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┌──────────┐┌──────────────────────────────────────────────────────────────────┐
│Artist :││Wynton Kelly │
│Album :││Smokin' at the Half Note │
│Style :││Jazz │
│Type :││Album │
│Quality :││192kbps / 44,1 KHz / Full Stereo │
│Supplier :││Shiva │
│Ripper :││SMC-Crew │
│Ripdate :││Jan-08-2003 │
│Encoder :││Lame │
│Size :││56,4 MB │
│CD Songs :││05 │
│Source :││CDDA │
│Label :││Verve │
│URL :││n/a │
└──────────┘└──────────────────────────────────────────────────────────────────┘
┌──────────────────────────────────────────────────────────────────────────────┐
│Additional Information to Wynton Kelly - Smokin' at the Half Note │
├──────────────────────────────────────────────────────────────────────────────┤
│ │
│Biography: │
│ │
│A superb accompanist loved by Miles Davis and Cannonball Adderley, │
│Wynton Kelly was also a distinctive soloist who decades later would be │
│a strong influence on Benny Green. He grew up in Brooklyn and early │
│on played in R&B bands led by Eddie "Cleanhead" Vinson, Hal Singer, │
│and Eddie "Lockjaw" Davis. Kelly, who recorded 14 titles for Blue Note │
│in a trio (1951), worked with Dinah Washington, Dizzy Gillespie, and │
│Lester Young during 1951-1952. After serving in the military, he made │
│a strong impression with Washington (1955-1957), Charles Mingus │
│(1956-1957), and the Dizzy Gillespie big band (1957), but he would be │
│most famous for his stint with Miles Davis (1959-1963), recording such │
│albums with Miles as Kind of Blue, At the Blackhawk, and Someday My │
│Prince Will Come. When he left Davis, Kelly took the rest of the rhythm │
│section (bassist Paul Chambers and drummer Jimmy Cobb) with him to │
│form his trio. The group actually sounded at its best backing Wes │
│Montgomery. Before his early death, Kelly recorded as a leader for Blue │
│Note, Riverside, Vee-Jay, Verve, and Milestone. │
│ │
│ │
│About this Album: │
│ │
│Date of Release Jun 1965 - Sep 22, 1965 (recording) │
│Genre Jazz (Hard Bop) │
│Tones Earnest, Sophisticated, Intimate, Amiable/Good-Natured, Earthy, │
│Rollicking, Playful │
│Styles Hard Bop │
│ │
│Some recorded Sept 22, 1965, at Englewood Cliffs, NJ. Wynton Kelly Trio │
│w/ Wes Montgomery (g). Slow to mid-tempos ù very listenable. │
│Both Wynton and Wes are in fine form. A rare chance to hear Montgomery │
│in a small-group setting. │
│ │
│ │
│Credits: │
│ │
│Wynton Kelly - Piano │
│Wes Montgomery - Guitar │
│Jimmy Cobb - Drums │
│Paul Chambers - Bass │
│Rudy Van Gelder - Engineer, Liner Notes │
│Creed Taylor - Producer │
│Val Valentin - Engineer │
│ │
└──────────────────────────────────────────────────────────────────────────────┘
┌──────────────────────────────────────────────────────────────────────────────┐
│Tracklisting [ 41:04 min / 56,4 Mbs ] │
├──────────────────────────────────────────────────────────────────────────────┤
│01 01 No Blues 12:59 │
│02 02 If You Could See Me Now 08:23 │
│03 03 Unit 7 06:46 │
│04 04 Four On Six 06:45 │
│05 05 What's New 06:11 │
└──────────────────────────────────────────────────────────────────────────────┘
┌──────────────────────────────────────────────────────────────────────────────┐
│Another great release from mighty SMC ! Enjoy this release and trip like we do│
│ │
│SMC in our 3rd Year always brings you the best dope for your ears. │
│ │
│Greetings & Respect goes out to: all groups who share fine music │
│ │
│If you think you can do smthg for SMC, contact us ! We are always searching │
└──────────────────────────────────────────────────────────────────────────────┘
[29.12.02]