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░ ▒ █ Ennio Morricone - L Immoralita OST █ █ ░
▒ ░ █ █ ▓ ░
▓ ▒ █ Supplier : sfE Date : Jun-07-2003 █ ▒ ▓
█ ░ █ Ripper : spaun Style : Soundtrack █ ░ █
█ ▓ w/ help of : cdex 1.40b/lame Trax : 11 ▓ █
█▄▄ ▒ Bitrate : 192kbps / 44,1kHz / full stereo ▒ ▄▄█
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▓ ▄ █ █ ▄ ▓
▒ █ █ [ informations ] █ █ ▒
░ █ █ █ █ ░
█ █ label : C.A.M. █ █
█ █ code : 493457 █ █
█ █ █ █
█ █ comments : Ennio Morricone was born in Rome in █ █
█ █ 1928. From his early years his interest █ █
█ █ in all things musical was enormous. It █ █
█ █ was natural that he should study music █ █
█ █ and eventually he took up the trumpet █ █
█ █ and studied compositions before █ █
█ █ embarking on a career as a composer of █ █
█ █ music for radio, television and stage. █ █
█ █ He graduated in music from the █ █
█ █ Conservatorio di Santo Cecilia, and █ █
█ █ spent the Fifties writing classical and █ █
█ █ experimental pieces. By the time he was █ █
█ █ in his twenties he was writing songs and █ █
█ █ arrangements for Gianni Morandi, later █ █
█ █ arranging Paul Anka's Italian hit "Ogni █ █
█ █ Volta". █ █
█ █ █ █
█ █ At the age of thirty three, in 1961, he █ █
█ █ commenced work on the first, of what was █ █
█ █ to be many Italian film scores. Within █ █
█ █ three years he was hired by the genius █ █
█ █ film director Sergio Leone, to compose █ █
█ █ music for "A Fistful Of Dollars" (1964). █ █
█ █ The film was actually shot in Spain and █ █
█ █ revolutionised cinema's most hoary █ █
█ █ genre. The music altered forever our █ █
█ █ ideas of what a soundtrack should do. █ █
█ █ Previously even the good ones (Dimitri █ █
█ █ Tiompkin, Bernard Hermann, Leonard █ █
█ █ Berstein), had puncuated and dramatised █ █
█ █ the story; Morricone's instead projected █ █
█ █ the individual personalities that █ █
█ █ populated the film as well as colouring █ █
█ █ the landscapes and locations in which █ █
█ █ the action took place. Ennio's natural █ █
█ █ musical inventiveness led him to create █ █
█ █ a score from "Shouts, Cries and █ █
█ █ Whistles"... Spaghetti Western music had █ █
█ █ been born. █ █
█ █ █ █
█ █ During the next few years they worked █ █
█ █ together, with films like "The Good, The █ █
█ █ Bad And The Ugly", "For A Few Dollars █ █
█ █ More" and "Once Upon A Time In The █ █
█ █ West", Morricone's style -fractured █ █
█ █ bursts of Flamenco, gnawing █ █
█ █ orchestrations and primitive, often █ █
█ █ hilarious, vocal arrangements - was █ █
█ █ honed to the point where it was both a █ █
█ █ huge cult and immensely commercial, a █ █
█ █ fantastic double triumph. Sergio and █ █
█ █ Ennio formed a musical alliance that █ █
█ █ would last until Leone's death in 1989. █ █
█ █ █ █
█ █ Ennio Morricone is no stranger to the █ █
█ █ world of recordings, in 1981 he scored █ █
█ █ an enormous success with his music to █ █
█ █ the popular BBC TV series "Chi Mai" (The █ █
█ █ Life And Times of David Lloyd George). █ █
█ █ Once again his simple yet effective █ █
█ █ treatment of his music, with the █ █
█ █ spacious single use of the string █ █
█ █ section, caught the imagination of the █ █
█ █ British public and it became an instant █ █
█ █ success on the showing of the television █ █
█ █ series. █ █
█ █ █ █
█ █ In the 1970's he started to compose for █ █
█ █ American films, such as "Exorcist II" █ █
█ █ (1977), "Days Of Heaven" (1978), "The █ █
█ █ Untouchables" (1987). His greatest █ █
█ █ success, however, was to come in 1986 █ █
█ █ when he was nominated for an Oscar for █ █
█ █ his stunning work on "The Mission". The █ █
█ █ score won a "Golden Globe" and a "BAFTA █ █
█ █ Film Award", but failed to get the Oscar █ █
█ █ it deserved. Six years later he recieved █ █
█ █ a further Oscar nomination for his music █ █
█ █ for "Bugsy". To date he has scored the █ █
█ █ music to well over 200 films. It is his █ █
█ █ spaghetti western soundscapes that will █ █
█ █ however, always remain the first thing █ █
█ █ people will remember when Morricone's █ █
█ █ name is mentioned. █ █
█ █ █ █
█ █ He has, uniquely, changed not just his █ █
█ █ own chosen field (the film/TV █ █
█ █ soundtrack) but most other areas of █ █
█ █ popular music as well. Take film; before █ █
█ █ Morricone, people bought and listened to █ █
█ █ the scores of musicals; after him, the █ █
█ █ soundtrack itself became not just an █ █
█ █ adjunct (however excellent and crucial) █ █
█ █ to a film, but a work of art in itself. █ █
█ █ He has been described as "one of the █ █
█ █ greatest writers of film music of this █ █
█ █ generation". Perhaps that says it all, █ █
█ █ for the world of films and television █ █
█ █ would have surely been all the poorer █ █
█ █ were it not for the great musical █ █
█ █ talents of Ennio Morricone. █ █
░ ▓ █ █ ▓ ░
▓ ▒ █ greets : sb - amrc - kw - ftd - ube - hbz █ ▒ ▓
█ ░ ▓ iMPG - HiT - dps - rac ▓ ░ █
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▒ █ █ [ tracklist ] █ █ ▒
░ █ █ █ █ ░
█ █ 01.Perche Simona [03:08] █ █
█ █ 02.La Voliera [01:44] █ █
█ █ 03.E Domani [05:28] █ █
█ █ 04.Perche [02:04] █ █
█ █ 05.Il Giardino Nel Giardino [02:10] █ █
█ █ 06.La Villa [03:44] █ █
█ █ 07.Immoralita [02:14] █ █
█ █ 08.La Voliera Vuota [02:50] █ █
█ █ 09.Falsamente Donna [02:16] █ █
█ █ 10.La Madre Immorale [01:43] █ █
█ █ 11.Nella Stanza Del Padre [01:52] █ █
█ █ ------- █ █
█ █ 29:13 min █ █
█ █ 40,30 MB █ █
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▒ █ █ [ group notes ] █ █ ▒
░ █ █ █ █ ░
█ █ █ █
█ █ Positions open: Mostly ALL :> visit #snakkelfatz █
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█ ░ ▓ Friends : Yes, and thx to all of them :) ▓ ░ █
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