REM-Disturbances-Bootleg-1989-SDR

Section
MP3/FLAC
Group
SDR
Size
66,49 MB
Files
16
Date
2003-08-09

NFO

    █▀▀▀▀▀▀▀▀ ■ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀  ▄▄▄▄▄▄▄█▄▄▄▄▄▄▄  ▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ■ ▀▀▀▀▀▀▀█
   █▀  ███████████████        ▄████▀▀▀▀█▀▀▀▀█▀██▄        ███████████████ ▀▀█▄
  █▀ ███▒░░░░░░░░░░░░███▄█  ▄████ █░░░ █    █░▀▀█▄     ███░░░░░░░░░░░░░███▄ █▄
 █▀ ██▓▒▒░██████████ ░░▀▀▀  ██    █▒▒░ █     █░░██▄   ██░░░ █▀▀▀▀▀▀▀▀█░░░█▀  █▄
 █ █▓▓▒▒░▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█  ▀     █▓▒░ █     █▓░  █  █▒▒▒░ ▀▀▀▀▀▀▀▀▀▀▀▀▀░█ ▓▄ █
 █ █▓▓▒▒░░░░░░░░░░░░░▒▒▓ █▀▀▀▀▀▀▀ █▓▒░ █     █▓▒░ █ ██▓▒▒▒░░░░░░░░░░░░▄▄▄█▓▓█ █
 █ █████████████████░▒▒▓ █  ▄     █▓▒░ █     █▓▒▒ █  █▓▓▓▒▒███▒░░▀▀▀▀▀▀░▓▓▓██ █
 █ ▄▄▄░░ ▀▀▀▀▀▀▀▀░░░▒▒▓██   ██    █▓▒░ █     █▓▒██▀   ██▓▓▒▒███▒▒░░░░░░▓▓███ ▄█
 █ █▀███░░░░░░░░░░▒▒▒███    ▀███  █▓▒░ █    █▓███▀     ██▓▓▓█ ███▓▓▓▓▓▓███ ▄▄█
 █▄▄▄▄ ███████████████        ▀████████████████▀         ████   ████████ ▄▄█
     ▀▄▄▄▄▄▄▄ ■ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ■ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ■ ▄▄▄▄▄▄▄█/a7ds
           s e x - d r u g s - a n d - r o c k ' n ' r o l l - 2 0 0 2

   ▄▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▄
   █                          REM - Disturbances                           █
   █·······································································█
   █     Year: 1989                      ·                                 █
   █     No. of Tracks: 14               ·  Rip Date: 07-19-2003           █
   █     Total Playtime: 46:59 min       ·  Ripper: TeaM SDR               █
   █     Genre Alternative               ·  Size: 64,7 MB                  █
   █     Label none                      ·  Bitrate: 192/44.1              █
   ▀▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▀
     ▀█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█▀
      █     01  Letter Never Sent                             02:55     █
      █     02  Sitting Still                                 03:06     █
      █     03  Driver 8                                      03:11     █
      █     04  So. Central Rain                              03:08     █
      █     05  7 Chinese Brothers,voice Of Harold            02:35     █
      █     06  Harborcoat                                    03:42     █
      █     07  Hyena,pretty Persuasion                       07:28     █
      █     08  Femme Fatale                                  02:36     █
      █     09  Radio Free Europe                             03:33     █
      █     10  Gardening At Night                            03:30     █
      █     11  9-9                                           01:58     █
      █     12  Little America                                02:44     █
      █     13  Second Guessing                               02:29     █
      █     14  (Don't Go Back To) Rockville                  04:04     █
      █                                                                 █
      █                                                       46:59     █
      █▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█
      █▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█
      █▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█
      █     R.E.M. mark the point when post-punk turned into            █
      █     alternative rock. When their first single, "Radio Free      █
      █     Europe," was released in 1981 it sparked a                  █
      █     back-to-the-garage movement in the American                 █
      █     underground. While there were a number of hardcore and      █
      █     punk bands in the US during the early '80s, R.E.M.          █
      █     brought guitar-pop back into the underground lexicon.       █
      █     Combining ringing guitar hooks with mumbled, cryptic        █
      █     lyrics and a D.I.Y. aesthetic borrowed from post-punk,      █
      █     the band simultaneously sounded traditional and modern.     █
      █     Though there were no overt innovations in their music.      █
      █     R.E.M. had an identity and sense of purpose that            █
      █     transformed the American underground. Throughout the        █
      █     '80s, they worked relentlessly, releasing records every     █
      █     year and touring constantly, playing both theaters and      █
      █     backwoods dives. Along the way, they inspired countless     █
      █     bands, from the legions of jangle-pop groups in the         █
      █     mid-'80s to scores of alternative-pop groups in the         █
      █     '90s, who admired their slow climb to stardom. It did       █
      █     take R.E.M. several years to break into the top of the      █
      █     charts, but they had a cult following from the release      █
      █     of their debut EP, Chronic Town, in 1982. Chronic Town      █
      █     established the haunting folk and garage rock that          █
      █     became the band's signature sound, and over the next        █
      █     five years, they continued to expand their music with a     █
      █     series of critically-acclaimed albums. By the late          █
      █     '80s, the group's fanbase had grown large enough to         █
      █     guarantee strong sales, but the Top 10 success in 1987      █
      █     of Document and "The One I Love" was unexpected,            █
      █     especially since R.E.M. had only altered its sound          █
      █     slightly. Following Document, R.E.M. slowly became one      █
      █     of the world's most popular bands. After an exhaustive      █
      █     international tour supporting 1988's Green, the band        █
      █     retired from touring for six years and retreated into       █
      █     the studio to produce their most popular records, Out       █
      █     of Time (1991) and Automatic for the People (1992). By      █
      █     the time they returned to performing with the Monster       █
      █     tour in 1995, the band had been acknowledged by critics     █
      █     and musicians as one of the forefathers of the thriving     █
      █     alternative rock movement, and they were rewarded with      █
      █     the most lucrative tour of their career. Toward the         █
      █     late '90s, R.E.M. was an institution, as its influence      █
      █     was felt in new generations of bands.                       █
      █▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█
     ▄▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▄
   ▄▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▄
   █    Shoutouts!                     ·    Wanted!                        █
   █·······································································█
   █                                   ·                                   █
   █    ATR rH iRO MIL LSi ftf gF COR  ·    Shells/BNCs                    █
   █    rageMP3 TWCMP3 + everyone who  ·    Rippers/Pre-Releasers          █
   █    supports the scene... you      ·    Afills                         █
   █    know who you are.              ·    Internal Dump (10mbit+)        █
   █                                   ·                                   █
   ▀▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▀
     ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
   ▄▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▄
   █ ▓▓▒▒▒▒▒▒▒▒▒░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░  ░░░▒▓▓▓▓▓▓▓▓▓▓▓ █
   █ ▓▓▓▒▒▒▒▒▒▒▒▒░░  ▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄   ▄▄▄▄▄▄▄▄▄▄  ░░░▒▒▓▓▓▓▓▓░░░░▓ █
   █ ▓▓▓▓▒▒▒▒▒▒▒░░░ ███▀    ▀██ ▀███▀   ▀██▄  ▀███   ▀███▄ ░░░▒▒▒▒▒▒▒▒▓▓░▓ █
   █ ▓▓▓▓▒▒▒▒▒▒▒▒░░ ████▄▄       ███ ░░░  ███  ███   ▄███▀ ░░▒▒▒▒▒▒▒▒▒▓▓░▓ █
   █ ▓▓▓▓▒▒▒▒▒▒▒░░░  ▀▀█████▄▄   ███ ░░░  ███  ███▄▄▄███▀ ░░░░▒▒▒▒▒▒▒▒▓▓▓▓ █
   █ ▓▓▓▓▒▒▒▒▒▒▒▒▒░░░    ▀▀████  ███ ░░░  ███  ███▀███▄  ░░░▒▒▒▒▒▒▒▒▒▒▓▓▓▓ █
   █ ▓░▓▓▒▒▒▒▒▒▒░░░ ▄      ▄███  ███     ███▀  ███  ▀███▄ ░░░░▒▒▒▒▒▒▒▒▓▓▓▓ █
   █ ▓░▓▓▒▒▒▒▒▒▒▒░░ █▀▀██████▀  ▄████▄▄███▀   ▄███▄  ▄███▄ ░░▒▒▒▒▒▒▒▒▒▓▓▓▓ █
   █ ▓░░░░▓▓▓▓▓▓░░░           ░                            ░░░▒▒▒▒▒▒▒▒▒▓▓▓ █
   █ ▓▓▓▓▓▓▓▓▓▓▓▒░░░░░ s e x ░░░░ d r u g s ░░░░ r o c k ░░░░▒▒▒▒▒▒▒▒▒▒▒▓▓ █
   ▀▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▀
     ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀
                                                                  nfo/a7ds 
   .-.                                                                 .-.
'=(0.0)='_ARRRG!!_File_Got_Mugged_By_PiRaTES_At_The_Treasure_Island_'=(0.0)='
.='|m|'=.                                                           .='|m|'=.

Files

PathSize
00-rem-disturbances-bootleg-1989-copy(1)_of_booklet-sdr.jpg1,13 MB
00-rem-disturbances-bootleg-1989-copy(1)_of_u_card-sdr.jpg748,39 KB
01-rem_-_letter_never_sent-sdr.mp34,01 MB
02-rem_-_sitting_still-sdr.mp34,27 MB
03-rem_-_driver_8-sdr.mp34,37 MB
04-rem_-_so._central_rain-sdr.mp34,32 MB
05-rem_-_7_chinese_brothersvoice_of_harold-sdr.mp33,55 MB
06-rem_-_harborcoat-sdr.mp35,09 MB
07-rem_-_hyenapretty_persuasion-sdr.mp310,27 MB
08-rem_-_femme_fatale-sdr.mp33,58 MB
09-rem_-_radio_free_europe-sdr.mp34,89 MB
10-rem_-_gardening_at_night-sdr.mp34,81 MB
11-rem_-_9-9-sdr.mp32,71 MB
12-rem_-_little_america-sdr.mp33,75 MB
13-rem_-_second_guessing-sdr.mp33,41 MB
14-rem_-_(dont_go_back_to)_rockville-sdr.mp35,59 MB