The_Bad_Plus-Give-2004-RNS
- Section
-
MP3/FLAC
- Group
- RNS
- Size
- 85,59 MB
- Files
- 12
- Date
- 2009-11-16
NFO
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▄▓▀▀ ▀████▓▄█▓▓▓███▓█▓▀▀▀ TEAM RNS PRESENTS ▄■ ▐█▄▓██
▀ ▀██░▐██▀▀ ▐█▄ ▄██▌ ▄██▌░█▌
▀ ▄▄ ▀█▄▀██▄▄████▌ARTIST: the bad plus ▐████▄███▀▄█▀ ▄▄
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█████▄ ▐█▌▐███▄ TITLE: give ▄███▌▐█▌ ▄█████
███████▄▄▄▓░ ▓█████ ██████▄░▓▄▄▄███████
▀█████▓▄▄▄█▐▓█████▌ LABEL: sony music ▐█████▓▌█▄▄▄▓█████▀
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▄▄▀▀ ▄██████▀ RIPPER: Team RNS ▀██████▄
▄ ▀ ▄██████▀ ▀██████▄
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██▌ ▐██████▌ ▐██████▌
▀██▄ ▐██████ 212kbps avg - Jazz ▐▓█████▌
▀██▄ ▀█████▌ 0hr 56min total- 89.7mb ██████▀
▄▄▀▀███▄▄▀▀███▄ ███▓▀▀
█▓ ▀▀██▄ ▀██▄ RELEASE DATE: 2004-03-09 ██▀
▀▓▄ ▐██▌ ▐██▓▄ RIP DATE: 2004-02-28 ▄██▌
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▀▀███████▀ track list ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ ---------- ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ 01 1979 semi-finalist 5:17 ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ 02 cheney pinata 4:49 ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ 03 street woman 3:56 ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ 04 and here we test our powers of 4:21 ▀█████▄
▄█████▀ ▀▄▄ observation ▄▄▀ ▀█████▄
▐█████ ▐█▓ 05 frog and toad 3:36 ▓█▌ █████▌
█████▌ ███▌ 06 velouria 5:35 ▐███ ▐█████
▀█████▄ ▓██▓ 07 layin' a strip for the 4:14 ▓██▓ ▄█████▀
▀▀███████▀ higher-self state line ▀█████████
▀▀██▄ 08 do your sums-die like a 5:02 ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ dog-play for home ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ 09 dirty blonde 3:42 ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ 10 neptune (the planet) 5:28 ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ 11 iron man 6:01 ▀█████▄
▀▀███▀██████▀ ▀▄▄ 12 knowing me, knowing you (bonus 4:23 ▄▄▀ ▀█████▄
▐█████ ▐█▓ track) ▓█▌ █████▌
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▄▄▄ ▀▀██▄ release notes ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ Are the Bad Plus a pop and ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ rock-influenced jazz trio? Or are they a ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ power trio who like to play jazz? It's ▀█████▄
▄█████▀ ▀▄▄ really a bit of both. But in the brave ▄▄▀ ▀█████▄
▐█████ ▐█▓ new world of postmodern jazz, identity ▓█▌ █████▌
█████▌ ███▌ crises are encouraged. Reid Anderson ▐███ ▐█████
▀█████▄ ▓██▓ (bass) and David King (drums) grew up ▓██▓ ▄█████▀
▀▀███████▀ in Minnesota, while pianist Ethan ▀█████████
▀▀██▄ Iverson spent his formative years in ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ Wisconsin. Eventually, after crossing ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ paths in such unlikely places as high ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ school rock showcases and tentative free ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ jazz performances inside upper-Midwestern ▀█████▄
▀▀███▀██████▀ ▀▄▄ diners, the three first performed as the ▄▄▀ ▀█████▄
▐█████ ▐█▓ Bad Plus in 1990; but they would spend ▓█▌ █████▌
█████▌ ███▌ the '90s embracing separate ▐███ ▐█████
▀█████▄ ▓██▓ influences, each musician developing a ▓██▓ ▄█████▀
▀▀███████▀ unique musical language that would ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ gestate into the Bad Plus' iconoclastic ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ jazz template. Anderson released three ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ albums on the Spanish indie Fresh ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ Sound; Iverson was music director of New ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ York City's prestigious Mark Morris Dance ▀█████▄
▄█████▀ ▀▄▄ Group; and King worked with his Happy ▄▄▀ ▀█████▄
▐█████ ▐█▓ Apple combo, as well as 12 Rods. ▓█▌ █████▌
█████▌ ███▌ In August of 2001, the trio put aside ▐███ ▐█████
▀█████▄ ▓██▓ their other projects and released The ▓██▓ ▄█████▀
▀▀███████▀ Bad Plus through Fresh Sound. It ▀█████████
▀▀██▄ established them as a group unafraid to ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ stray from the confines of jazz, but ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ confident enough in their forays to ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ make them stimulating, and not simply ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ novelties. The debut was a critical ▀█████▄
▀▀███▀██████▀ ▀▄▄ success, garnering best-of honors from ▄▄▀ ▀█████▄
▐█████ ▐█▓ the New York Times and Chicago Reader, ▓█▌ █████▌
█████▌ ███▌ among others. An "official" bootleg ▐███ ▐█████
▀█████▄ ▓██▓ followed in 2002, eventually going out ▓██▓ ▄█████▀
▀▀███████▀ of print. It was a particularly ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ memorable performance at New York's ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ Village Vanguard that led Columbia ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ Records to sign the Bad Plus; in ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ February of 2003, the label released ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ These Are the Vistas which was produced by ▀█████▄
▄█████▀ ▀▄▄ stranger-to-jazz and ex-Latin Playboy ▄▄▀ ▀█████▄
▐█████ ▐█▓ Tchad Blake. The album presented ▓█▌ █████▌
█████▌ ███▌ original compositions from each ▐███ ▐█████
▀█████▄ ▓██▓ musician, as well as a few ringers from ▓██▓ ▄█████▀
▀▀███████▀ the musical world outside the borders of ▀█████████
▀▀██▄ jazz. Their re-imaginations of "Smells ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ Like Teen Spirit" (which Iverson had ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ reportedly never heard before), ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ Blondie's "Heart of Glass," and Aphex ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ Twin's "Flim" caused tails to wag, but it ▀█████▄
▀▀███▀██████▀ ▀▄▄ was the trio's powerful mixture of ▄▄▀ ▀█████▄
▐█████ ▐█▓ personality and performance that really ▓█▌ █████▌
█████▌ ███▌ defined them. The Bad Plus toured ▐███ ▐█████
▀█████▄ ▓██▓ throughout spring and summer 2003 in ▓██▓ ▄█████▀
▀▀███████▀ support of their major-label debut. ▀███████▀▓▄▄▄
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Files
| Path | Size |
|---|
| 01-the_bad_plus-1979_semifinalist-rns.mp3 | 7,63 MB |
| 02-the_bad_plus-cheney_pinata-rns.mp3 | 7,51 MB |
| 03-the_bad_plus-street_woman-rns.mp3 | 6,18 MB |
| 04-the_bad_plus-and_here_we_test_our_powers_of_observation-rns.mp3 | 6,85 MB |
| 05-the_bad_plus-frog_and_toad-rns.mp3 | 5,17 MB |
| 06-the_bad_plus-velouria-rns.mp3 | 8,87 MB |
| 07-the_bad_plus-layin_a_strip_for_the_higherself_state_line-rns.mp3 | 6,43 MB |
| 08-the_bad_plus-do_your_sumsdie_like_a_dogplay_for_home-rns.mp3 | 7,70 MB |
| 09-the_bad_plus-dirty_blonde-rns.mp3 | 5,78 MB |
| 10-the_bad_plus-neptune_(the_planet)-rns.mp3 | 7,70 MB |
| 11-the_bad_plus-iron_man-rns.mp3 | 8,97 MB |
| 12-the_bad_plus-knowing_me_knowing_you_(bonus_track)-rns.mp3 | 6,80 MB |