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█████≥▀ ▀ ▀ ≥██████
█████▀ Piotr Anderszewski - At Carnegie Hall ▀█████
████▀ ▀████
███▀ ▀███
≥▓▓▓ ARTiST..[ Piotr Anderszewski ▓▓▓▓█
≥▓▓▓ TiTLE...[ At Carnegie Hall ▓▓▓▓█
████ GENRE...[ Classical GRABBER.[ EAC ████
████ LABEL...[ Virgin ENCODER.[ Lame 3.97 ████
████ YEAR....[ 2008 QUALiTY.[ avg. 159kbps ████
████ SOURCE..[ CDDA MODE....[ Joint-Stereo ████
████ PLAYTIME[ 84:27 min REL.DATE[ Dec.2nd.2009 ████
████ TRACKS..[ 20 RiPPER..[ TEAM OMA ████
████ SiZE....[ 99,7 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀██≥▄ 2███▀▀▄ ████
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█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
≥▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
≥▓▓▓ ▓▓▓▓█
████ CD1 ████
████ ████
████ 01 Applause 00:15 ████
████ 02 Bach: 2 Partita C-Moll Bwv 826 - Sinfonia 04:06 ████
████ 03 Bach: 2 Partita C-Moll Bwv 826 - Allemande 03:55 ████
████ 04 Bach: 2 Partita C-Moll Bwv 826 - Courante 02:11 ████
████ 05 Bach: 2 Partita C-Moll Bwv 826 - Sarabande 04:37 ████
████ 06 Bach: 2 Partita C-Moll Bwv 826 - Rondeau 01:42 ████
████ 07 Bach: 2 Partita C-Moll Bwv 826 - Capriccio 03:46 ████
████ 08 Schumann: Faschingsschwank Aus Wien, Op. 26 - I. 09:12 ████
████ Allegro ████
████ 09 Schumann: Faschingsschwank Aus Wien, Op. 26 - 03:02 ████
████ II. Romanze ████
████ 10 Schumann: Faschingsschwank Aus Wien, Op. 26 - 02:06 ████
████ III. Scherzino ████
████ 11 Schumann: Faschingsschwank Aus Wien, Op. 26 - 02:21 ████
████ IV. Intermezzo ████
████ 12 Schumann: Faschingsschwank Aus Wien, Op. 26 - V. 05:37 ████
████ Finale ████
████ ████
████ CD2 ████
████ ████
████ 01 Janacek: In The Mists - I. Andante 03:37 ████
████ 02 Janacek: In The Mists - II. Molto Adagio 03:53 ████
████ 03 Janacek: In The Mists - III. Andantino 03:20 ████
████ 04 Janacek: In The Mists - IV. Presto 04:56 ████
████ 05 Beethoven: Sonate Nr. 31 As-Dur Op. 110 - I. 06:38 ████
████ Moderato Cantabile ████
████ 06 Beethoven: Sonate Nr. 31 As-Dur Op. 110 - II. 02:08 ████
████ Allegro Molto ████
████ 07 Beethoven: Sonate Nr. 31 As-Dur Op. 110 - III. 13:06 ████
████ Arioso - Fuga - Coda ████
████ 08 Bartok: 3 Hungarian Folksongs 03:59 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 84:27 ████
████ ████
████ ████
████ ▄▀▀██≥▄ 2███▀▀▄ ████
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█████▀ ▀█████
████▀ ▀████
███▀ ▀███
≥▓▓▓ ▓▓▓▓█
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████ Since his first release for Virgin Classics, ████
████ BeethovenÆs Diabelli Variations in 2000, ████
████ Polish pianist Piotr AnderszewskiÆs has ████
████ produced a catalogue which ranges from Bach ████
████ and Mozart, through more Beethoven to Chopin, ████
████ Szymanowski and Webern, and which includes ████
████ several prizewinning recordings. ████
████ Both intellectual and inspirational, ████
████ Anderszewski has said of musical ████
████ interpretation: ôOne can speculate endlessly ████
████ about the right ingredients, the perfect ████
████ combination but the essential question remains ████
████ unanswerable, lying far beyond the limits of ████
████ the cleverest and most refined argument. And ████
████ yet one goes on searching and, while realising ████
████ that the search is about everything, the ████
████ essence may yet reveal itself in the most ████
████ unexpected way.ö ████
████ This new release captures live performances by ████
████ Anderszewski at a very recent recital û ████
████ December 2008 û in New YorkÆs legendary ████
████ Carnegie Hall. The critic of the New York ████
████ Times made clear that this was an exceptional ████
████ musical experience. ████
████ After a performance so intense and draining, ████
████ the notion of encores almost seemed ████
████ superfluous. But Bart≤kÆs Three Hungarian ████
████ Folksongs from the Csik District had a welcome ████
████ earthinessö ████
████ Anderszewski repeated the programme in Chicago ████
████ shortly afterwards, and the response of the ████
████ Chicago Sun Times was at a similar level of ████
████ enthusiasm: ████
████ ôThere is something deeply comforting about ████
████ the kind of perfection that Polish-Hungarian ████
████ pianist Piotr Anderszewski brought to his ████
████ program of Bach, Janßcek and Beethoven à ████
████ Perfection is a relative term when it comes to ████
████ art, of course. There are myriad but equally ████
████ valid ways to play a Bach partita or Beethoven ████
████ sonata à Different artists plumb different ████
████ facets in a piece of music, and listeners can ████
████ only benefit from hearing what each one has ████
████ managed to unearth. ████
████ But during the two hours or so that they are ████
████ onstage, artists like Anderszewski manage to ████
████ create a universe that seems utterly complete ████
████ unto itself. There is a sense of inevitability ████
████ in their performance, a feeling that the true ████
████ essence of a composer's intentions has been ████
████ discovered. Especially when our daily lives ████
████ are battered by forces beyond our control, it ████
████ is reassuring to spend an afternoon in a world ████
████ of such richly calibrated balance.ô ████
████ ôIt can be hard not to wax hyperbolic when ████
████ confronted with the pianist Piotr ████
████ AnderszewskiÆs sensitive touch and potent ████
████ imagination.ö New York Times ████
████ ████
████ ôPiotr Anderszewski employs a small but ████
████ incisive tone in the Bach Sinfonia, as though ████
████ he is taking us into his confidence; the ████
████ Allemande is sweet and unassuming, the ████
████ Courante has warmth, the Sarabande has rapt ████
████ expressiveness. As the Partita progresses, the ████
████ playing becomes more exuberant: the Caprice is ████
████ pure tumbling energy.ö BBC Music Magazine, ████
████ June 2009 **** ████
████ ████
████ ôSo acute is the positioning of the ████
████ microphones that the force of his playing here ████
████ and in the mighty fugal statements of the ████
████ finale makes an emphatic, physical impact. But ████
████ AnderszewskiÆs command of perspective is ████
████ paramount. The soft playing is mesmerising, ████
████ the scope of his interpretation geared to ████
████ probing deep into the musicÆs inner expressive ████
████ tissues.ö Daily Telegraph, 28th May 2009 ***** ████
████ ████
████ ôThis is playing of exceptional insight and ████
████ finesse, which few other pianists today could ████
████ match.ö The Guardian, 29th May 2009 ***** ████
████ ████
████ ô. In Bach's Partita No 2 in C minor, he plays ████
████ with warm expression, using all the ████
████ possibilities of a concert grand, yet ████
████ miraculously avoiding anachronism. His late ████
████ Beethoven, Sonata No 31 in A flat, Op 110, has ████
████ earthy tenderness, opening at a steady tempo ████
████ which prepares beautifully for the serenity ████
████ and majesty to come. Schumann's ████
████ "Faschingsschwank", Janacek and Bartok ████
████ complete this captivating recital.ö The ████
████ Observer, 24th May 2009 ████
████ ████
████ ôThis is an outstanding release that ought to ████
████ give anyone an appetite for next monthÆs ████
████ recital.ö Daily Telegraph, 21st May 2009 ***** ████
████ ████
████ ôJanßcek's In the Mists is a given a peach of ████
████ a performance, a sense of improvisation ████
████ sitting securely at its heart. Anderszewski's ████
████ mastery of simultaneously varied dynamics ████
████ comes into play hereà this is an exceptional ████
████ recital, and as ever the Carnegie Hall ████
████ acoustic allows for a luminous piano tone.ö ████
████ Gramophone Magazine, August 2009 ████
████ ████
████ ████
████ URL: n/a ████
████ ████
████ ████
████ ████
████ ████
████ ████
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█▀ ▀█≥▀ ▀ ▀ ≥██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
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