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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 03-20-1990
Release date : 12-07-2003
Album name : Fear Of A Black Planet
Artist : Public Enemy
Ripped by : Mookie
Genre : Rap
Label : Def Jam/Columbia
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 20
Size of Files : 85,5 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 01:49 Contract On The World Love Jam
02 05:03 Brothers Gonna Work It Out
03 03:17 911 Is A Joke
04 01:38 Incident At 66.6 Fm
05 05:26 Welcome To The Terrordome
06 00:45 Meet The G That Killed Me
07 04:14 Pollywanacraka
08 02:39 Anti-Nigger Machine
09 03:04 Burn Hollywood Burn
10 03:48 Power To The People
11 03:52 Who Stole The Soul
12 03:42 Fear Of A Black Planet
13 05:43 Revolutionary Generation
14 02:47 Can't Do Nuttin' For Ya Man
15 01:36 Reggie Jax
16 02:31 Leave This Off Your Fuxkin Charts
17 03:46 B Side Wins Again
18 02:08 War At 33-1,3
19 00:49 Final Count Of The Collision Between Us And The Damne
20 04:43 Fight The Power
Total time: 63:20 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Another Hq VBR release. Enjoy:)
At the time of its release in March 1990 ù just a mere
two years after It Takes a Nation of Millions ù nearly
all of the attention spent on Public Enemy's third
album, Fear of a Black Planet, was concentrated on the
dying controversy over Professor Griff's anti-Semitic
statements of 1989, and how leader Chuck D bungled the
public relations regarding his dismissal. References to
the controversy are scattered throughout the album ù
and it fueled the incendiary lead single, "Welcome to
the Terrordome" ù but years later, after the furor has
died down, what remains is a remarkable piece of modern
art, a record that ushered in the '90s in a hail of
multi-culturalism and kaleidoscopic confusion. It also
easily stands as the Bomb Squad's finest musical
moment. Where Millions was all about aggression ù
layered aggression, but aggression nonetheless ù Fear
of a Black Planet encompasses everything, touching on
seductive grooves, relentless beats, hard funk, and dub
reggae without blinking an eye. All the more impressive
is that this is one of the records made during the
golden age of sampling, before legal limits were set on
sampling, so this is a wild, endlessly layered record
filled with familiar sounds you can't place; it's
nearly as heady as the Beastie Boys' magnum opus Paul's
Boutique in how it pulls from anonymous and familiar
sources to create something totally original and
modern. While the Bomb Squad was casting a wider net,
Chuck D's writing was tighter than ever, with each
track tackling a specific topic (apart from the
aforementioned "Welcome to the Terrordome," whose
careening rhymes and paranoid confusion are all the
more effective when surrounded by such detailed
arguments), a sentiment that spills over to Flavor
Flav, who delivers the pungent black humor of "911 Is a
Joke," perhaps the best-known song here. Chuck gets
himself into trouble here and there ù most notoriously
on "Meet the G That Killed Me," where he skirts with
anti-homophobia ù but by and large, he's never been so
eloquent, angry, or persuasive as he is here. This
isn't as revolutionary or as potent as Millions, but it
holds together better, and as a piece of music, this is
the best hip-hop has ever had to offer. ù Stephen
Thomas Erlewine
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
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