Orquestra_Was-Forevers_A_Long_Long_Time-OST-1997-SER

Section
MP3/FLAC
Group
SER
Size
70,45 MB
Files
10
Date
2003-08-13

NFO

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         :  /____\ :     Orquestra Was: Forever's A Long, Long Time (OST)
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 :..:... Supplier: SER 2003          Release Date: 07/20/2003         ...:..:
    :  :   Ripper: SER 2003           Street Date: 00/00/1997         :..:...
 ...:..:    Genre: Soundtrack/Jazz          Label: PolyGram              :  :
 :  :      Tracks: 10 Tracks              Quality: 192kbps/HQ/44,1kHz ...:..:
 :  :        Year: 1997                  Channels: Joint Stereo       :  :
 :..:...   Source: CD                        Size: 70,4 MB            :..:...
    :  : Language: English                 Rating: 70% of 100%           :  :
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    Solo  Project  including  performances by  Sweet  Pea  Atkinson, Herbie
    Hancock, Merle Haggard, and Wayne Kramer.

    Donald Fagenson, 13 September 1952, Detroit, Illinois, USA. Growing  up
    in Detroit in the  60s and 70s, the  musical apprenticeship of Don  Was
    came on the tough local rock  and blues circuit as a working  musician,
    where  he  accepted whatever  work  was available.  However,  his early
    ordeals proved ultimately beneficial. Detroit's unique musical  melting
    pot continues to influence and  inspire his work - and  is particularly
    evident in his ability to  cross boundaries between musical genres.  As
    well as Fortune and Motown Records , the young Was was also exposed  to
    the P-funk innovations of George Clinton , a thriving jazz enclave  and
    the guttural rock of Iggy Pop  and the MC5 . Together with  high-school
    friend David  Weiss, he  formed Was  (Not Was)  , later  an attempt  to
    infuse pop music with intellectual credibility, but initially a way  of
    releasing frustration at their  inability to attract girlfriends.  When
    Weiss temporarily  left the  area to  work as  a writer  for The Herald
    Examiner  in Los  Angeles, Was  played with  a number  of local  bands,
    including  an  ill-fated  folk group  who  attempted  to support  Black
    Sabbath and lasted  just one song  before being bottled  off the stage,
    and gypsy group the Kallao Brothers. Eventually, however, he linked  up
    with Weiss once again, recording the first Was (Not Was) album in 1981.
    "Out  Come The  Freaks" was  the record  that established  the duo   in
    Detroit and the USA, but their international breakthrough came  several
    years later with  the sublime funk  of the US/UK  Top 10 hit  "Walk The
    Dinosaur".

    Much more high-profile production work  followed in the mid-80s as  Was
    worked alongside artists such as Carly  Simon , k.d. lang , the  B-52's
    and Roy Orbison .  The latter gave Was  his first Grammy Award  in 1988
    when "Crying', included on the soundtrack to the movie Hiding Out , was
    voted Best Country Duet. A year  later, he collected no less than  four
    Grammys, including Album Of  The Year for his  work on Bonnie Raitt  's
    Nick Of  Time .  This success  ensured his  elevation to  the status of
    superstar producer. Further high-profile artists embraced his  uniquely
    innovative production methods in the late 80s and early 90s,  including
    Iggy Pop  and Bob  Dylan (both  of whom  were long-term  idols of Was),
    Michael McDonald , Elton John , Neil Diamond , Bob Seger , Andrew  Dice
    Clay, the B-52"s (who enjoyed their biggest hit with "Love Shack" under
    his tutelage), Jackson Browne , Paula Abdul , Willie Nelson ,  Marianne
    Faithfull , Michelle Shocked ,  Waylon Jennings , Travis Tritt  and the
    Rolling Stones . Indeed, his work on the latter's Voodoo Lounge set, as
    well as  Raitt's Lounging  In Their  Hearts ,  led to  his winning  the
    Producer Of The Year Grammy in 1995.

    Subsequently, Was invested much of his time in the production of  movie
    soundtracks  and documentaries,  including one  for BBC  Television  on
    Brian Wilson , I Just Wasn't Made For These Times , which won the  1995
    Golden Gate Award  at the San  Francisco Film Festival.  He started his
    own film production  company, whose work  was first unveiled  on a film
    short included as a bonus on  an enhanced CD released by his  new band,
    Orquestra Was. They released their debut album, Forever's A Long,  Long
    Time , in 1996 on  Verve Records , the first  time Was had worked as  a
    recording artist under any banner other than Was (Not Was). In  keeping
    with his eclectic reputation,  this was a typically  ambitious project,
    comprising Hank Williams songs reinterpreted by long-standing Was  (Not
    Was) collaborator Sweat Pea Atkinson, backed by the usual stellar  cast
    of  session  musicians  drawn   from  very  different  musical   genres
    (including Merle Haggard , Herbie Hancock and Wayne Kramer ).  However,
    it is as a producer that  Was is undoubtedly now best known.  Alongside
    Phil  Ramone  ,  Was  ranks  as  one  of  America's  most  prolific and
    successful contemporary producers.

    Tracks:

    01. Once Upon A Time In Detroit (1:55)
    02. I Ain't Got Nothin' But Time (8:27)
    03. Never Again (Will I Knock On Your Door) (3:53)
    04. Excuse Me, Colonel, Could I Borrow Your Newspaper? (4:56)
    05. Detroit In A Time Upon Once (0:56)
    06. Forever's A Long, Long Time (6:50)
    07. You've Been Having A Rough Night, Huh (4:49)
    08. Lost On The River (13:04)
    09. A Big Poem About Hell (2:47)
    10. I'm So Tired Of It All (3:36)

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Files

PathSize
01-once_upon_a_time_in_detroit-ser.mp32,64 MB
02-i_aint_got_nothin_but_time-ser.mp311,63 MB
03-never_again_(will_i_knock_on_your_door)-ser.mp35,34 MB
04-excuse_me_colonel_could_i_borrow_your_newspaper-ser.mp36,79 MB
05-detroit_in_a_time_upon_once-ser.mp31,29 MB
06-forevers_a_long_long_time-ser.mp39,39 MB
07-youve_been_having_a_rough_night_huh-ser.mp36,63 MB
08-lost_on_the_river-ser.mp317,96 MB
09-a_big_poem_about_hell-ser.mp33,83 MB
10-im_so_tired_of_it_all-ser.mp34,96 MB