame │ TRACKS.....: 11 │ │
│ │ | SiZE....: 75,5 MB │ SOURCE.....: CDDA | │ │
└─│─│─· ·─│─│─┘
└─────────────────────────────────────────────────────────────────────────┘
└─────────────────────────────────────────────────────────────────────┘
───────────────────────────────────────────────────────────────────────
───────────────────────────────────────────────────────────────────────
┌────────────────────────[ TRACKLIST ]────────────────────────────┐
┌─────────────────────────────────────────────────────────────────────────┐
┌─│─│─∙ ∙ · · ∙ ∙─│─│─┐
│ │ | | │ │
│ │ : : │ │
│ │ Number Trackname Time │ │
│ │ │ │
│ │ 01 Romantic Mood 06:20 │ │
│ │ 02 So Far, So Close at the Same Time 05:12 │ │
│ │ 03 Conversation 06:05 │ │
│ │ 04 Tenderness 04:19 │ │
│ │ 05 Somewhere 07:00 │ │
│ │ 06 What Can I Do 04:34 │ │
│ │ 07 Mystery 05:05 │ │
│ │ 08 Keep Going 04:10 │ │
│ │ 09 Bossa 03:37 │ │
│ │ 10 Reminiscence 02:57 │ │
│ │ 11 Don't Rush 05:36 │ │
│ │ : : │ │
│ │ | | │ │
└─│─│─∙ ∙ · · ∙ ∙─│─│─┘
└─────────────────────────────────────────────────────────────────────────┘
└──────── ────────┘
┌────────────────────────[ RELEASE NOTES ]────────────────────────────┐
┌─────────────────────────────────────────────────────────────────────────┐
┌─│─│─∙ ∙ · · ∙ ∙─│─│─┐
│ │ | | │ │
│ │ : : │ │
│ │ No specific notes on this album. │ │
│ │ │ │
│ │ * │ │
│ │ │ │
│ │ About Myriam Alter: │ │
│ │ │ │
│ │ Myriam Alter │ │
│ │ Piano, Composition │ │
│ │ │ │
│ │ Myriam Alter got a classical training starting at the age of 8 │ │
│ │ years. Involved in her studies (graduating from high school, │ │
│ │ then getting a licence for psychology at the University of │ │
│ │ Brussels), she had to stop practising her instrument at the age │ │
│ │ of 15. She then started to work in an advertising agency for a │ │
│ │ period of seven years. After that, without really being aware │ │
│ │ of it, she went back to the search of music by opening a │ │
│ │ dancing school that she managed for another period of seven │ │
│ │ years. │ │
│ │ │ │
│ │ This was when she really felt the need to start studying the │ │
│ │ piano again. Her inborn tendency to improvised music brought │ │
│ │ her very naturally to jazz. She started to study by her own and │ │
│ │ later with American saxophonist John Ruocco, American piano │ │
│ │ player Denis Luxion, and finally Dutch bass player Hein van de │ │
│ │ Geyn who followed her career closely and was to become the │ │
│ │ producer of her first three records. │ │
│ │ │ │
│ │ Playing mainly jazz standards, Myriam Alter first formed a │ │
│ │ quartet, then a quintet together with Belgian musicians. After │ │
│ │ working with these guys for a while, she started to write her │ │
│ │ own music. When she started to feel comfortable with her music │ │
│ │ and got recognition for it, she decided to record a first album │ │
│ │ with Ben Sluys (B) on saxophone, Gino Lattuca (B) on trumpet, │ │
│ │ Michel Benita (F) on bass, Jan de Haes (B) on drums and herself │ │
│ │ on piano. As this album was successful, it was followed by │ │
│ │ another one with the same musicians except Stefan Lievestro (H) │ │
│ │ playing bass instead of Michel Benita. The second album also │ │
│ │ got very good reviews. The press emphazised especially Myriam's │ │
│ │ ability for composing. │ │
│ │ │ │
│ │ So the idea of making an international album occurred. "Alter │ │
│ │ Ego" was recorded in New York in 1997 with Billy Drewes (USA) │ │
│ │ on sax and clarinet, Ron Miles (USA) on trumpet, Kenny Werner │ │
│ │ (USA) on piano, Marc Johnson (USA) on bass and Joey Baron (USA) │ │
│ │ on drums. While Myriam left the piano seat to Kenny Werner, the │ │
│ │ quintet only played Myriam's compositions. │ │
│ │ │ │
│ │ Then came the time to write music that would really express │ │
│ │ "who she was." The resulting album was called "If". │ │
│ │ │ │
│ │ │ │
│ │ : : │ │
│ │ | | │ │
└─│─│─∙ ∙ · · ∙ ∙─│─│─┘
└─────────────────────────────────────────────────────────────────────────┘
└──────── ────────┘
┌────────────────────────[ GROUP NEWS ]────────────────────────────┐
┌─────────────────────────────────────────────────────────────────────────┐
┌─│─│─∙ ∙ · · ∙ ∙─│─│─┐
│ │ | | │ │
│ │ : : │ │
│ │ OSC is still holding it down after more than a year in tha scene. │ │
│ │ Our dedication to bringing you the best in ol skool classics is, │ │
│ │ and always will be, our driving force. Quality over quantity. │ │
│ │ │ │
│ │ "It's all about the music, fuck the other ish." - OSC │ │
│ │ │ │
│ │ │ │
│ │ │ │
│ │ │ │
│ │ As always we'd like to greet those groups adding, not taking away: │ │
│ │ │ │
│ │ aPC - WHOA - SSR - OMNi - XXL - KSi - CHR - RNS - ESC │ │
│ │ │ │
│ │ If you're not listed, don't worry, props go out to all good groups. │ │
│ │ │ │
│ │ One last note: we at OSC do not fill requests, nor do we condone │ │
│ │ piracy. For review purposes only, so delete after 24 hrs and │ │
│ │ : support the artists. : │ │
│ │ | | │ │
└─│─│─∙ ∙ · · ∙ ∙─│─│─┘
└─────────────────────────────────────────────────────────────────────────┘
└──────── ASCII BY mMhCkB ───────┘