▐
▐
▌ ▐▌ ▐
██
▐▌ ██
██ ████ ▌ ▐
██ ████ ▐▌
▌ ████ ▄▄ ██████ ▌ ██
█ ▄▄▄ ████ ▀▀█████████ ▐█ ██
████▀▀▀██████ █▄▄▄ ▀▀▀ ▄▄ ▐█ ▐██▌
███ ▓ ▀█████▄ ▄▄ █████████▓▓ ██▌ r!0t/BAFH ████ ▌
███ ██▓▄ ▀▀████████ ████████▓▓ ▄▄ ▀ ████ ███▄▄▄ ▄██████████▌
███ █████▓▓▄ ▀▀██████ ████████▓▓ ▀████ ████████ ▀▀▀███▀▀▀▀▀▀ ▄ ██
███ ▄████████▓▓▄▄ ▀▀██ ███████▓▓▐█▄ ▀████████████ ██▄▄▄▄▄█████▓▓ ███
██▀ ▄█████████████▓▓▄▄ ████████▓▓▐██▄▄ ▀▀████████ ████████████▓▓ ██
███▀ ██████████████████████████████▓▓▐██████▄▄▄▄ ▀▀▀▀ ████████████▓▓ ██
██▀ ▄████████████████████████████████▓▓▐███████████████▄▐███████████▓▓ ██
██ ▀███████▓▓███▀████████████████████▓▓▐████████████████████████████▓▓ ██
███▄ ▀███▓▓▀ ████▓▀▀▀▀▀███████████████▓▓▐█████████████████████▀▄▀███▓▓ ██ ▐
▐█▐██▄ ▀▓▀ ▐████▓▓▄ ░░░░▒▒░ ▄██████▓▓▀ ███████▓▓▀█████████▀▄▓▓▄▀█▓▓ ██
▐█ ███▄▄▄█ ███████▓▓▄▄ ░░░░▀▀████▓▓▀ ░ ▀ ▀▀████▓▓ ░▀▀████▀▄███▓▓▄▀▓▓ ███ ▐
█ ████ ▐███████████▓▓▄▄ ░░░░ ▀▀ ░░░░░ ▓▄▄ ▀▀▀▓▄ ░░░ ▀ ██████▓▓▓ ▀ ██ ▐
▌ ███ █████████████████▓▓▓▄▄ ░░▒▒░░ ▄████▓▓▄ ▀▀▀▄▄▄██████████▓▓ ███ █
███ ▄███████████████████▓▓▓ ░▒▒░░ ▄█████████▓▓▄▄▄ ▀▀█████████▓▓▄ ███▄ ██
▌ ███▌ █████████████████████▓▓ ░▒░░ ▄███████████████▓▓▀▄█▄███████▓▓▄ ██████
████ ▐███████▓▓ ▀▀██████▀▄▀▓▓ ░░░ ▄███▓▓ ▀▀███████▓▓▐██ ▀███████▓▓▄ ▀████
█████ ███████▓▓ ░░░░ ▀▀▀▄█▓▓▄▀ ░ ▄████▓▓ ░░░ ██████▓▓▌█▀ ░░ ▀███████▓▓ ███
██████ ███████▓▓▌ ░▒░░░ ▄█████▓▓▄ █████▓▓ ░▒▒░ ██████▓▓▀ ░▒░░ ▀██████▓▓ ██
██▀▀▀▀▀ ████████▓▓ ░░▒░ ▄█████████▓▓▄▀██▓▀ ░░░▒░ ▐█████▓▓ ░░░▒▒░░░ ▀█████▓▓ █
██ █▓▓▄ ███████▓▓ ░░▒░ ▀██████████▓▓▄▀██▄▄ ░░░ ▐█████▓▓ ░░░░░░░▒░ ▀████▓▓
█ ▄███▓▓░ ███████▓▌ ░░▒░░ ▀██████████▓▓▄▀███▄▄░░ █████▓▓▌▄▄▄▄▄▄ ░░░░░ ▀████▓▓
▄█████▓▓░ ██████▓▓▄ ░░░░░░ ▀███████████▓▓▄▀█████▄ █████▓▓▐██████▓▓▄▄░░ ▀███▓▓
▄███████▓▓░ ███████▓▓███▓▓▄▄▄▄█▀██████████▓▓▄▀███████████▓▄▐█████████▓▓▄▄ ██▓▓
████▓▓▀▄▄▄▄▄▄███████████████████████████████▓▓▄▀█████████▓▓▄▐████████████▀██▓▓
████▄█████████████████████████████████████████▓▓▄▀▓███████▓▓ ▀█████████████▓▓
██████████████████████████████████████████████▓▓▀ ▄▄ ▀▀▓██▓▓ ▀█████████▓▓▀
▄ ██████████▀▀▀▀▀▀ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▀▀▀████████▓▓ ▄█████▄▄ ▀█▓▓ █▄ ██████▓▓▀ ▄██
█▄ ████▀▀ ▄▄▄████████████████████████▄▄ ▀████▓▓ ▄█████████▄▄ ▀ ▀█▄ ▀██▓▓▀ ▄████
██▄ ▀ ▄▄█████▀▀▀▀▀▀ ▀▀▀███▄ ▀█▓▓ ▄███████████████▄▀██ ▀▓▀ ▄██████
████▄▄██▀▀ < E O S > ▄ ▀██▄ ▓ ▄██▀▀ ▀▀▀▀ ██ ▀ ████████
██████ ██ < M P 3 > ███ ▀██▄▄▄██ ▄ ██▄███████
████ ██▌ ██ ██████ ███ ▀▀▀▀ ████
████ █▌ P r o u d l y █ ████ ██ ██
██ ▌ P r e s e n t s . . ▌ ████ █ ██
██ ▌ ██ ▌ ▐▌
▐▌ ▌ ██ ▐
▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
▐
▐
Originally released : 1988
Release date : 12-12-2003
Album name : It Takes A Nation Of Millions To Hold Us Back
Artist : Public Enemy
Ripped by : Mookie
Genre : Rap
Label : Def Jam/Columbia
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 16
Size of Files : 76,4 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 01:41 Countdown To Armageddon
02 03:46 Bring The Noise
03 05:19 Don't Believe The Hype
04 04:17 Cold Lampin With Flavor
05 04:31 Terminator X To The Edge Of Panic
06 01:20 Mind Terrorist
07 03:39 Louder Than A Bomb
08 04:54 Caught, Can We Get A Witness?
09 01:56 Show Em Whatcha Got
10 03:49 She Watch Channel Zero ?!
11 03:15 Night Of The Living Baseheads
12 06:24 Black Steel In The Hour Of Chaos
13 01:20 Security Of The First World
14 05:03 Rebel Without A Pause
15 03:19 Prophets Of Rage
16 03:25 Party For Your Right To Fight
Total time: 57:58 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Another Hq VBR release. Enjoy:)
Yo! Bum Rush the Show was an invigorating record, but
it looks like child's play compared to its monumental
sequel, It Takes a Nation of Millions to Hold Us Back,
a record that rewrote the rules of what hip-hop could
do. That's not to say the album is without precedent,
since what's particularly ingenious about the album is
how it reconfigures things that came before into a
startling, fresh, modern sound. Public Enemy used the
template Run-D.M.C. created of a rap crew as a rock
band, then brought in elements of free jazz, hard funk,
even musique concrΦte, via their producing team, the
Bomb Squad, creating a dense, ferocious sound unlike
anything that came before. This coincided with a
breakthrough in Chuck D's writing, both in his themes
and lyrics. It's not that Chuck D was smarter or more
ambitious than his contemporaries ù certainly, KRS-One
tackled many similar sociopolitical tracts, while Rakim
had a greater flow ù but he marshaled considerable
revolutionary force, clear vision, and a boundless
vocabulary to create galvanizing, logical arguments
that were undeniable in their strength. They only
gained strength from Flavor Flav's frenzied jokes,
which provided a needed contrast. What's amazing is how
the words and music become intertwined, gaining
strength from each other. Though this music is
certainly a representation of its time, it hasn't dated
at all. It set a standard that few could touch then,
and even fewer have attempted to meet since.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
█▀▀ ▀ ▀ ▀▀█
▀█▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▓▀█▀
▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀