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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 12-06-2005
Release date : 03-14-2006
Album name : Curtain Call-The Hits (Deluxe Edition)
Artist : Eminem
Ripped by : Fisteh`
Genre : Rap
Label : Aftermath
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 24
Size of Files : 156,0 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
Cd1
01 00:34 Intro
02 03:26 Fack
03 04:51 The Way I Am
04 04:29 My Name Is
05 06:44 Stan
06 05:27 Lose Yourself
07 04:34 Shake That
08 05:40 Sing For The Moment
09 04:51 Without Me
10 04:56 Like Toy Soldiers
11 04:45 The Real Slim Shady
12 04:11 Mockingbird
13 03:21 Guilty Conscience
14 04:58 Cleanin' Out My Closet
15 04:09 Just Lose It
16 04:41 When I'm Gone
17 06:20 Stan [live]
Cd2
01 04:59 Dead Wrong Rmx Feat. The Notorious B.I.G.
02 03:27 Role Model
03 04:27 Kill You
04 05:30 Shit On You Feat. D12
05 05:15 Criminal
06 05:38 Renegade Feat. Jay-Z
07 04:02 Just Don't Give A Fuck
Total time: 111:1
─ Release notes ─────────────────────────────────────── ─── ─ ─
If Eminem's Curtain Call: The Hits really is his final
bow and not merely a clever denouement to his series of
Eminem Show and Encore albums, it's a worthy way to
retire. And even if he stages a comeback years from
now, there's little question that the first five years
of his career, spanning four albums plus a soundtrack,
will be his popular and creative peak, meaning that the
time is right for Curtain Call ù it has all the songs
upon which his legend lies. Which isn't necessarily the
same things as all the hits. There are a few odds and
ends missing ù most notably one of his first hip-hop
hits, "Just Don't Give a Fuck," plus 2003's "Superman"
and 2005's "Ass Like That" ù but all the big songs are
here: "Guilty Conscience," "My Name Is," "Stan," "The
Real Slim Shady," "The Way I Am," "Cleanin' Out My
Closet," "Lose Yourself," "Without Me," and "Just Lose
It." They're not presented in chronological order,
which by and large isn't a problem, since the
sequencing here not only has a good, logical momentum,
alternating between faster and slower tracks, but
they're all part of a body of work that's one of the
liveliest, most inventive in pop music in the 21st
century. The only exception to the rule are the three
new songs here, all finding Shady sounding somewhat
thin. There's the closing "When I'm Gone," a
sentimental chapter in Eminem domestic psychodrama that
bears the unmistakable suggestion that Em is going away
for a while. While it's not up to the standard of
"Mockingbird," it is more fully realized than the two
other new cuts here, both sex songs that find Shady
sounding as if he's drifting along in his own orbit.
"Shake That" has an incongruous Nate Dogg crooning the
chorus, while the wildly weird "Fack" finds Eminem
spending the entire track fighting off an orgasm; it
seems tired, a little too close to vulgar Weird Al
territory, and it doesn't help that his Jenna Jameson
reference seems a little old (everybody knows that the
busty porno "it" girl of 2005 is Jesse Jane; after all,
she even was in Entourage). Even if these three cuts
suggest why Eminem is, if not retiring, at least taking
a long break, that's fine: they're reasonably good and
are bolstered by the rest of the songs here, which
don't just capture him at his best, but retain their
energy, humor, weirdness, and vitality even after
they've long become overly familiar. And that means
Curtain Call isn't just a good way to bow out, it's a
great greatest-hits album by any measure. [Curtain Call
was also released in a deluxe edition containing a
seven-track bonus CD, "Stan's Mixtape," that contains a
couple of songs that did not make the finished album -
including "Kill You" and "Just Don't Give a Fuck" -
plus a couple of rarities and remixes.]
allmusic.com
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
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