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▄██▀ a d d i c t e d to m u s i c ░▀██▄
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▀ ▄▄▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█ p r e s e n t s to y o u ▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▄▄ ▀
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▄ ▀▄ Artist - Oscar Peterson ▄▀ ▄
██ ▐▌ Album - Ultimate Selected By Roy Brown ▐▌ ██
██ ▄▀ ▀▄ ██
██ Label - Verve Genre - Jazz ██
▐█▌ Retail - 1998 Rip - 01/27/2003 ▐█▌
▀█▄ Playtime - 71:00 min Source - CDDA ▄█▀
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▌ █ █
▌ █ 01 11:43 sometimes im happy █ █
▌ █ 02 07:54 love you madly █ █
▌ █ 03 08:02 in the wee small hours of the morning █ █
▌ █ 04 07:24 reunion blues █ █
▌ █ 05 05:55 waltz for debby █ █
▌ █ 06 05:54 blues for big scotia █ █
▌ █ 07 07:47 jet song █ █
▌ █ 08 05:23 noreens nocturne █ █
▌ █ 09 02:02 mumbles █ █
▌ █ 10 08:56 chicago █ █
▌ █ █ ▐
▌ █████████▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ RELEASE-NOTES ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█████████ ▐
▌ █ █ ▐
▌ █▌ Trazan Loves You! ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ Oscar Peterson was a star in Canada, his homeland, before ▐█ ▐
▌ █▌ Norman Granz brought him to this country in 1949 for a ▐█ ▐
▌ █▌ surprise debut at Carnegie Hall. He had his own Canadian ▐█ ▐
▌ █▌ Broadcasting Corporation radio program when he was ▐█ ▐
▌ █▌ fourteen. By the age of twenty-four, he was famous ▐█ ▐
▌ █▌ throughout the country and well known to the American ▐█ ▐
▌ █▌ musicians who heard him at the Alberta Lounge near the ▐█ ▐
▌ █▌ Montreal train station. Jimmie Lunceford tried to hire him ▐█ ▐
▌ █▌ for his big band. Basie urged him to move to the US. After ▐█ ▐
▌ █▌ the Carnegie Hall concert, Peterson went back to Canada, ▐█ ▐
▌ █▌ but in 1950 he joined the touring Jazz at the Philharmonic ▐█ ▐
▌ █▌ ensemble. He also formed a duo with Brown. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ When Peterson decided to expand beyond the duo, he first ▐█ ▐
▌ █▌ used a drummer, but soon decided to model his trio on ▐█ ▐
▌ █▌ Coles. His first guitarist was Irving Ashby, a veteran of ▐█ ▐
▌ █▌ Coles group. In 1951, Barney Kessel agreed to sign on for ▐█ ▐
▌ █▌ a year and proved himself more than capable of meeting ▐█ ▐
▌ █▌ Petersons and Browns rhythmic challenges. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ Kessels replacement in 1953 was another Southwesterner who ▐█ ▐
▌ █▌ was, like Kessel, under the spell of Charlie Christian and ▐█ ▐
▌ █▌ also loved Freddie Green, Basies rhythm guitarist. With ▐█ ▐
▌ █▌ Herb Ellis in the guitar chair for five years, Petersons ▐█ ▐
▌ █▌ group became the most celebrated trio in jazz. Their ▐█ ▐
▌ █▌ concert recordings are some of the most exciting music ▐█ ▐
▌ █▌ ever captured on record. All of the members of the trio ▐█ ▐
▌ █▌ have said that they were at their apogee at the Stratford, ▐█ ▐
▌ █▌ Ontario Shakespeare festival in August 1956. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ As far as Peterson was concerned, Ellis was irreplaceable. ▐█ ▐
▌ █▌ When he left, Peterson did not consider bringing in ▐█ ▐
▌ █▌ another guitarist. Instead, Ed Thigpen joined the trio on ▐█ ▐
▌ █▌ drums in 1958 and stayed until 1965. Thigpens work is ▐█ ▐
▌ █▌ studied by drummers around the world, particularly for his ▐█ ▐
▌ █▌ incomparable use of wire brushes. The Peterson trio with ▐█ ▐
▌ █▌ Brown and Thigpen achieved its own personality and its own ▐█ ▐
▌ █▌ brand of swing. All Petersons recordings of the Thigpen ▐█ ▐
▌ █▌ era were based on the trio, whether they included a big ▐█ ▐
▌ █▌ band, or a guest. The London House sessions are to this ▐█ ▐
▌ █▌ trio what the Stratford concert was to the group with ▐█ ▐
▌ █▌ Ellis. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ Following his years with Verve, Peterson has led other ▐█ ▐
▌ █▌ trios and achieved other triumphs, but many listeners ▐█ ▐
▌ █▌ believe that from 1950 to 1965 he had his finest hours. ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ WE LOVE YOU ALL! ▐█ ▐
▌ █▌ ▐█ ▐
▌ █▌ ATH+++ ▐█ ▐
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█ █▌ Addicted to Music - Established in 1997 ▐█ █
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