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┌──────────┐┌──────────────────────────────────────────────────────────────────┐
│Artist :││Wynton Kelly │
│Album :││Kelly At Midnight │
│Style :││Jazz │
│Type :││Reissue │
│Quality :││192kbps / 44,1 KHz / Full Stereo │
│Supplier :││Shiva │
│Ripper :││SMC-Crew │
│Ripdate :││Jan-09-2003 │
│Encoder :││Lame │
│Size :││44,6 MB │
│CD Songs :││05 │
│Source :││CDDA │
│Label :││Vee-Jay │
│URL :││n/a │
└──────────┘└──────────────────────────────────────────────────────────────────┘
┌──────────────────────────────────────────────────────────────────────────────┐
│Additional Information to Wynton Kelly - Kelly At Midnight │
├──────────────────────────────────────────────────────────────────────────────┤
│ │
│ │
│Date of Release: Apr 27, 1960 (recording) inprint │
│Style: Hard Bop │
│ │
│ │
│About Wynton Kelly: │
│ │
│A superb accompanist loved by Miles Davis and Cannonball Adderley, │
│Wynton Kelly was also a distinctive soloist who decades later would be │
│a strong influence on Benny Green. He grew up in Brooklyn and early │
│on played in R&B bands led by Eddie "Cleanhead" Vinson, Hal Singer, │
│and Eddie "Lockjaw" Davis. Kelly, who recorded 14 titles for Blue Note │
│in a trio (1951), worked with Dinah Washington, Dizzy Gillespie, and │
│Lester Young during 1951-1952. After serving in the military, he made │
│a strong impression with Washington (1955-1957), Charles Mingus │
│(1956-1957), and the Dizzy Gillespie big band (1957), but he would be │
│most famous for his stint with Miles Davis (1959-1963), recording such │
│albums with Miles as Kind of Blue, At the Blackhawk, and Someday │
│My Prince Will Come. When he left Davis, Kelly took the rest of the │
│rhythm section (bassist Paul Chambers and drummer Jimmy Cobb) │
│with him to form his trio. The group actually sounded at its best backing │
│Wes Montgomery. Before his early death, Kelly recorded as a leader for │
│Blue Note, Riverside, Vee-Jay, Verve, and Milestone. │
│ │
│ │
│About this Album: │
│ │
│This 1960 date was a first-rate trio outing with Kelly given the space to │
│demonstrate subtlety and flair, harmonic precision, melodic brilliance │
│and rhythmic diversity. He was backed by a pair of rhythm dynamos, │
│bassist Paul Chambers and drummer Philly Joe Jones. While a CD │
│session less than 33 minutes is a bit short considering current prices, │
│there is no complaint about the music's beauty. │
│ │
│ │
│Credits: │
│ │
│Philly Joe Jones - Drums │
│Wynton Kelly - Piano │
│Paul Chambers - Bass │
│Bob Fisher - Remastering, Digital Remastering │
│Nat Hentoff - Liner Notes │
│Sid McCoy - Producer, Engineer, Supervisor, A&R │
│Billy Vera - Series Supervision │
│ │
└──────────────────────────────────────────────────────────────────────────────┘
┌──────────────────────────────────────────────────────────────────────────────┐
│Tracklisting [ 32:28 min / 44,6 Mbs ] │
├──────────────────────────────────────────────────────────────────────────────┤
│01 Temperance 07:30 │
│02 Weird Lullaby 07:11 │
│03 On Stage 05:13 │
│04 Skatin' 05:48 │
│05 Pot Luck 06:46 │
└──────────────────────────────────────────────────────────────────────────────┘
┌──────────────────────────────────────────────────────────────────────────────┐
│Another great release from mighty SMC ! Enjoy this release and trip like we do│
│ │
│SMC in our 3rd Year always brings you the best dope for your ears. │
│ │
│Greetings & Respect goes out to: all groups who share fine music │
│ │
│If you think you can do smthg for SMC, contact us ! We are always searching │
│for affils, dumps and bouncers ! reach us on efnet @ #smc-base │
└──────────────────────────────────────────────────────────────────────────────┘
[29.12.02]