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Anna_Ternheim-Leaving_on_a_Mayday-(Limited_Edition)-2CD-2008-NHH_INT
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▒ ( ( ( ) ) ( ▒
░ )\ ) )\ ) ( )\ ) ( /( ( /( * ) )\ ) ░
░ (()/(( (()/( ( )\ (()/(( )\()))\())` ) /(( (()/( ░
░ /(_))\ /(_)))\((((_)( /(_))\ ((_)\((_)\ ( )(_))\ /(_)) ░
░ (_))((_)(_)) ((_))\ _ )\(_))((_) _((_) ((_)(_(_()|(_)(_)) ░
░ | _ \ __| | | __(_)_\(_) __| __| | \| |/ _ \|_ _| __/ __| ░
░ | / _|| |__| _| / _ \ \__ \ _| | .` | (_) | | | | _|\__ \ ░
▒ |_|_\___|____|___/_/ \_\|___/___| |_|\_|\___/ |_| |___|___/ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ Artist : Anna Ternheim ▒
░ Album : Leaving on a Mayday ░
░ Bitrate : VBR 170 Average KB/s (High Quality 44.1 Joint Stereo) ░
░ Source : CD (LP) ░
░ Label : Universal ░
░ Year : 2008 ░
░ Genre : Pop ░
░ Ripper : NHH ░
░ Rip Date : 2009-12-08 ░
░ Store Date : 2008-11-25 ░
░ Rip Tool : EAC 0.99 prebeta 5 (Secure Mode) ░
░ Encoder : Lame 3.97 -V2 --vbr-new ░
░ Size : 75.78 megs ░
░ Catalog # : 060251787190 ░
░ Supplier : NHH ░
░ NFO : YES [X] NO [ ] ░
░ SFV : YES [X] NO [ ] ░
░ M3U : YES [X] NO [ ] ░
░ JPG : YES [X] NO [ ] ░
▒ URL: http://allmusic.com/cg/amg.dll?p=amg&sql=10:jcfoxztkldfe ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ ( ) ( ▒
░ * ))\ ) ( ( ( /( )\ ) ░
░ ` ) /(()/( )\ )\ )\()|()/( ░
░ ( )(_))(_)|(((_)( (((_)|((_)\ /(_)) ░
░ (_(_()|_)) )\ _ )\ )\___|_ ((_|_)) ░
░ |_ _| _ \ (_)_\(_|(/ __| |/ // __| ░
░ | | | / / _ \ | (__ ' < \__ \ ░
▒ |_| |_|_\ /_/ \_\ \___|_|\_\|___/ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ Total Tracks : 15 ▒
░ 1) What Have I Done 3:24 ░
░ 2) Damaged Ones 3:09 ░
░ 3) Terrified 4:44 ░
░ 4) Let It Rain 4:55 ░
░ 5) My Heart Still Beats For You 4:30 ░
░ 6) No I Don't Remember 3:55 ░
░ 7) Summer Rain 3:58 ░
░ 8) Losing You 3:38 ░
░ 9) Off The Road 3:57 ░
░ 10) Black Sunday Afternoon 4:38 ░
░ 11) New York New York 3:01 ░
░ 12) Come Fly With Me 3:40 ░
░ 13) Fly Me To The Moon 3:51 ░
░ 14) That's Life 3:52 ░
░ 15) Strangers In The Night 6:53 ░
░ ----------------------------------------------------------------------- ░
░ 62:05 ░
▒ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ ) ) ( ▒
░ ( /( ( /( * ) )\ ) ░
░ )\()))\())` ) /(( (()/( ░
░ ((_)\((_)\ ( )(_))\ /(_)) ░
░ _((_) ((_)(_(_()|(_)(_)) ░
░ | \| |/ _ \|_ _| __/ __| ░
░ | .` | (_) | | | | _|\__ \ ░
▒ |_|\_|\___/ |_| |___|___/ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ ▒
░ Review by K. Ross Hoffman ░
░ ░
░ For her third album -- which would become her second U.S. full-length, ░
░ following the compilation release Halfway to Fivepoints -- Swedish ░
░ songbird Anna Ternheim enlisted the assistance of Bj÷rn Yttling, best ░
░ known as one-third of Peter Bjorn and John but increasingly prominent in ░
░ his own right via production work for Lykke Li, Shout Out Louds, Primal ░
░ Scream, and others. It was a savvy move -- for one thing, the ░
░ collaboration netted Ternheim a Swedish Grammy for Album of the Year -- ░
░ and the results were a modest but significant step away from the ░
░ accomplished but slightly faceless and overstuffed jazzy lounge-folk of ░
░ her earlier work, toward an edgier, more distinctly pop direction. While ░
░ hardly as gritty as Yttling's work on Lykke Li's Youth Novels, or his ░
░ own band's 2009 album Living Thing, Leaving on a Mayday shares with ░
░ those records an inventive sparseness -- achieved more through a ░
░ spacious openness in the sound than a reduction in the number of ░
░ instruments, per se -- and in particular a relative paucity of guitars ░
░ in favor of, among other things, surprisingly prominent percussion. ░
░ That's especially true of the album's first half, where the pulsing, ░
░ stripped-down grooves are colored by majestically thick string ░
░ arrangements (penned by Yttling, who also contributed his ░
░ multi-instrumental talents throughout.) For all its sonic ░
░ distinctiveness, though, this is still fundamentally a singer/songwriter ░
░ album -- the arrangements may sometimes be more initially striking than ░
░ the songs they are designed to serve, but with further listening, they ░
░ emerge as well-conceived if unconventional complements to a fine slate ░
░ of lyrical compositions steeped in the autumnal melancholy favored by so ░
░ many Scandinavians (Ane Brun, Stina Nordenstam, Britta Persson, Sarah ░
░ Assbring,etc.), with an especial tinge of romantic desperation (Ternheim ░
░ sometimes seems just as distraught and unsettled by the prospect of an ░
░ actual romantic connection as she is over the absence of bygone and ░
░ unattained lovers.) That said, several of Mayday's finest and most ░
░ striking moments are at least musically upbeat, as with gloriously ░
░ harmonized choruses of the sweeping opener "What Have I Done" and ░
░ especially the thundering, Fleetwood Mac-ish "Make It on My Own" (one of ░
░ two Yttling co-writes, and a key track added to the album for its U.S. ░
░ release.) The tail-end of the disc finds Ternheim in a folkier vein, ░
░ with the simply, sweetly strummed "Summer Rain," the tense, fingerpicked ░
░ "Off the Road," and the foreboding, folkloric dirge "Black Sunday ░
░ Afternoon" offering a nice reminder of her stylistic breadth. [By the ░
░ same token, a limited Swedish edition of the album came packaged with a ░
░ five-song EP of Frank Sinatra covers, ostensibly demonstrating that ░
░ Ternheim hadn't entirely jettisoned her jazzier side, although these ░
░ generally very effective renditions are actually more in keeping with ░
░ the mellow indie folk-pop sparsity or the album proper.] ░
▒ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ ( ( ) ( ▒
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░ /(_))_(_))((_)((_)(_(_()|_)) _((_)/(_))_(_)) ░
░ (_)) __| _ \ __| __|_ _|_ _|| \| (_)) __/ __| ░
░ | (_ | / _|| _| | | | | | .` | | (_ \__ \ ░
░ \___|_|_\___|___| |_| |___||_|\_| \___|___/ ▒
█≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡≡█
▒ Greets to our friends in EwDp Recycled FRAY SNO MSD. ▒
░ Looking for more sites 100mb+ EU/NL/etc. If you can help us out please ░
░ contact us ASAP! ░
▒ ▒
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