Lou_Donaldson-Mr_Shing_A_Ling-1997-JUST

Section
MP3/FLAC
Group
JUST
Size
58,37 MB
Files
5
Date
2009-11-16

NFO

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     ▄▓█████████▓▓█▀                                               ▀▀▀▓██▓▌
░   ▓█████████▓▓█▀       [ J U S T F U N . P R E S E N T S ]        ▐█▄██▓▀
   ▐███▓██▀▀▓▀░                                                      ██▓▓█▀▀
░  ▓████▓▌  ░  Artist.......: Lou Donaldson                          ▐▓▀▀
▓ ▐█████▓█     Album........: Mr Shing A Ling                        ▀ ░
▀█▄▓████▓▓▄█▀  Genre........: Jazz                                   ░▓ ▌
 ▄▀██▓██▓▓▀    Language.....: English                               ░▓░▐▓
 ▓▓▄▀█▓▓▓▀     Label........: blue note                            ░▓░ █▓▌
 ▐█▓▓ ▀▓       Catnr........: n/a                                 ░▓▓▓ ▐█▓▓
  ▓█▓▌         URL..........: n/a                                  ▓░ ███▓▓[z0o]░
  ▐██░                      ░                           ░  ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
   ▀▓█░▄   ▌             ░▓░ [ R E L E A S E . I N F O ] ▓░   ▓▀▓█████████████▓▓▓▀
 ░   ▀▀▓█▄▐▓          ░▓▓▓░                             ░▓▓▓░ ░ ▀▓██████▓██▓▓▀  ░
   ░ ░    █▓▌▄▄▄ ▄▓ ░▓▓▓░                                 ░▓▓▓▓▓▓░ ▀▓█████▓▓▓
    ░▓▓░ ▐█▓▓   ░ ░▓▓░    source......: CDDA                   ░▓▓ ▐███████▓▓▌  ░
 ░░      ███▓▓  ▓▓░▓░     playtime....: 37:48 min             ░▓▓░ ▓███▀ ▀▓█▓▓  ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄    rip.date....: Mar-14-2004            ▓  ▐█▓▀  ░ ░▀█▓▌
 ▀▓█████████████▓▓▓▀      str.date....: 000-00-1997         ░▓░  █▀ ░░▓▓▓   ▀▓
  ░ ▀▓██████▓██▓▓▀  ▓░    ripper......: JusT TeaM            ▓▓ ▀░ ░ ░ ░▓░   ░▀
      ▀▓█████▓▓▓  ░░▓     grabber.....: EAC v.0.95 prebeta 4 ░▓▓░▓▓▓▓   ▓▓▓░
  ░   ▐███████▓▓▌░▓▓▓░    encoder.....: LAME v.3.90.3 Modified ░▓▓▓▓▓  ▓░▓▓░░ ░
      ▓███▀ ▀▓█▓▓ ▓░░     size........: 58,4 MB                   ░▒░    ░▓░   ░
     ▐█▓▀ ░░  ▀█▓▌░       quality.....: VBR/44,1Hz/Joint-Stereo          ░      ▒
     █▀ ░▓▓▓▓░  ▀▓                                                    ░  ░    ░
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  ░    ▄█▒████████▓▓▀                                               ▀▓██▓███▓▄
     ▄▓██░██████▓▓█▀        [ T R A C K . L I S T I N G ]              ▀▀▀▓██▓▌
    ▓█████████▓▓█▀                                                      ▐█▄██▓▀
   ▐███▓██▀▀▓▀░                                                          ██▓▓█▀▀
   ▓████▓▌  ░ track  title                                          time ▐▓▀▀
   ▓████▓▌                                                               ▀ ░▌
   ▓████▓▌     01.   Ode To Billie Joe                             06:33   ▓▌
   ▓████▓▌     02.   The Humpback                                  05:28   ▓▌
   ▓████▓▌     03.   The Shadow of Your Smile                      06:26   ▓▌
   ▓████▓▌     04.   Peepin'                                       08:21   ▓▌
   ▓████▓▌     05.   The Kid                                       11:00   ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌              [ A B O U T . T H i S . R E L E A S E ]            ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Lou Donaldson does attempt to loosen up a bit with        ▓▌
   ▓████▓▌       Mr. Shing-A-Ling, but the                                 ▓▌
   ▓████▓▌       whole affair is a bit stilted and mis-conceived.          ▓▌
   ▓████▓▌       Not quite the full-fledged                                ▓▌
   ▓████▓▌       electric funk workout that was becoming commonplace       ▓▌
   ▓████▓▌       for old-guard soul-jazz                                   ▓▌
   ▓████▓▌       musicians in the late '60s, but not quite the             ▓▌
   ▓████▓▌       bop-inflected soul-jazz of the                            ▓▌
   ▓████▓▌       early '60s either, Mr. Shing-A-Ling falls into a          ▓▌
   ▓████▓▌       netherworld that won't connect                            ▓▌
   ▓████▓▌       either with jazz purists or fans of grooving              ▓▌
   ▓████▓▌       jazz-funk. When the group does try                        ▓▌
   ▓████▓▌       to get funky on the record, the results just sound        ▓▌
   ▓████▓▌       lazy -- there's no spark to                               ▓▌
   ▓████▓▌       the rhythms, or to Donaldson's melody lines,              ▓▌
   ▓████▓▌       especially on the embarrassing cover                      ▓▌
   ▓████▓▌       of the pop hit "Ode to Billie Joe." When the              ▓▌
   ▓████▓▌       quintet settles into a mid-tempo                          ▓▌
   ▓████▓▌       vamp, Donaldson, trumpeter Blue Mitchell and              ▓▌
   ▓████▓▌       organist Lonnie Smith do spin out                         ▓▌
   ▓████▓▌       some good solos, but the lack of energy and               ▓▌
   ▓████▓▌       enthusiasm the group has for the                          ▓▌
   ▓████▓▌       material makes Mr. Shing-A-Ling a bit of a tiring         ▓▌
   ▓████▓▌       listen.                                                   ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       ***************************************************       ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Lou Donaldson has long been an excellent bop              ▓▌
   ▓████▓▌       altoist influenced by Charlie                             ▓▌
   ▓████▓▌       Parker, but with a more blues-based style of his          ▓▌
   ▓████▓▌       own. His distinctive tone has                             ▓▌
   ▓████▓▌       been heard in a variety of small-group settings,          ▓▌
   ▓████▓▌       and he has recorded dozens of                             ▓▌
   ▓████▓▌       worthy and spirited (if somewhat predictable) sets        ▓▌
   ▓████▓▌       through the years.                                        ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Donaldson started playing clarinet when he was 15,        ▓▌
   ▓████▓▌       soon switching to the alto. He                            ▓▌
   ▓████▓▌       attended college and performed in a Navy band while       ▓▌
   ▓████▓▌       in the military. Donaldson                                ▓▌
   ▓████▓▌       first gained attention when he moved to New York          ▓▌
   ▓████▓▌       and in 1952 started recording                             ▓▌
   ▓████▓▌       for Blue Note as a leader. At the age of 25, his          ▓▌
   ▓████▓▌       style was fully formed, and                               ▓▌
   ▓████▓▌       although it would continue growing in depth through       ▓▌
   ▓████▓▌       the years, Donaldson had                                  ▓▌
   ▓████▓▌       already found his sound. In 1954, he participated         ▓▌
   ▓████▓▌       in a notable gig with Art                                 ▓▌
   ▓████▓▌       Blakey, Clifford Brown, Horace Silver and Tommy           ▓▌
   ▓████▓▌       Potter that was extensively                               ▓▌
   ▓████▓▌       documented by Blue Note and that directly predated        ▓▌
   ▓████▓▌       the Jazz Messengers. However,                             ▓▌
   ▓████▓▌       Donaldson was never a member of the Messengers, and       ▓▌
   ▓████▓▌       although he recorded as a                                 ▓▌
   ▓████▓▌       sideman in the 1950s and occasionally afterwards          ▓▌
   ▓████▓▌       with Thelonious Monk, Milt                                ▓▌
   ▓████▓▌       Jackson and Jimmy Smith, among others, he has been        ▓▌
   ▓████▓▌       a bandleader from the                                     ▓▌
   ▓████▓▌       mid-1950s up until the present.                           ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Donaldson's early Blue Note recordings were pure          ▓▌
   ▓████▓▌       bop. In 1958, he began often                              ▓▌
   ▓████▓▌       utilizing a conga player, and starting in 1961 his        ▓▌
   ▓████▓▌       bands often had an organist                               ▓▌
   ▓████▓▌       rather than a pianist. Donaldson's bluesy style was       ▓▌
   ▓████▓▌       easily transferable to                                    ▓▌
   ▓████▓▌       soul-jazz, and he sounded most original in that           ▓▌
   ▓████▓▌       context. His association with                             ▓▌
   ▓████▓▌       Blue Note (1952-63) was succeeded by some excellent       ▓▌
   ▓████▓▌       (if now-scarce) sets for                                  ▓▌
   ▓████▓▌       Cadet and Argo (1963-66). The altoist returned to         ▓▌
   ▓████▓▌       Blue Note in 1967 and soon                                ▓▌
   ▓████▓▌       became caught up in the increasingly commercial           ▓▌
   ▓████▓▌       leanings of the label. For a                              ▓▌
   ▓████▓▌       time, he utilized an electronic Varitone sax, which       ▓▌
   ▓████▓▌       completely watered down his                               ▓▌
   ▓████▓▌       sound. The success of "Alligator Boogaloo" in 1967        ▓▌
   ▓████▓▌       led to a series of less                                   ▓▌
   ▓████▓▌       interesting funk recordings that were instantly           ▓▌
   ▓████▓▌       dated and not worthy of his                               ▓▌
   ▓████▓▌       talent.                                                   ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       However, after a few years off records, Lou               ▓▌
   ▓████▓▌       Donaldson's artistic return in 1981                       ▓▌
   ▓████▓▌       and subsequent soul-jazz and hard bop dates for           ▓▌
   ▓████▓▌       Muse, Timeless and Milestone have                         ▓▌
   ▓████▓▌       found the altoist back in prime form, interacting         ▓▌
   ▓████▓▌       with organists and pianists                               ▓▌
   ▓████▓▌       alike and showing that his style is quite timeless.       ▓▌
   ▓████▓▌                                                                 ▓▌
░  ▓████▓▌                                                                 ▓▌
▓ ▐█████▓█                       [ A B O U T . U S ]                       ▓▌
▀█▄▓████▓▓▄█▀                                                              ▓▌
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    ▓█████████▓▓█▀                                                      ▐█▄██▓▀
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       ▐███████▓▓▌                                               ▐███████▓▓▌
       ▓███▀ ▀▓█▓▓    [ J U S T F U N born in Apr. 2 0 0 0 ]     ▓███▀ ▀▓█▓▓
      ▐█▓▀    ░▀█▓▌                                             ▐█▓▀    ░▀█▓▌
      █▀         ▀▓                                             █▀         ▀▓
     ▀░       ░   ░▀                                           ▀░         z!░▀

Files

PathSize
01-lou_donaldson-ode_to_billie_joe-just.mp39,83 MB
02-lou_donaldson-the_humpback-just.mp38,75 MB
03-lou_donaldson-the_shadow_of_your_smile-just.mp39,59 MB
04-lou_donaldson-peepin-just.mp312,71 MB
05-lou_donaldson-the_kid-just.mp317,48 MB