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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 11-04-2003
Release date : 03-13-2004
Album name : Yanqui U.X.O.
Artist : Godspeed You Black Emperor!
Ripped by : narayan
Genre : Instrumental
Label : Constellation
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 05
Size of Files : 100,7 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 16:27 09-15-00 (Part One)
02 06:17 09-15-00 (Part Two)
03 20:42 Rockets Fall On Rocket Falls
04 21:22 Motherfucker=redeemer (Part One)
05 10:11 Motherfucker=redeemer (Part Two)
Total time: 74:59 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Montreal politico-art/music terrorist unit Godspeed You
Black Emperor! has been working on the material for
Yanqui U.X.O. (unexploded ordnance-landmines) for the
past four years. Some of the material predates Lift
Your Skinny Fists Like Antennas to Heaven and even Slow
Riot for New Zero Kanada. Recorded with Steve Albini,
the nonet that is Godspeed has issued its most
mysterious recording yet. The sound over these three
long cuts, like all of the band's recordings, develops
slowly over time and creates layers of dynamic tension
that expresses itself in waves and off-kilter,
shimmering flows. Usually these elements resolve
themselves in earth- and ear-shattering, dissonant
intensity that leaves the listener emotionally drained
-- especially live. But here, a more minimal and --
dare I say -- quiet approach is used. For over 75
minutes, no "found" voices are wafting through the mix
like displaced ghosts at a musical inquiry into the
nature of mass control and fascism. The ghosts here are
not disembodied or free to roam; they are contained
within the vibrational structures and harmonic
encounters along the dynamic field itself. There is
more melody, not less; there are more sections in each
piece, complex parts of compositions that articulate
themselves more slowly and pronouncedly. Above all,
there is beauty, aching, anguished beauty created by
dissonance between electric guitars, keyboards, and a
string section propelled by a drum kit that is barely
contained within the frame of the music. Tonal
extensions of simple melodic structures create new
melodic fragments that are incorporated into an already
growing mass of tension that is alleviated not by
force, but by engaging silence as a compositional and
improvisational tool. This is evident in all three
tunes, but particularly in the second section of
"9-15-00," which begins by stepping out of a void into
a fullness of color and texture that eventually raises
the tension bar over 22 minutes without resolution. For
the second section, spare fragments and chords are
placed carefully next to the altar of silence and
engage it in dialogue, in contradiction, and in echoing
its own concerns at how it is possible in our world,
very possible, that at the whim of some fool, all of
this -- the music; it's haunted, hunted melody; the
veritable grain of its voice; along with all life --
could enter into the silence forever. A close
inspection of the record cover with its photograph of
bombs in free-fall and its indicting chart shows
concretely how the major record labels are all involved
with the creators and purveyors of weapons of mass
destruction. This may be melancholy music, but this is
a dark time. At least it isn't music of mourning --
yet. And for the record, though the stupid critical
backlash against Godspeed You Black Emperor! has
already begun, the band is making the finest music in
the history of its collective. This is music for a
different kind of engagement -- that of becoming aware
of tyranny and disappearance. --Thom Jurek
(allmusic.com)
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
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▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀