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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 03-08-1994
Release date : 04-17-2003
Album name : Superunknown
Artist : Soundgarden
Ripped by : ignition
Genre : Grunge
Label : A&M
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 15
Size of Files : 100,7 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 03:53 Let Me Drown
02 05:12 My Wave
03 04:43 Fell on Black Days
04 04:26 Mailman
05 05:07 Superunknown
06 06:09 Head Down
07 05:18 Black Hole Sun
08 04:06 Spoonman
09 05:47 Limo Wreck
10 05:20 The Day I Tried to Live
11 01:34 Kickstand
12 04:16 Fresh Tendrils
13 05:08 4th of July
14 02:14 Half
15 07:04 Like Suicide
Total time: 70:17 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Soundgarden's finest hour, Superunknown is a sprawling,
70-minute magnum opus that pushes beyond any previous
boundaries. Soundgarden had always loved replicating
Led Zeppelin and Black Sabbath riffs, but
Superunknown's debt is more to mid-period Zep's layered
arrangements and sweeping epics. Their earlier punk
influences are rarely detectable, replaced by
surprisingly effective appropriations of pop and
psychedelia. Badmotorfinger boasted more than its fair
share of indelible riffs, but here the main hooks
reside mostly in Cornell's vocals; accordingly, he's
mixed right up front, floating over the band instead of
cutting through it. The rest of the production is just
as crisp, with the band achieving a huge, robust sound
that makes even the heaviest songs sound deceptively
bright. But the most important reasons Superunknown is
such a rich listen are twofold: the band's embrace of
psychedelia, and their rapidly progressing mastery of
songcraft. Soundgarden had always been a little
mind-bending, but the full-on experiments with
psychedelia give them a much wider sonic palette,
paving the way for less metallic sounds and
instruments, more detailed arrangements, and a bridge
into pop (which made the eerie ballad "Black Hole Sun"
an inescapable hit). That blossoming melodic skill is
apparent on most of the record, not just the poppier
songs and Chris Cornell-penned hits; though a couple of
drummer Matt Cameron's contributions are pretty
undistinguished, they're easy to overlook, given the
overall consistency. The focused songwriting allows the
band to stretch material out for grander effect,
without sinking into the pointlessly drawn-out muck
that cluttered their early records. The dissonance and
odd time signatures are still in force, though not as
jarring or immediately obvious, which means that the
album reveals more subtleties with each listen. It's
obvious that Superunknown was consciously styled as a
masterwork, and it fulfills every ambition.
- Steve Huey (allmusic.com)
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
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