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█▄ ▀ SAPiENTiAM AUTEM NON ViNCiT MALiTiA ▄░▒█
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░ ▄█▀▀[ Nicol≥ Paganini-Complete Violin Concertos Vol ]▀▀█▄ ░
▄▓▀∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▀▓▄
└█▓┐ ┌▓█┐
░▓██▓│■ artist.......: Nicol≥ Paganini │▓██▓░
░▒ ┌█▓│■ album........: Complete Violin Concertos Vol. 2 │▓█┐ ▒░
░ └█▓│■ genre........: Classical │▓█┘ ░
░▒▓██▓│ │▓██▓▒░
░ ┌█▓│■ album year...: 2002 │▓█┐ ░
░ └█▓│■ rip date.....: Jan-30-2003 │▓█┘ ░
░▒▓██▓│■ streetdate...: 000-00-2002 │▓██▓▒░
░ ┌█▓│ │▓█┐ ░
░ └█▓│■ tracks ......: 06 │▓█┘ ░
░▒▓██▓│■ size ........: 107,2 MB │▓██▓▒░
░ ┌█▓│■ record label.: Dynamic │▓█┐ ░
░ └█▓│■ language.....: English │▓█┘ ░
░▒▓██▓│■ bitrate .....: 192 Kbps HQ │▓██▓▒░
░ ┌█▓│■ source ......: CDDA │▓█┐ ░
░▒ └█▓│■ ripper.......: Alberon │▓█┘ ▒░
░▓██▓┘■ supplier.....: LOGOS Team └▓██▓░
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░ ▄█▀▀ RELEASE NOTES: ▀▀█▄ ░
▄▓▀∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▀▓▄
█▒ FIRST RECORDING FROM THE AUTOGRAPH MANUSCRIPTS ▒█
█▒ ▒█
█▒ Concerto No. 3 in E Major ▒█
█▒ ▒█
█▒ Concerto No. 5 In A Minor ▒█
█▒ ▒█
█▒ ▒█
█▒ The concertos here recorded - like those of the ▒█
█▒ first volume of the series - are played on the ▒█
█▒ famous Guarneri del Ges∙ that belonged to Paganini, ▒█
█▒ currently kept in the Genoa City Hall. This 1742 ▒█
█▒ instrument, which has an extraordinary sound, is ▒█
█▒ very well preserved. ▒█
█▒ Once again Massimo Quarta, winner in 1991 of the ▒█
█▒ Paganini Competition, has proven well up to the ▒█
█▒ task, mastering a violin that is as beautiful as it ▒█
█▒ is difficult to play and performing in the double ▒█
█▒ capacity of soloist and conductor of the Genoese ▒█
█▒ Teatro Carlo Felice Orchestra. ▒█
█▒ As for the Concertos Nos. 1 and 2 of Volume one, ▒█
█▒ also for Nos. 3 and 5 new editions based on ▒█
█▒ PaganiniÆs autographs were prepared. For Concerto ▒█
█▒ No. 5, in particular, Dynamic commissioned from the ▒█
█▒ musicologist and viola player Francesco Fiore a new ▒█
█▒ orchestration, which would substitute that written ▒█
█▒ by Federico Mompellio in 1959. Of this Concerto, in ▒█
█▒ fact, only the part of the solo violin exists in ▒█
█▒ PaganiniÆs own handwriting, with a guide to the ▒█
█▒ orchestral tutti as well as some sporadic hints of ▒█
█▒ accompaniment and indications of instrumentation. ▒█
█▒ The orchestral score was probably never written by ▒█
█▒ the Genoese composer. ▒█
█▒ Maestro Fiore set himself two goals: the first was ▒█
█▒ to write a score philologically respectful of the ▒█
█▒ Paganinian stereotypes; the second was to underline ▒█
█▒ the fact that the style of the mature Paganini was ▒█
█▒ very closely linked to that of the most important ▒█
█▒ Italian operatic composers of the day (Rossini, ▒█
█▒ Donizetti and Bellini). What has emerged is a newer ▒█
█▒ and fresher Paganini, a Paganini of great effect. ▒█
█▒ ▒█
█▒ ▒█
█▒ ▒█
█▒ Niccolo Paganini (1782-1840) ▒█
█▒ Paganini was the greatest violinist of his age, ▒█
█▒ exercising a strong influence on the developing ▒█
█▒ technique of violin-playing and, through his ▒█
█▒ virtuosity on the instrument, on the ambitions of ▒█
█▒ performers on other instruments. Born in Genoa in ▒█
█▒ 1782, he studied there, at first with his father. ▒█
█▒ He spent eight years, from 1801, at Lucca, later as ▒█
█▒ solo violinist to the court of Napoleon's sister, ▒█
█▒ installed there as ruler by her brother. From 1810 ▒█
█▒ he travelled as a virtuoso, at first in Italy and ▒█
█▒ then, from 1828, abroad, causing a sensation ▒█
█▒ wherever he went, his phenomenal technique giving ▒█
█▒ rise to rumours of diabolical assistance. His ▒█
█▒ career went into partial decline from 1834, ▒█
█▒ followed by a significant deterioration in health. ▒█
█▒ He died in Nice in 1840. ▒█
█▒ ▒█
█▒ Music for Violin & Orchestra: ▒█
█▒ Paganini wrote a number of works for violin and ▒█
█▒ orchestra for his own concert use. These include ▒█
█▒ five numbered concertos, the second of which, the ▒█
█▒ Concerto in B minor, contains the movement La ▒█
█▒ campanella, borrowed later by Liszt. Sets of ▒█
█▒ variations for violin and orchestra include I ▒█
█▒ Palpiti, based on an operatic aria by Rossini, and ▒█
█▒ Le Streghe, based on a theme from an opera by ▒█
█▒ Mozart's pupil Sⁿssmayr. ▒█
█▒ ▒█
█▒ Chamber Music: ▒█
█▒ Music of another kind is provided in the works for ▒█
█▒ violin and guitar written by Paganini, who also had ▒█
█▒ a considerable interest in the second instrument. ▒█
█▒ These compositions include groups of sonatas and a ▒█
█▒ set of quartets for guitar and string trio. ▒█
█▒ ▒█
█▒ Violin Solo : ▒█
█▒ Paganini's Twenty-Four Caprices for unaccompanied ▒█
█▒ violin provide a compendium of violin technique and ▒█
█▒ vehicles for dazzling virtuoso display. The last of ▒█
█▒ the Caprices was used by Brahms for two books of ▒█
█▒ piano variations on the theme and by Rachmaninov in ▒█
█▒ his Rhapsody on a Theme of Paganini for piano and ▒█
█▒ orchestra. ▒█
█▒ ▒█
█▓░ ░▓█
▄▀ ▀▓▄ ▄▓▀ ▀▄
▄▓ ▒▄ ▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▓▀ ▄▒ ▓▄
█ ▀ ▄▓▀ TRACKLiST(S): ▀▓▄ ▀ █
▀▄▓▀∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙▀▓▄▀
█▒ NR. TRACK TiME: ▒█
█▒ 01 Concerto No.3 (Adagio, Cantabile Spianato 06:29 ▒█
█▒ 02 Concerto No.3 (Andane - Allegro Marziale) 18:42 ▒█
█▒ 03 Concerto No.3 (Polacca: Andantino-Vivace) 12:13 ▒█
█▒ 04 Concerto No.5 (Allegro Maestoso) 20:35 ▒█
█▒ 05 Concerto No.5 (Andante, Un Poco Sostenuto 09:00 ▒█
█▒ 06 Concerto No.5 (Rondo: Andantino-Allegrett 11:03 ▒█
█▓ TOTAL: 78:02 mins ▓█
█▓ ▓█
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nFO By AyLieN of CHEMiCAL REACTiON
modified by coli 01/08/2003