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▓ █ ▀▓▀[ snakkelfatz ]▀▓▀ ▐████▌▀▓▀ ▐█████▓ ▄ ▄▄█
▒ █ ░ [ Entertainment ] ░ ▓████ ░ ▄█████▓▀ ▀▓▀ █ █
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░ ▒ █ Hugo Montenegro - Bongos and Brass █ █ ░
▒ ░ █ █ ▓ ░
▓ ▒ █ Supplier : sfE Date : Jun-07-2003 █ ▒ ▓
█ ░ █ Ripper : spaun Style : Easy Listeni█ ░ █
█ ▓ w/ help of : WAVELAB/lame Trax : 12 ▓ █
█▄▄ ▒ Bitrate : 192kbps / 44,1kHz / full stereo ▒ ▄▄█
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▒ █ █ [ informations ] █ █ ▒
░ █ █ █ █ ░
█ █ label : Time Records / Series 2000 █ █
█ █ code : 52014 █ █
█ █ █ █
█ █ comments : One of the great chameleons of space-age █ █
█ █ pop, Montenegro could be wild, █ █
█ █ innovative, swinging, sedate, tame, or █ █
█ █ mundane, depending on what the contract █ █
█ █ called for. After serving in the U.S. █ █
█ █ Navy, where he arranged for bands, he █ █
█ █ attended Manhattan College, studying █ █
█ █ composition. While in college. he began █ █
█ █ leading his own band for school dances, █ █
█ █ which led into professional gigs on a █ █
█ █ full-time basis. This was quickly █ █
█ █ interrupted, however, by a two-year █ █
█ █ stint in the U.S. Navy, most of which he █ █
█ █ spent as the arranger for the Newport █ █
█ █ Naval Base band in Rhode Island. █ █
█ █ █ █
█ █ Andre Kostelanetz heard this band and █ █
█ █ met Montenegro during this time. When █ █
█ █ Montenegro left the Navy, Kostelanetz █ █
█ █ hired him as a staff manager and █ █
█ █ occasional arranger. He moved on to work █ █
█ █ for Harry Belafonte as the arranger and █ █
█ █ conductor for his live act. While in New █ █
█ █ York City, Montenegro was hired by Time █ █
█ █ Records as a musical director, and █ █
█ █ produced a whole slew of albums for the █ █
█ █ label. Some, such as Bongos and Brass █ █
█ █ and Boogie Woogie and Bongos are █ █
█ █ frenzied examples of stereo/percussion █ █
█ █ showcase music. His arrangement of █ █
█ █ Grieg's In the Hall of the Mountain King █ █
█ █ is one of my favorite cuts. █ █
█ █ █ █
█ █ Montenegro moved to Los Angeles in the █ █
█ █ early 1960s and began working in the █ █
█ █ studio system. Belafonte helped get him █ █
█ █ the job of scoring Otto Preminger's █ █
█ █ Hurry Sundown. He also worked for RCA, █ █
█ █ producing a series of albums that █ █
█ █ included both his soundtracks and covers █ █
█ █ of others'. His 1968 recording of Ennio █ █
█ █ Morricone's theme from the classical █ █
█ █ Sergio Leone spaghetti Western, The █ █
█ █ Good, the Bad, and the Ugly, featuring █ █
█ █ whistling by Muzzy Marcellino's, sold █ █
█ █ over a million copies and hit #2 on the █ █
█ █ Top Ten chart as a single. Montenegro's █ █
█ █ version also features an electric violin █ █
█ █ (played by Elliott Fisher), a piccolo █ █
█ █ trumpet (played by Manny Klein), an █ █
█ █ electronic harmonica, an ocarina, a █ █
█ █ vocal group, and Montenegro himself █ █
█ █ grunting nonsense Italian-sounding █ █
█ █ syllables. █ █
█ █ █ █
█ █ Montenegro scored such classics of 60s █ █
█ █ Hollywood machismo as Dean Martin's two █ █
█ █ Matt Helm adventures, The Ambushers and █ █
█ █ The Wrecking Crew, Frank Sinatra's two █ █
█ █ films as the Miami private eye, Tony █ █
█ █ Rome and The Lady in Cement, and the █ █
█ █ Elvis Presley Western, Charro. He also █ █
█ █ ventured into some odd mixes of █ █
█ █ space-age pop, electronics, and rock █ █
█ █ with such albums as Moog Power, Mammy █ █
█ █ Blue, and The Dawn of Dylan. Montenegro █ █
█ █ contracted severe ephysema and was █ █
█ █ forced to retire from recording in the █ █
█ █ late 1970s. █ █
░ ▓ █ █ ▓ ░
▓ ▒ █ greets : sb - amrc - kw - ftd - ube - hbz █ ▒ ▓
█ ░ ▓ iMPG - HiT - dps - rac ▓ ░ █
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▒ █ █ [ tracklist ] █ █ ▒
░ █ █ █ █ ░
█ █ A1.In the Hall of the Mountain King [03:31] █ █
█ █ A2.Limehouse Blues [03:09] █ █
█ █ A3.Slaughter on Tenth Avenue [05:12] █ █
█ █ A4.Lover [02:14] █ █
█ █ A5.Lonesome Road [02:33] █ █
█ █ A6.Cottontail [03:05] █ █
█ █ B1.Take the A Train [02:58] █ █
█ █ B2.Heat Wave [02:46] █ █
█ █ B3.One Oclock Jump [02:40] █ █
█ █ B4.Lover Come Back to Me [03:18] █ █
█ █ B5.The Peanut Vendor [03:17] █ █
█ █ B6.Laura [02:45] █ █
█ █ ------- █ █
█ █ 37:28 min █ █
█ █ 51,60 MB █ █
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▒ █ █ [ group notes ] █ █ ▒
░ █ █ █ █ ░
█ █ █ █
█ █ Positions open: Mostly ALL :> visit #snakkelfatz █
░ █ █ █ █ ░
▒ ▓ █ We need an archive... █ ▓ ▒
▓ ▒ █ █ ▒ ▓
█ ░ ▓ Friends : Yes, and thx to all of them :) ▓ ░ █
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