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▓ █ ▀▓▀[ snakkelfatz ]▀▓▀ ▐████▌▀▓▀ ▐█████▓ ▄ ▄▄█
▒ █ ░ [ Entertainment ] ░ ▓████ ░ ▄█████▓▀ ▀▓▀ █ █
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░ ▒ █ meat beat manifesto - it's the music █ █ ░
▒ ░ █ █ ▓ ░
▓ ▒ █ Supplier : sfE Date : May-13-2003 █ ▒ ▓
█ ░ █ Ripper : bossaking Style : Electronic █ ░ █
█ ▓ w/ help of : EAC/lame Trax : 04 ▓ █
█▄▄ ▒ Bitrate : 192kbps / 44,1kHz / full stereo ▒ ▄▄█
█ ▄ ░ ░ ▄ █
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▓ ▄ █ █ ▄ ▓
▒ █ █ [ informations ] █ █ ▒
░ █ █ █ █ ░
█ █ label : Play it again Sam █ █
█ █ code : BIAS322CD █ █
█ █ █ █
█ █ comments : █ █
█ █ beginning in 1987 as an █ █
█ █ experimental/industrial duo inspired by █ █
█ █ the cut-and-paste attitudes of hip-hop █ █
█ █ and dub, meat beat manifesto █ █
█ █ increasingly became a vehicle for its █ █
█ █ frontman jack dangers to explore the █ █
█ █ emerging electronics of techno, trip-hop █ █
█ █ and jungle. though the group was █ █
█ █ initially pegged as an industrial act █ █
█ █ (simply appearing on wax trax! was █ █
█ █ enough to do the trick), their approach █ █
█ █ to studio recordings influenced many in █ █
█ █ the new-electronica community during the █ █
█ █ 1990s, even while dangers remained a █ █
█ █ superb producer working in much the same █ █
█ █ way. █ █
█ █ born john corrigan in 1967 in swindon, █ █
█ █ england, dangers played with jonny █ █
█ █ stephens in the pop band perennial █ █
█ █ divide in the mid-'80s. the two formed █ █
█ █ meat beat manifesto in 1987 initially as █ █
█ █ a side-project, and released the singles █ █
█ █ "i got the fear" and "strap down" that █ █
█ █ year. the dense, danceable material █ █
█ █ surprised many critics used to the duo's █ █
█ █ previous work, and the singles received █ █
█ █ good reviews. █ █
█ █ █ █
█ █ dangers and stephens left perennial █ █
█ █ divide by 1988 and recorded an album █ █
█ █ that same year ù using a touring group █ █
█ █ of up to 13 members for occasional live █ █
█ █ shows. the tapes were damaged in a fire, █ █
█ █ so the two recorded storm the studio a █ █
█ █ year later. just as dense and █ █
█ █ sample-heavy as the first singles, storm █ █
█ █ the studio included four songs but added █ █
█ █ three remixes of each ù no need to █ █
█ █ explain the title ù encompassing █ █
█ █ high-energy dub, hip-hop and noise-rock. █ █
█ █ with an american deal through wax trax!, █ █
█ █ meat beat manifesto became known in the █ █
█ █ u.s. as an industrial band, though █ █
█ █ dangers and stephens felt themselves █ █
█ █ pigeonholed. █ █
█ █ █ █
█ █ the duo moved to the san francisco soon █ █
█ █ after, and formed a rough political █ █
█ █ collective with the members of █ █
█ █ consolidated and the disposable heroes █ █
█ █ of hiphoprisy. (jack dangers and █ █
█ █ consolidated's mark pistel co-produced █ █
█ █ early disposable heroes material.) meat █ █
█ █ beat manifesto, meanwhile, continued █ █
█ █ their audio terrorism with 99%, a 1990 █ █
█ █ album that added some jazzy rhythms to █ █
█ █ the collage of noise. that same year, █ █
█ █ wax trax! recycled the remaining tapes █ █
█ █ from the aborted first album and █ █
█ █ released them as armed audio warfare. █ █
█ █ █ █
█ █ when dangers and stephens signed away █ █
█ █ from wax trax! to the major label █ █
█ █ elektra in 1992, the duo finally shook █ █
█ █ the industrial tag that had stuck with █ █
█ █ them before. instead, the media █ █
█ █ christened the follow-up satyricon a █ █
█ █ techno album, due to both the duo's tour █ █
█ █ of the u.s. with orbital and █ █
█ █ ultramarine, and the album's █ █
█ █ groove-heavy update of old synth groups █ █
█ █ such as depeche mode. dangers' early █ █
█ █ material began to be name-checked as at █ █
█ █ least a partial motivation for the █ █
█ █ trip-hop and drum'n'bass movement, due █ █
█ █ to the studio mechanics inherent in the █ █
█ █ music. the late-'90s full-lengths █ █
█ █ subliminal sandwich and actual sounds + █ █
█ █ voices increased dangers' devotion to █ █
█ █ the experimental side of electronica, █ █
█ █ though his first meat beat manifesto lp █ █
█ █ of the new millennium (ruok?) was a more █ █
█ █ spartan affair. dangers has also █ █
█ █ contributed to the tino's breaks series █ █
█ █ of records (released on the tino corp. █ █
█ █ label he co-owns with ben stokes (aka █ █
█ █ dhs)) and released two solo albums: █ █
█ █ 2001's hello friends! and 2002's █ █
█ █ variaciones espectrales. █ █
░ ▓ █ █ ▓ ░
▓ ▒ █ greets : kw - cmg - sb - ftd - ube - diss █ ▒ ▓
█ ░ ▓ iMPG - igr - rac - SDR - AnUs ▓ ░ █
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▓ ▄ █ █ ▄ ▓
▒ █ █ [ tracklist ] █ █ ▒
░ █ █ █ █ ░
█ █ 01.It's Just The Music [03:03] █ █
█ █ 02.It's The Music [06:39] █ █
█ █ 03.I Control (Audio Collage) [05:23] █ █
█ █ 04.Asbestos Lead Asbestos [07:07] █ █
█ █ (Plug Mix By Luke Vibert) █ █
█ █ ------- █ █
█ █ 22:12 min █ █
█ █ 30,50 MB █ █
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▒ █ █ [ group notes ] █ █ ▒
░ █ █ █ █ ░
█ █ █ █
░ █ █ █ █ ░
▒ ▓ █ We are looking 4 rippers, rippers & rippers! █ ▓ ▒
▓ ▒ █ █ ▒ ▓
█ ░ ▓ Friends : Yes, and thx to all of them :D ▓ ░ █
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█▄▒▄▄▄▄▒▄▐▓░ nfo+layout: z0oy0rk | Mar-15-2oo1 ░▓▌▄▒▄▄▄▄▒▄█
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