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░██▀█ ▀▀▀▀▀ ▀▄█▄ ▀▄▄▄▀
▄▀██▀ B O S S M P 3 I S P R O U D T O P R E S E N T ▀▄█▀█▄
▄▀██░ ********************************************************** ▐███▀
▀▄█▄ artist : Phil K size : 109,0 MB ██▌▄
░█▄▀▄ album : Live at Subsonic 08-01-DAT label : Functional ░██▀▄
▄▀██▀ genre : Beat str.date: 00/00/0000 ▄▀▄▀▀
▄▀██░ source : DAT rip.date: 08/06/2003 ▀█▀▄
▀██ bitrate : 192 kbit ripper : Team BOSS ██▀█
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████▄ ▀ ▀▀▀ ▀▀▀ ░████░
▐███▄▄ ░██▌▄▀
██▌▄▀█ Even though DJing is now a concept that began in the ░██▌▄▀
██▌▄▀█ 50Æs, the art of mixing music together to create a ░██▌▄▀
██▌▄▀█ seamless presentation has only really been with us ░██▌▄▀
██▌▄▀█ since the mid 70Æs. This concept of music ░██▌▄▀
██▌▄▀█ presentation has now become quite a normal way of ░██▌▄▀
██▌▄▀█ listening to musicàconsider getting in a time machine ░██▌▄▀
██▌▄▀█ and going back to the 60Æs and getting behind a set ░██▌▄▀
██▌▄▀█ of turntables and performing beat mixes to an ░██▌▄▀
██▌▄▀█ audienceàyou would expect more than a few perplexed ░██▌▄▀
██▌▄▀█ looks from members of your audience... ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ What makes this art form even more confusing to the ░██▌▄▀
██▌▄▀█ beginner or to someone with an interest, is the lack ░██▌▄▀
██▌▄▀█ of literature on the subjectà.not much exists and the ░██▌▄▀
██▌▄▀█ documentation that does, appears on the internet and ░██▌▄▀
██▌▄▀█ is written by people with varying expertise on the ░██▌▄▀
██▌▄▀█ subject. Compare this to other art forms like ░██▌▄▀
██▌▄▀█ photography where you can find whole bookshops ░██▌▄▀
██▌▄▀█ dedicated to the subject, and you realise that the ░██▌▄▀
██▌▄▀█ art form is only in its infancyàIf you look further ░██▌▄▀
██▌▄▀█ into the future and consider some of the innovations ░██▌▄▀
██▌▄▀█ in technology the DJ has at his disposal right now, ░██▌▄▀
██▌▄▀█ you quickly realise that the technical rules and ░██▌▄▀
██▌▄▀█ guidelines which most DJs understand and work by ░██▌▄▀
██▌▄▀█ today are only foundations at this stage... ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ In the future the DJ will be someone who not only ░██▌▄▀
██▌▄▀█ plays pre-recorded music but who is a manipulator of ░██▌▄▀
██▌▄▀█ sound, re-arranging, remixing, re-editing live to ░██▌▄▀
██▌▄▀█ create an improvised version of your favourite tune ░██▌▄▀
██▌▄▀█ that in many cases will not be able to be performed ░██▌▄▀
██▌▄▀█ the same way from night to nightà.you can argue that ░██▌▄▀
██▌▄▀█ this can be done with traditional technology like ░██▌▄▀
██▌▄▀█ turntables todayàand it canàlook at some of the ░██▌▄▀
██▌▄▀█ amazing feats of local turntablists like Dexter , ░██▌▄▀
██▌▄▀█ Kuya and Ransom perform routinely at their ░██▌▄▀
██▌▄▀█ gigsàincredibleàbut with technological innovations ░██▌▄▀
██▌▄▀█ like stand alone DJ effects units, DJ mixers with ░██▌▄▀
██▌▄▀█ digital processing and CD players with memory cards ░██▌▄▀
██▌▄▀█ new tricks and possibilities can be achieved plus all ░██▌▄▀
██▌▄▀█ the old ones enhanced... ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ What I find rather confusing though is the reluctance ░██▌▄▀
██▌▄▀█ of most DJs to take on new technologyàtake the debate ░██▌▄▀
██▌▄▀█ CD vs Vinyl for example: You have a format (CD) which ░██▌▄▀
██▌▄▀█ has now been around for some 15 yrs or soàand still ░██▌▄▀
██▌▄▀█ we have this debate as to what is betterà.you have ░██▌▄▀
██▌▄▀█ the purists screaming that you cannot achieve the ░██▌▄▀
██▌▄▀█ same things with CD as you can with vinylàyou cant ░██▌▄▀
██▌▄▀█ scratch a CDà.vinyl sounds warmeràetc etcàwell with ░██▌▄▀
██▌▄▀█ the invention of the Pioneer CDJ1000 CD player now ░██▌▄▀
██▌▄▀█ you can scratch a CD and the warmer sound has been ░██▌▄▀
██▌▄▀█ addressed by allowing lower bass frequencies to be ░██▌▄▀
██▌▄▀█ read by this player giving you an overall warmer ░██▌▄▀
██▌▄▀█ soundà.so the argument must now become what can you ░██▌▄▀
██▌▄▀█ do with vinyl that you cant do on CD... ░██▌▄▀
██▌▄▀█ On these new players you can play tracks or parts of ░██▌▄▀
██▌▄▀█ tracks backwardsà you can choose loop points in ░██▌▄▀
██▌▄▀█ tracks which you can then fine tune to make them ░██▌▄▀
██▌▄▀█ perfect loops and then render them to the machines ░██▌▄▀
██▌▄▀█ memory to be recalled at any point in timeà.not just ░██▌▄▀
██▌▄▀█ on 1 CD but you can achieve 100 loop points on 10,000 ░██▌▄▀
██▌▄▀█ CDsà.with the invention of CD burners you can burn ░██▌▄▀
██▌▄▀█ sounds, keyboard riffs or your own loops to CD and ░██▌▄▀
██▌▄▀█ using the instant cue button and memory you can then ░██▌▄▀
██▌▄▀█ turn the machine into a sampleràAnd they are just ░██▌▄▀
██▌▄▀█ some of the capabilities of one machineàplug this ░██▌▄▀
██▌▄▀█ into a mixer with digital effects and you have the ░██▌▄▀
██▌▄▀█ power of a mobile studio at your fingertipsà.LIVE!!!! ░██▌▄▀
██▌▄▀█ This is here and now with what I call ôfirst ░██▌▄▀
██▌▄▀█ generationö digital DJ technologyàImagine what we ░██▌▄▀
██▌▄▀█ will be able to achieve in a few short years... ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ I am only using the CD example as an example hereà.in ░██▌▄▀
██▌▄▀█ the near future we will be facing the prospect of DJ ░██▌▄▀
██▌▄▀█ MP3 players with on board modemsà.again this is ░██▌▄▀
██▌▄▀█ another format to be embracedàas long as we can pitch ░██▌▄▀
██▌▄▀█ tracks up or down and we can manipulate its sound ░██▌▄▀
██▌▄▀█ then it will be just as valid a source of sound as ░██▌▄▀
██▌▄▀█ the turntable and the CD player... ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ The point I am trying to make is that there is no ░██▌▄▀
██▌▄▀█ room for purists in an art form that is in its ░██▌▄▀
██▌▄▀█ infancyà.many techniques with new technology are ░██▌▄▀
██▌▄▀█ there to be invented by the people who are willing to ░██▌▄▀
██▌▄▀█ embrace itàlike turntablists who have pushed the ░██▌▄▀
██▌▄▀█ turntable technology to its limit there will be ░██▌▄▀
██▌▄▀█ people who will push future and current technology to ░██▌▄▀
██▌▄▀█ its limit creating new genres , styles and sounds in ░██▌▄▀
██▌▄▀█ the processà some will argue that its not as much fun ░██▌▄▀
██▌▄▀█ pressing buttons on CD players or that it makes it ░██▌▄▀
██▌▄▀█ easier, but what you have to consider is that this is ░██▌▄▀
██▌▄▀█ the exact same argument faced by electronic musicians ░██▌▄▀
██▌▄▀█ from traditional musiciansà.as we all know you cant ░██▌▄▀
██▌▄▀█ simply turn a computer on and it will make music for ░██▌▄▀
██▌▄▀█ youà.what you put in is what you get out... nothing ░██▌▄▀
██▌▄▀█ is easy. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ When it comes down to it, it is the DJs job to ░██▌▄▀
██▌▄▀█ entertain and educate an audienceàFor myself I am a ░██▌▄▀
██▌▄▀█ firm believer that 99% of an audience is not really ░██▌▄▀
██▌▄▀█ interested in what format you are usingàall they ░██▌▄▀
██▌▄▀█ really care about is what comes out of the speakersà ░██▌▄▀
██▌▄▀█ At the end of the day, its all about the music... ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Enjoy! ░██▌▄▀
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▄▀██▀ ......................... ▄▀██▀
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▀▄█▄ [Track Information] ▀▄█▄
░█▄▀▄ ░█▄▀▄
▄▀██▀ 01. Live at Subsonic 08-01 79:23 ▄▀██▀
▀██▄ ▀██▄
░██▄▀ ------- ██▄▀
▄▀▄▀ (79:23 min) ▄▀▄▀
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▀▄███ Greetings, obviously you are reading this because ▐███▀
░███▄ BOSS has caught your attention in one way or another, ██▌▄
███▄▀ most likely from this great release. ░██▀▄
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░██▀▄ BOSS has many quality rls' everyday you just have to ▀█▀▄
▄▀▄▀▀ find them. Our team started to release internationally ██▀█
▀█▀▄ in 2000. In our group news we always inform you with ▄▀██▀
░██▀█ what we are looking for. ▄▀██
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▀▄█▄ Currently BOSS is looking for: ▄▀██▀
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▄▀██▀ 1) Non-Commercial Shells (10mb+/1gig+) ░██▄
▄▀██ 2) New Vinyl Suppliers and Rippers ██▄▀
▀██▄ 3) 2002+ CD and Vinyl Rippers! ▄▀▄▀
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░██▄ We kindly ask for the security of our scene to not ▀█▀
██▀▄ spread our releases via p2p (kazaa, soulseek, etc.) ▄▀██
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▄▀██ Greetz Fly Too: ░███▄
▄░██ ░██▄▀
░██▄▀ (and any others we respect..u know who you are) ███
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▀▐██▌ GREETZ THE BOSS CREW!!! ▄▀▄▄
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