Zion_I-Flow-VLS-2003-CQi

Section
MP3/FLAC
Group
CQi
Size
34,56 MB
Files
6
Date
2009-12-14

NFO

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       artist : Zion I
        title : Flow
         year : 2003
        label : Raptivism
          cat : RPV0017
          url : www.raptivism.com

         date : May-29-2003
        genre : Hip-Hop
      quality : 192kbps / 44.1kHz / Full Stereo
       source : Late Vinyl

.......................................................................


  a1 Flow
  a2 Flow (instrumental)
  a3 Flow (fluid mix instrumental)
  b1 The Drill (edit)
  b2 The Drill (instrumental)
  b3 Flow (fluid mix)

  6 tracks | 25:08 min | 34,6 MB

.......................................................................


  "As easily as most of the hip hop massive missed out on Zion I's
  2000 debut, Mind Over Matter, let's face it - this
  gourmet-prepared, nutritional offering on their sophomore release,
  Deep Water Slang V 2.0, isn't going to easily lure the average
  listener away from their customary quick-fix of processed
  chart-toppers. Instead, the slow and patient development of Zion
  I's hand-crafted musical and lyrical floetry pushes them into
  becoming near-masters of a new revolutionary direction, similar to
  cats such as Common, Dead Prez, Blackalicious, and Talib Kweli. On
  this fine-tuned LP, the Oakland-based duo of producer Amp Live and
  emcee Zion, prove to fans of their previous work, that they're
  indeed on a quest for something holy and somewhat heavenly. To help
  in this pursuit for the afterlife of true hip-hop achievement,
  they're meticulous in using homegrown talents such as Goapele, Pep
  Love, and Martin Luther, just to name a few.

  Slightly cosmic, yet powerfully driving Oakland's 'black-panting'
  trunk of funk, the album's pushy first tracks, "The Drill" and
  "Warrior's Dance" featuring Pep Love's unhidden lyrical weaponry,
  charge forward with a bass-full force that never looks anywhere but
  straight ahead at its opponent - anything resembling oppression.
  Zion's flow is so passionate on these tracks, that the periodic
  mentions of names like 'Hannibal,' 'Nat Turner,' 'Stokely' and
  'Huey' pelt you back into a time wen Blackexploitation themes were
  necessary like the Afro-pick. What's so amazing about the depth of
  their slang is that, as militant as this early picture may seem, we
  are introduced to a world so beautifully depicted by surreal sounds
  on cuts like "Finger Paint" featuring songstress Susie Suh and
  emcee Dust. Her coffee house alternative tones, together with
  splashes of electric guitars make this one of the album's most
  infectious. Still their abstract artfulness exposes itself, as
  Zion's emotional nakedness lay bare for the drip-drop colors of
  melodic violins to pin-stripe his conscious into stillness on
  "Sorry". Keep your head nodding to the yoga-styled "Kharma", where
  Zion tells stories of how a little boy is on the wrong path in
  life, and that payback is inevitably going to fall right back in
  his own lap.

  Although Zion I's lead single, "Cheeba Cheeba" featuring Aceyalone
  was the one to hit you over the dome first, it's one of the few
  cuts, with others like the beat-boxing "Kick Snare" or bonus track
  "Rock Ya'll," that float the closest to the ear's surface. Outside
  of these shallow attempts (hey, nobody's perfect), you'll honestly
  wear-out the laser optics when shooting this CD up your veins
  listening to Goapele's vocals on "Flow," also featuring The Grouch.
  Whispering her incense burning smoke-patterns throughout the
  atmosphere, she rinses your heart with a soulfully hip chorus-hook
  on "Boom Bip", that's ideal to spark one to. Speaking of sparking
  one, hit the West Indies with their international communication as
  they re-program the SP-1200 into a vicious dancehall riddim on
  "AEIOU," a wicked, wild and versatile taste for the curry crab &
  dumplings crew! And as if this weren't enough reachable power in
  connecting to markets beyond the red, white and blue, they dive
  deeper on "Mind Blow," their follow-up to 2000's "Inner Light"
  which perfectly blends Drum + Bass with Hip Hop - mashing it up
  every time, seen! Overall another solid release from the Zion I
  massive."

  --hiphopsite.com


  The crackle on Flow is part of the track itself, not shitty vinyl
  or shitty ripping.

  Man, this release is dedicated to the USPS for sending the record
  from Las Vegas to the east coast back to the left coast.  Three
  weeks in the making, here it is.  Enjoy.

.......................................................................

                     CERTiFiED QUALiTY iNC 2003

    shouts: kw - sb - soup - ftd - tr - cms - igr - nuhs - dps - ube

Files

PathSize
a1-zion_i-flow-cqi.mp37,39 MB
a2-zion_i-flow_(instrumental)-cqi.mp37,42 MB
a3-zion_i-flow_(fluid_mix_instrumental)-cqi.mp35,43 MB
b1-zion_i-the_drill_(edit)-cqi.mp34,45 MB
b2-zion_i-the_drill_(instrumental)-cqi.mp34,42 MB
b3-zion_i-flow_(fluid_mix)-cqi.mp35,44 MB