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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 09-15-1992
Release date : 12-12-2003
Album name : Greatest Misses
Artist : Public Enemy
Ripped by : Mookie
Genre : Rap
Label : Def Jam/Columbia
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 13
Size of Files : 75,10 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 04:17 Tie Goes To The Runner
02 04:02 Hit Da Road Jack
03 04:53 Gett Off My Back
04 04:45 Gotta Do What I Gotta Do
05 03:45 Air Hoodlum
06 04:54 Hazy Shade Of Criminal
07 03:01 Megablast (The Mad Skillz Bass Pipe Gett Off Remixx)
08 03:37 Louder Than A Bomb (JMJ Telephone Tap Groove)
09 04:11 You're Gonna Get Yours (Reanimated TX Getaway Version
10 04:03 How To Kill A Radio Consultant (The DJ Chuck Chillout
11 03:39 Who Stole The Soul (Sir Jinx Stolen Souled Out Repara
12 05:53 Party For Your Right To Fight (Blak Wax Metromixx)
13 04:46 Shut Em Down (Live In The UK)
Total time: 55:46 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Another Hq VBR release. Enjoy:)
It would be unfair to say that 1992's Greatest Misses
is where it all began to go wrong for Public Enemy, but
it wouldn't be entirely inaccurate. Following
Apocalypse 91 by a little less than a year, the album
is a jumble of six new songs and six remixes, with a
live cut added as a bonus track ù a sure sign that the
group was either finding a way to buy time or didn't
quite have the energy to finish a full album. The
resulting record doesn't indicate which answer is
better, which is part of the problem: It never quite
comes into focus, which is a startling change in course
from a crew who, prior to this, never took an unsure
step with their recordings. That lack of direction is
what really hurts the record, since it seeps into not
just the superfluous remixes (many waterlogged with
introductory hot-button talk-show samples), but also
the new material. Here, the Bomb Squad and their
legions of co-producers ù most prominently the Imperial
Grand Ministers of Funk, but also Dr. Treble n Mr. Bass
ù sound restrained as they try to move PE away from
their signature sonic assault and into newer, soulful
territory. To a certain extent, it works on "Hit da
Road Jack," but when the Parliament allusions are
hauled out on this album's obligatory Flavor Flav
showcase, "Gett off My Back," for the first time Public
Enemy sound like followers, not leaders. This trouble
is compounded by the fact that the tracks where they
sound the most comfortable ù "Tie Goes to the Runner,"
the basketball saga "Air Hoodlum," and the record's
best track, "Hazy Shade of Criminal" ù are the ones
that sound closest to the band's classic sound, which,
at that point, was beginning to sound outdated as
hip-hop became ensconced in gangsta. In retrospect, it
sounds better ù still not among their best material,
but solid genre material nonetheless, with the
aforementioned songs (apart from "Gett off My Back")
all being satisfying within the sound that PE has
developed, even if it's not among their best work. So,
Greatest Misses is not the outright disaster that it
seemed at the time, but neither is it a lost treasure,
since it's just too damn diffuse to be something
worthwhile for anyone outside of the dedicated.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
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▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀