Horace_Silver-The_Tokyo_Blues-1996-JUST

Section
MP3/FLAC
Group
JUST
Size
58,02 MB
Files
5
Date
2009-11-16

NFO

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       ▄█▓████████▓▓▀ ▀▀▀▓▀  ▀▓▀   ▀▀▓▀ ▀▀▀  ▀▓▀  ▀ ▀▀▀▓▀ ▀░▀▀  ▀▓██▓█▓█▓▄
     ▄▓█████████▓▓█▀                                               ▀▀▀▓██▓▌
░   ▓█████████▓▓█▀       [ J U S T F U N . P R E S E N T S ]        ▐█▄██▓▀
   ▐███▓██▀▀▓▀░                                                      ██▓▓█▀▀
░  ▓████▓▌  ░  Artist.......: Horace Silver                          ▐▓▀▀
▓ ▐█████▓█     Album........: The Tokyo Blues                        ▀ ░
▀█▄▓████▓▓▄█▀  Genre........: Jazz                                   ░▓ ▌
 ▄▀██▓██▓▓▀    Language.....: English                               ░▓░▐▓
 ▓▓▄▀█▓▓▓▀     Label........: blue note                            ░▓░ █▓▌
 ▐█▓▓ ▀▓       Catnr........: n/a                                 ░▓▓▓ ▐█▓▓
  ▓█▓▌         URL..........: n/a                                  ▓░ ███▓▓[z0o]░
  ▐██░                      ░                           ░  ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
   ▀▓█░▄   ▌             ░▓░ [ R E L E A S E . I N F O ] ▓░   ▓▀▓█████████████▓▓▓▀
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    ░▓▓░ ▐█▓▓   ░ ░▓▓░    source......: CDDA                   ░▓▓ ▐███████▓▓▌  ░
 ░░      ███▓▓  ▓▓░▓░     playtime....: 39:57 min             ░▓▓░ ▓███▀ ▀▓█▓▓  ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄    rip.date....: Mar-14-2004            ▓  ▐█▓▀  ░ ░▀█▓▌
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     ▐█▓▀ ░░  ▀█▓▌░       quality.....: VBR/44,1Hz/Joint-Stereo          ░      ▒
     █▀ ░▓▓▓▓░  ▀▓                                                    ░  ░    ░
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  ░    ▄█▒████████▓▓▀                                               ▀▓██▓███▓▄
     ▄▓██░██████▓▓█▀        [ T R A C K . L I S T I N G ]              ▀▀▀▓██▓▌
    ▓█████████▓▓█▀                                                      ▐█▄██▓▀
   ▐███▓██▀▀▓▀░                                                          ██▓▓█▀▀
   ▓████▓▌  ░ track  title                                          time ▐▓▀▀
   ▓████▓▌                                                               ▀ ░▌
   ▓████▓▌     01.   Too Much Sake                                 06:46   ▓▌
   ▓████▓▌     02.   Sayonara Blues                                12:13   ▓▌
   ▓████▓▌     03.   The Tokyo Blues                               07:40   ▓▌
   ▓████▓▌     04.   Cherry Blossom                                06:12   ▓▌
   ▓████▓▌     05.   Ah! So                                        07:06   ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌              [ A B O U T . T H i S . R E L E A S E ]            ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Pianist Horace Silver had his most stable group           ▓▌
   ▓████▓▌       during 1960-64 when his sidemen were trumpeter Blue       ▓▌
   ▓████▓▌       Mitchell, tenor saxophonist Junior Cook, bassist          ▓▌
   ▓████▓▌       Gene Taylor and drummer Roy Brooks. For this set (a       ▓▌
   ▓████▓▌       straight CD reissue of the original LP), Joe Harris       ▓▌
   ▓████▓▌       (listed as John Harris, Jr.) is in Brooks' place.         ▓▌
   ▓████▓▌       The quintet performs four Silver originals (best          ▓▌
   ▓████▓▌       known is the title cut) plus Ronnell Bright's             ▓▌
   ▓████▓▌       obscure ballad "Cherry Blossom" which is well worth       ▓▌
   ▓████▓▌       reviving. Although the five songs are dedicated to        ▓▌
   ▓████▓▌       Japan and the Orient, this is nothing inherently          ▓▌
   ▓████▓▌       Asian about the music; it is a typically funky            ▓▌
   ▓████▓▌       Horace Silver hard bop date, one of his many              ▓▌
   ▓████▓▌       recommended Blue Note sets.                               ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       ***************************************************       ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       From the perspective of the late '90s, it is clear        ▓▌
   ▓████▓▌       that few jazz musicians have had a greater impact         ▓▌
   ▓████▓▌       on the contemporary mainstream than Horace Silver.        ▓▌
   ▓████▓▌       The hard bop style that Silver pioneered in the           ▓▌
   ▓████▓▌       '50s is now dominant, played not only by holdovers        ▓▌
   ▓████▓▌       from an earlier generation, but also by                   ▓▌
   ▓████▓▌       fuzzy-cheeked musicians who had yet to be born when       ▓▌
   ▓████▓▌       the music fell out of critical favor in the '60s          ▓▌
   ▓████▓▌       and '70s.                                                 ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Silver's earliest musical influence was the Cape          ▓▌
   ▓████▓▌       Verdean folk music he heard from his Portugese-born       ▓▌
   ▓████▓▌       father. Later, after he had begun playing piano and       ▓▌
   ▓████▓▌       saxophone as a high schooler, Silver came under the       ▓▌
   ▓████▓▌       spell of blues singers and boogie-woogie pianists,        ▓▌
   ▓████▓▌       as well as boppers like Thelonious Monk and Bud           ▓▌
   ▓████▓▌       Powell. In 1950, Stan Getz played a concert in            ▓▌
   ▓████▓▌       Hartford, Connecticut, with a pickup rhythm section       ▓▌
   ▓████▓▌       that included Silver, drummer Walter Bolden, and          ▓▌
   ▓████▓▌       bassist Joe Calloway. So impressed was Getz, he           ▓▌
   ▓████▓▌       hired the whole trio. Silver had been saving his          ▓▌
   ▓████▓▌       money to move to New York anyway; his hiring by           ▓▌
   ▓████▓▌       Getz sealed the deal. Silver worked with Getz for a       ▓▌
   ▓████▓▌       year, then began to freelance around the city with        ▓▌
   ▓████▓▌       such big-time players as Coleman Hawkins, Lester          ▓▌
   ▓████▓▌       Young, and Oscar Pettiford. In 1952, he recorded          ▓▌
   ▓████▓▌       with Lou Donaldson for the Blue Note label; this          ▓▌
   ▓████▓▌       date led him to his first recordings as a leader.         ▓▌
   ▓████▓▌       In 1953, he joined forces with Art Blakey to form a       ▓▌
   ▓████▓▌       cooperative under their joint leadership. The             ▓▌
   ▓████▓▌       band's first album, Horace Silver and the Jazz            ▓▌
   ▓████▓▌       Messengers, was a milestone in the development of         ▓▌
   ▓████▓▌       the genre that came to be known as hard bop. Many         ▓▌
   ▓████▓▌       of the tunes penned by Silver for that record --          ▓▌
   ▓████▓▌       "The Preacher," "Doodlin'," "Room 608" -- became          ▓▌
   ▓████▓▌       jazz classics. By 1956, Silver had left the               ▓▌
   ▓████▓▌       Messengers to record on his own. The series of Blue       ▓▌
   ▓████▓▌       Note albums that followed established Silver for          ▓▌
   ▓████▓▌       all time as one of jazz's major composer/pianists.        ▓▌
   ▓████▓▌       LPs like Blowin' the Blues Away and Song for My           ▓▌
   ▓████▓▌       Father (both recorded by an ensemble which included       ▓▌
   ▓████▓▌       Silver's longtime sidemen Blue Mitchell and Junior        ▓▌
   ▓████▓▌       Cook) featured Silver's harmonically sophisticated        ▓▌
   ▓████▓▌       and formally distinctive compositions for small           ▓▌
   ▓████▓▌       jazz ensemble.                                            ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Silver's piano style -- terse, imaginative, and           ▓▌
   ▓████▓▌       utterly funky -- became a model for subsequent            ▓▌
   ▓████▓▌       mainstream pianists to emulate. Some of the most          ▓▌
   ▓████▓▌       influential horn players of the '50s,'60s, and '70s       ▓▌
   ▓████▓▌       first attained a measure of prominence with Silver        ▓▌
   ▓████▓▌       -- musicians like Donald Byrd, Woody Shaw, Joe            ▓▌
   ▓████▓▌       Henderson, Benny Golson, and the Brecker brothers         ▓▌
   ▓████▓▌       all played in Silver's band at a point early in           ▓▌
   ▓████▓▌       their careers. Silver has even affected members of        ▓▌
   ▓████▓▌       the avant-garde; Cecil Taylor confesses a Silver          ▓▌
   ▓████▓▌       influence, and trumpeter Dave Douglas played              ▓▌
   ▓████▓▌       briefly in a Silver combo.                                ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Silver recorded exclusively for Blue Note until           ▓▌
   ▓████▓▌       that label's eclipse in the late '70s, whereupon he       ▓▌
   ▓████▓▌       started his own label, Silveto. Silver's '80s work        ▓▌
   ▓████▓▌       was poorly distributed. During that time he began         ▓▌
   ▓████▓▌       writing lyrics to his compositions; his work began        ▓▌
   ▓████▓▌       to display a concern with music's metaphysical            ▓▌
   ▓████▓▌       powers, as exemplified by album titles like Music         ▓▌
   ▓████▓▌       to Ease Your Disease and Spritualizing Your Senses.       ▓▌
   ▓████▓▌       In the '90s, Silver abandoned his label venture and       ▓▌
   ▓████▓▌       began recording for Columbia. With his re-emergence       ▓▌
   ▓████▓▌       on a major label, Silver is once again receiving a        ▓▌
   ▓████▓▌       measure of the attention his contribution deserves.       ▓▌
   ▓████▓▌       Certainly, no one has ever contributed a larger and       ▓▌
   ▓████▓▌       more vital body of original compositions to the           ▓▌
   ▓████▓▌       jazz canon.                                               ▓▌
   ▓████▓▌                                                                 ▓▌
░  ▓████▓▌                                                                 ▓▌
▓ ▐█████▓█                       [ A B O U T . U S ]                       ▓▌
▀█▄▓████▓▓▄█▀                                                              ▓▌
  ▀██▓██▓▓▀   Our group consists of many rippers who are music enthu-      ▓▌
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       ▄█▒████████▓▓▀                                        ▀▀▀▀▀  ▀▓██▓███▓▄
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    ▓█████████▓▓█▀                                                      ▐█▄██▓▀
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      ▀▓                                                     ░███          ▓▌
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  ▀▓█████████████▓▓▓▀                                       ▀▓█████████████▓▓▓▀
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       ▀▓█████▓▓▓                   by z0oy0rk                   ▀▓█████▓▓▓
       ▐███████▓▓▌                                               ▐███████▓▓▌
       ▓███▀ ▀▓█▓▓    [ J U S T F U N born in Apr. 2 0 0 0 ]     ▓███▀ ▀▓█▓▓
      ▐█▓▀    ░▀█▓▌                                             ▐█▓▀    ░▀█▓▌
      █▀         ▀▓                                             █▀         ▀▓
     ▀░       ░   ░▀                                           ▀░         z!░▀

Files

PathSize
01-horace_silver-too_much_sake-just.mp310,04 MB
02-horace_silver-sayonara_blues-just.mp317,65 MB
03-horace_silver-the_tokyo_blues-just.mp311,10 MB
04-horace_silver-cherry_blossom-just.mp38,36 MB
05-horace_silver-ah_so-just.mp310,87 MB