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┌──────────┐┌──────────────────────────────────────────────────────────────────┐
│Artist :││Wynton Kelly │
│Album :││Piano │
│Style :││Jazz │
│Type :││Reissue │
│Quality :││192kbps / 44,1 KHz / Full Stereo │
│Supplier :││Shiva │
│Ripper :││SMC-Crew │
│Ripdate :││Jan-11-2003 │
│Encoder :││Lame │
│Size :││65,1 MB │
│CD Songs :││08 │
│Source :││CDDA │
│Label :││Riverside/OJC │
│URL :││n/a │
└──────────┘└──────────────────────────────────────────────────────────────────┘
┌──────────────────────────────────────────────────────────────────────────────┐
│Additional Information to Wynton Kelly - Piano │
├──────────────────────────────────────────────────────────────────────────────┤
│ │
│Date of Release: Jan 31, 1958 (recording) inprint │
│Style: Hard Bop │
│ │
│ │
│Wynton Kelly: │
│ │
│Born Dec 2, 1931 in Jamaica │
│Died Apr 12, 1971 in Toronto, Ontario, Canada │
│ │
│A superb accompanist loved by Miles Davis and Cannonball │
│Adderley, Wynton Kelly was also a distinctive soloist who │
│decades later would be a strong influence on Benny Green. │
│He grew up in Brooklyn and early on played in R&B bands led │
│by Eddie "Cleanhead" Vinson, Hal Singer, and Eddie "Lockjaw" │
│Davis. Kelly, who recorded 14 titles for Blue Note in a trio (1951), │
│worked with Dinah Washington, Dizzy Gillespie, and Lester Young │
│during 1951-1952. After serving in the military, he made a strong │
│impression with Washington (1955-1957), Charles Mingus │
│(1956-1957), and the Dizzy Gillespie big band (1957), but he would │
│be most famous for his stint with Miles Davis (1959-1963), recording │
│such albums with Miles as Kind of Blue, At the Blackhawk, and │
│Someday My Prince Will Come. When he left Davis, Kelly took the │
│rest of the rhythm section (bassist Paul Chambers and drummer │
│Jimmy Cobb) with him to form his trio. The group actually sounded │
│at its best backing Wes Montgomery. Before his early death, Kelly │
│recorded as a leader for Blue Note, Riverside, Vee-Jay, Verve, and │
│Milestone. │
│ │
│ │
│About this album: │
│ │
│With the exception of an album for Blue Note in 1951, this was pianist │
│Wynton Kelly's first opportunity to record as a leader. At the time he │
│was still a relative unknown but would soon get a certain amount of │
│fame as Miles Davis's favorite accompanist. With guitarist Kenny │
│Burrell, bassist Paul Chambers and (on three of the seven selections) │
│drummer Philly Joe Jones, Kelly performs four jazz standards, Oscar │
│Brown, Jr.'s "Strong Man" and two of his originals. Kelly became a major │
│influence on pianists of the 1960s and '70s and one can hear the genesis │
│of many other players in these swinging performances. The CD reissue │
│adds an alternate take of "Dark Eyes" to the original program. │
│ │
│ │
│Credits: │
│ │
│Philly Joe Jones - Drums │
│Wynton Kelly - Piano │
│Burrell - Guitar │
│Kenny Burrell - Guitar │
│Paul Chambers - Bass │
│Orrin Keepnews - Producer, Liner Notes │
│Akira Taguchi - Mastering Supervisor │
│Alan Yoshida - Mastering │
│Paul Bacon - Cover Design │
│Aaron Nathanson - Engineer │
│ │
└──────────────────────────────────────────────────────────────────────────────┘
┌──────────────────────────────────────────────────────────────────────────────┐
│Tracklisting [ 47:20 min / 65,1 Mbs ] │
├──────────────────────────────────────────────────────────────────────────────┤
│01 Whisper Not 07:11 │
│02 Action 07:11 │
│03 Dark Eyes 05:56 │
│04 Strong Man 05:17 │
│05 Ill Wind 04:25 │
│06 Don't Explain 05:35 │
│07 You Can't Get Away 06:23 │
│08 Dark Eyes [take 2] 05:22 │
└──────────────────────────────────────────────────────────────────────────────┘
┌──────────────────────────────────────────────────────────────────────────────┐
│Another great release from mighty SMC ! Enjoy this release and trip like we do│
│ │
│SMC in our 3rd Year always brings you the best dope for your ears. │
│ │
│Greetings & Respect goes out to: all groups who share fine music │
│ │
│If you think you can do smthg for SMC, contact us ! We are always searching │
└──────────────────────────────────────────────────────────────────────────────┘
[29.12.02]