Drug_Free_America-Narcotica-1995-DPS

Section
MP3/FLAC
Group
DPS
Size
94,29 MB
Files
8
Date
2009-11-25

NFO

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                          █░ █
                          █  █   P U B L I C . S O U N D
                          █  █
                          █  █   presenting our latest release
                          ▀▀▀▀



     r e l e a s e  .  i n f o



     Artist.....: Drug Free America
     Title......: Narcotica


     Rip Date...: 2009-11-21             Cat.No.....: CDKTB21
     Style......: Electronic             Label......: Dreamtime
     Quality....: VBRk                   Type.......: Album
     Size.......: 98.87MB                Source.....: CD



     r e l e a s e  .  n o t e s



     Steve first met Brian when he drew up in a white 1969 Pontiac Firebird
     Convertible. HeÆs dressed head to toe in black leather and has blond hair
     and looked like a rock star. ôGet in, lets move across the Planetö. They
     take off like a rocket. Steve notes Suicide is playing on his cassette. Few
     people knew of Suicide at the time. It bonded them immediately.
     They plotted to form a band like Suicide using the latest technology adding
     2 metal guitarists for a full hammer Sonic Attack.
     They call themselves Drug Free America after a photograph of Keith
     Richards, sat in front of a customs poster saying Patience Please A Drug
     Free America Comes First (ironic)
     After a couple of line up changes they eventually get guitar slingers Andy
     and Paul on board, they are full metal; Racket geniuses.
     Throughout æ87 and æ89, they release three singles, in the UK and Europe
     æNo Solid GroundÆ, æDay Glo Pussycat, æHeaven AinÆt High EnoughÆ and an
     album, æAttitude 50 Centsæ. They are all Indie top ten hits. In the New
     Musical Express, Melody maker and Sounds.. All their vinyl and CDs get
     great critical acclaim and so do their live shows. They get to the point
     where they are playing colleges and Venues with audiences of 300 to 500.
     They also support American noise bands including the Swans, Janes
     Addiction, Pussy Galore, and play Futurama æ89. Also they support Uk acts
     like Spacemen 3, Birdland, Thee Hypnotics, Gaye Bikers on Acid, Ghost Dance
     and do sell out headline tours. The reaction is wild and violent. At some
     shows bottles and cans pour down on the stage. The mosh pit is a cauldron
     of seething bodies and sweat.
     The Press say Drug Free are the first since Joy Division to do everything
     on their own terms. The pressure of gigging on little or no money gets to
     them. The crew get a small amount for each show, the band never take a
     penny. All the money from shows / record sales go back into the project to
     cover transport, light show, equipment, recording, CD record pressing and
     Videos etc. The band and Crew, Fran, Terminator, Kevo, Dave, Mick and
     Martin all sleep with the equipment in a Transit 190 van. They are also
     having emotional problems with girlfriends. The burn out gets fierce.
     Eventually they imploded in a mess of drugs, booze and pure exhaustion.
     After 3 bright years they start to break up.
     Though DFA are breaking up Concrete Inc Records contact them to do a dance
     re-mix of ôDaddys GunÆ. Its released as a 12 inch in autumn æ89. Its also
     included on the 1990 compilation æFunky Alternatives 5?, along with acts
     like æA Guy Called GeraldÆ, æ Nitzer EbbÆ, æThrill Kill KultÆ and æKMFDMÆ.
     When the band split Steve went on a round the world trip, going firstly to
     Thailand and an island called Ko Pang Yang. He stays on Haad Rin beach for
     a month, attends the Full moon parties and gets into acid and house music.
     He then goes to live in Australia and stays a year living at Bondi Beach
     On his return from Bondi refreshed and having been trying Ecstasy during
     æ89/Æ90 his head had tuned into dance/techno. He was listening to Belgium
     trance like Cosmic Trigger/Cosmic Baby. So when he meets up with Brian he
     found he had lots in common. During the Æ90s Brian was working at Dance
     Events with Pecker (PX Effects) doing lighting. Using the old DFA lights,
     strobe, dry ice machine and camo back drop, The two played the Trades in
     Chapeltown Leeds at the famous/infamous Dream events. Steve starts to help
     out and they get bang into the blossoming E culture. Brian had tried E in
     New York back in Autumn æ81 (it was Legal then) when he worked with Soft
     Cell on their album æNone Stop Erotic CabaretÆ.. While clubbing in New York
     he became a friend of the infamous pill dealer Cindy Ecstasy and so was one
     of the first people from the UK. to try the drug that hit the Northern
     clubs in æ89/Æ90 like a.. Hurricane..
     Steve and Brian start to make music together again this time without the
     earlier hardships.With less vocals and guitars it comes out as Techno.
     Cybersound sign them and they release 3 twelve-inch singles, æMedication
     TimeÆ, æLoud EverybodyÆ and æCan You FeelÆ. featuring Louise Dean. (R.I.P
     Sadly missed)..
     Rob Tissera plays them at Dream and they sell well. Hammy owner of
     Peaceville records likes what he has heard and contacts Cybersound to buy
     DFA for his new experimental label Dreamtime. This small label is not Metal
     like the main label Peaceville. Dreamtime has other acts like the
     immaculate psychedelic band æShip of Foolsæ and the industrial band GGFH.
     In æ92 Hammy puts DFA back into the studio for 30 days and nights. They end
     up crashing out in sleeping bags in the studio, working round the clock
     with sound engineer supremo John Dalby. John was the only person who could
     stay awake with DFA..They smoke a bush of skunk and drink lots of beer.
     Steve has also been dabbling with Acid While Brian has been doing lots of
     large outdoor parties. They recruit Andrea Healey (aka Valley Girl) on
     vocals, DJÆsà.RMD (aka electro master Mossadon) DJD, Tall Order and Beau.
     The end product is an album named simply æTripæ.This title is
     self-explanatory. Mix Mag love it and DFA get labelled Intelligent Techno.
     It is mostly instrumental and is designed for smokers and midnight tokers
     everywhere. .
     DFA get endless letters/e-mails from stoners and druggies everywhere
     claiming that the opening track ôCyberspaceö and the second track æDetroit
     WalkaboutÆ is a benchmark in Psychedelic Techno. The title comes from
     SteveÆs visit to Detroit where he recorded vocals for the æTen Miles HighÆ
     a mix released on Kenny LarkinÆs æPodÆ 12 inch. He also did vocals for John
     Penns Undercurrents label and met Underground Resistance,
     Brian who does all the programming and writing of the tracks was in the
     band Vicious Pink Years before. VP was credited for being the first band to
     coin the phrase Techno in 1982. and the first Band to have World wide
     success using a Roland Bass Line TB 303.
     æTripÆ sells well and gets good reviews. MTV play the Video One Alien
     Nation Under A Groove taken from the Album. Brian and Steve decide to
     expand the line up and DFAs guitarist Paul rejoins. They also recruit
     Hayley Windsor to add her sensual, breathy, dream like vocals to the mix.
     After Touring Europe playing the prestigious Mind the Gap Festival
     alongside acts like Pitchshifter they go back into the studio. Touring has
     tightened them up into a band once again and they record Narcotica the New
     Pornography.
     NARCOTICA seeps in with two long hypnotic tracks by their keyboard player/
     programmer Brian Moss, showing a return to their original musical
     inspiration and influence û hard edge electro duo, Suicide. Contemporary
     dance genres, Trip Hop and Dance dub become evident as Narcotica begins to
     take hold. The band were truly ahead of their time with the concept of
     drugs as sex, with many glossies, such as Cosmopolitan running features on
     drugs as the sexual crutch of the nineties. Deconstructed from verse
     written by vocalist Steve Dixon, the new DFA lyrics represent observations
     on the nature of addiction û emotional, social and narcotic.
     Steve says: ôThings seem heavier now, and so we have returned to our old
     skool electro roots and made a claustrophobic album for the Blank Post E
     Generation, who are now waking up to the fact that real love does not come
     in tablet formö.
     This time with vocals from both Steve and Hayley and Pauls immaculate
     spacey, funky guitaring they come up with a sound all of their own. They
     get linked to Darkwave by European fanzines, even though they donÆt know
     what Darkwave is? It is not for another 5 years that the term Darkwave
     becomes used in the UK to describe an electro off shoot of the new wave of
     Goth music. Again DFA are bemused when girls wearing all black, Rock boots
     and fishnets attend their gigs. Their audience is a mix of techno pill
     heads, Darkwave Goths and crusty festival types, i.e. a fair cross section
     of drug- and Booze fuelled outsiders who are all united by the Dark Techno
     music DFA are playing. To confuse matters even more Steve does a re-mix
     with John Dalby for Peaceville label mates, doom metallers, My Dying Bride.
     The track æTranscending (Into the Exquisite) goes out as the B side of the
     12 inch æ I am the Bloody EarthÆ, and ends up on metal compilations.
     In 1997 they release their last C.D. for Dreamtime entitled OM23. Working
     with engineer and artist Tim Wright..Again it has strong dance beats with
     neat melodies and sparse vocals. The title track OM23 is used in the film
     Get Real.
     They are also approached by D-J Maurice, of Union nightclub in Leeds, he is
     also a regular DJ at Gatecrasher playing progressive trance.. He does a
     remix of the DFA track æJewels and CaloriesÆ for Charlie HallÆs Union
     Recordings. It is a dance floor hit.
     Recently Brian has remastered the first three singles and the first Album
     plus selective tracks off æNarcoticaæ. DFA plan to reissue all the tracks
     as a double C.D and will be available to Download. Now the four originals
     are back in the line up watch this space for further details, we are now
     Warping  Timeà Now We have a Man Down. Steve Dixon AKA Fenris Wolfe RIP.



     p l a y l i s t



     1     Narcotica (The New Pornography)                   12:28
     2     Sewers of Paradise                                10:37
     3     Fear and Adrenalin                                 9:03
     4     Baby Doll and the Dolphin Burger                   9:47
     5     Ransacking the Ethernet                            7:34
     6     Soap Operas and Brown                              8:40
     7     Drop Zone                                          6:58
     8     Baby Doll Reprise (Video/Radio Edit)               3:34
                                                                ..

                                                             68:41



     g r e e t i n g s



     1way - agw - amok - bass - bcc - boss - cmg - cmc - cms - d2h
     def - dh - disc0 - drum - emp - ftd - fwyh - gem - - i8 - ipc
     jce - jfk - jrp - just - khz - kinky - kw - lame - maem - mbs
     mgc - psycz - r2r - rac - radial - rapid - rks - rtb - sb
     sfe - soup - sour - sq - tr - trt - ube - uc - upe - uki
     xtc - yard - zi

     respect to music lovers worldwide




     never forget  :  go to the show. buy the t-shirt. order the vinyl



Files

PathSize
01-drug_free_america-narcotica_(the_new_pornography)-dps.mp317,94 MB
02-drug_free_america-sewers_of_paradise-dps.mp314,86 MB
03-drug_free_america-fear_and_adrenalin-dps.mp312,56 MB
04-drug_free_america-baby_doll_and_the_dolphin_burger-dps.mp312,51 MB
05-drug_free_america-ransacking_the_ethernet-dps.mp310,15 MB
06-drug_free_america-soap_operas_and_brown-dps.mp311,29 MB
07-drug_free_america-drop_zone-dps.mp310,16 MB
08-drug_free_america-baby_doll_reprise_(video-radio_edit)-dps.mp34,82 MB