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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 04-06-2004
Release date : 04-12-2004
Album name : Good News For People Who Love Bad News
Artist : Modest Mouse
Ripped by : Mookie
Genre : Indie
Label : Epic
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 16
Size of Files : 74,7 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 00:10 Horn Intro
02 04:33 The World At Large
03 03:29 Float On
04 03:49 Ocean Breathes Salty
05 00:13 Dig Your Grave
06 03:50 Bury Me With It
07 02:57 Dance Hall
08 04:15 Bukowski
09 02:19 This Devil's Workday
10 04:13 The View
11 02:35 Satin In A Coffin
12 00:59 Interlude (Milo)
13 05:25 Blame It On The Tetons
14 02:43 Black Cadillacs
15 03:04 One Chance
16 04:17 The Good Times Are Killing Me
Total time: 48:51 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Another Hq VBR release. Enjoy ;]
...:The sweet sounds of VBR...EOS:...
Finally the retail of MM in VBR.
After more than a decade with Modest Mouse, Isaac Brock
still sounds young and weird and searching, and never
more so than on Good News for People Who Love Bad News,
which follows the band's meditative The Moon &
Antarctica with a set of songs that are more focused,
but also less obviously profound. The occasionally
indulgent feel of The Moon & Antarctica allowed Modest
Mouse the room to make epic statements about life,
death, and the afterlife; while Good News for People
Who Love Bad News is equally concerned with mortality
and spirituality, it has a more active, immediate feel
that makes its comments on these subjects that much
more pointed. The band hits these points home with a
louder, more rock-oriented sound than they've had since
The Lonesome Crowded West, particularly on "Bury Me
With It," which embodies many of the contradictions
that continue to make Modest Mouse fascinating. For a
song loosely about contemplating death, it sounds
strikingly vital and liberated; Brock delivers finely
shaded lyrics like "We are hummingbirds who've lost the
plot and we will not move" with a barbaric yawp; it's
nonsensical but oddly climactic, conveying how what
seems trivial can be anything but. "The View"'s angular
bass line and scratchy guitars underscore the Talking
Heads influence on Modest Mouse, but since the Heads
have become a more trendy touchstone (mostly for bands
with less creativity than either Talking Heads or
Modest Mouse), it's nice to hear how Brock and company
take that influence in a different direction instead of
just rehashing it with less inspiration. Feeling stuck
is a major theme on Good News for People Who Love Bad
News, but the same can't be said about the album's
sound, which spans the forceful rock of the
aforementioned songs, to the pretty guitar pop of
"Float On" and "Ocean Breathes Salty," to the lovely,
rustic "Blame It on the Tetons." That's not even
mentioning the contributions of the Dirty Dozen Brass
Band, who open Good News for People Who Love Bad News
with the aptly named "Horn Intro." They also add a
theatrical jolt to the wickedly funny, Tom
Waits-inspired "Devil's Workday," which along with the
noisy stomp of "Dance Hall" and "Bukowski"'s witty
self-loathing, underscore that Modest Mouse haven't
lost the edge that made the band compelling in the
first place. Other standouts include "Satin in a
Coffin," a creatively creepy mix of rattling
bluegrass-rock with a tango beat that nods to the
group's backwater roots; "One Chance," an unusually
open and straightforward ballad; and the dreamlike
"World at Large," on which Brock sings, "I like songs
about drifters ù books about the same/They both seem to
make me feel a little less insane," once again proving
that he's a past master of lyrics that are both
abstract and precise. Even though this album isn't as
immediately or showily brilliant as The Moon &
Antarctica, Good News for People Who Love Bad News
reveals itself as just as strong a statement. By
drawing an even sharper contrast between the harsh and
beautiful things about their music, as well as life,
Modest Mouse have made an album that's moving and
relevant without being pretentious about it. ù Heather
Phares
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
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