Gridlok-Void-P51UKLP02-LP-2010-sour
NFO
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: : release no ( 10389 ) \ rating |
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: : artist (Gridlok ) | .---. |
: : title (Void ) | 0 |%%%| |
: : record label (Project 51 (P51UKLP02) ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2009/12/13) | 7 |%%%| |
: : street date (2010/01/??) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
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: : :.: (08 tracks) (46:40 min) ( 64.7 mb) | `---' |
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nr times track titles
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| A 5:45 Gridlok - Skuffle |
| B 4:52 Gridlok - Radar |
| C 6:00 Gridlok - Steady |
| D 6:00 Gridlok - Short Term Memory |
| E 6:58 Gridlok - The Void |
| F 6:39 Gridlok - Chatter |
| G 5:32 Gridlok - Fade Out |
| H 4:54 Gridlok - Parallel Universe |
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| | | |
| | ItÆs been nearly four years since GridlokÆs | |
| | debut album ôBreak the Systemö solidified his | |
| | dynamic sound into the vanguards of Drum and | |
| | Bass. Considered one of the best producers in | |
| | the genre, GridlokÆs music disturbs and | |
| | excites dance floors across the globe. Since | |
| | his start in 1999, he has released tracks | |
| | with some of the most respected labels in | |
| | Drum and Bass, including RAM, Shogun Audio, | |
| | C.I.A., Violence Recordings, and Renegade | |
| | Hardware. His studio prowess has found him | |
| | doing remix work for some of the brightest | |
| | stars in electronic music such as Sasha, Josh | |
| | Wink, Ed Rush & Optical, Mampi Swift, and Pop | |
| | Will Eat Itself. An artist not only limited | |
| | to consistently releasing chart-topping dance | |
| | singles, GridlokÆs other noteworthy | |
| | accomplishments include his work with Konami | |
| | for their massive ôDance Dance Revolutionö | |
| | franchise, and his Grammy-nominated | |
| | collaboration with AK1200 ôAutopsyö, which | |
| | was up for Best Electronic Album in 2008. | |
| | Throughout all of this, Gridlok has | |
| | maintained a relentless touring schedule | |
| | taking him everywhere from Russia to | |
| | Australia, delivering a vibe that is | |
| | undeniable to all those that dare to strap in | |
| | for the ride. Now it is time for the latest | |
| | chapter in this prolific artistÆs journeyà | |
| | Project Fifty-One is proud to present, | |
| | GridlokÆs second full-length album, the Void | |
| | LP! | |
| | | |
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| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2009 ]
Files
| Path | Size |
|---|---|
| a-gridlok-skuffle-sour.mp3 | 7,87 MB |
| b-gridlok-radar-sour.mp3 | 6,53 MB |
| c-gridlok-steady-sour.mp3 | 7,87 MB |
| d-gridlok-short_term_memory-sour.mp3 | 8,67 MB |
| e-gridlok-the_void-sour.mp3 | 9,77 MB |
| f-gridlok-chatter-sour.mp3 | 8,95 MB |
| g-gridlok-fade_out-sour.mp3 | 7,42 MB |
| h-gridlok-parallel_universe-sour.mp3 | 7,59 MB |