G_and_M._De_Angelis-Mannaja-1993-sfE

Section
MP3/FLAC
Group
sfE
Size
39,97 MB
Files
14
Date
2009-12-20

NFO

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  ▓ █         ▀▓▀[  snakkelfatz  ]▀▓▀  ▐████▌▀▓▀ ▐█████▓  ▄       ▄▄█
  ▒ █          ░ [ Entertainment ] ░    ▓████ ░ ▄█████▓▀ ▀▓▀      █ █
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    ▓ █                                                         ▄▄█ ░
  ░ ▒ █               G and M. De Angelis - Mannaja             █ █ ░
  ▒ ░ █                                                         █ ▓ ░
  ▓ ▒ █ Supplier   : sfE                    Date  : Jun-14-2003 █ ▒ ▓
  █ ░ █ Ripper     : spaun                  Style : Soundtrack  █ ░ █
  █   ▓ w/ help of : cdex 1.40b/lame        Trax  : 14          ▓   █
  █▄▄ ▒ Bitrate    : 192kbps / 44,1kHz / full stereo            ▒ ▄▄█
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  ▓ ▄ █                                                         █ ▄ ▓
  ▒ █ █ [ informations ]                                        █ █ ▒
  ░ █ █                                                         █ █ ░
    █ █    label     : Cometa                                   █ █
    █ █    code      : CMT 1008-20                              █ █
    █ █                                                         █ █
    █ █    comments  : Blue Underground has triumphantly        █ █
    █ █                returned after a slew of incredible      █ █
    █ █                genre releases and at the same time has  █ █
    █ █                added another fine forgotten genre to    █ █
    █ █                their ever-growing library of eclectic   █ █
    █ █                titles. They've hit us hard so far with  █ █
    █ █                the horror of The Toolbox Murders and    █ █
    █ █                then slapped us silly with a crime drama █ █
    █ █                Revolver and an entertaining heist flick █ █
    █ █                in Grand Slam. They quickly returned     █ █
    █ █                with erotic mayhem that would make even  █ █
    █ █                Al Goldstein blush in films like Eugenie █ █
    █ █                and Quiet Days in Clichy. They now       █ █
    █ █                present a literal wet dream come true    █ █
    █ █                for fans of the Spaghetti Western genre  █ █
    █ █                as Blue Underground unleashes their      █ █
    █ █                outstanding compilation The Spaghetti    █ █
    █ █                Western Collection in early January      █ █
    █ █                2003. I'm pleased to say that the        █ █
    █ █                verdict on this set is nothing more than █ █
    █ █                "Please sir, may I have another?" The    █ █
    █ █                set, which brings together 4 very        █ █
    █ █                entertaining and altogether different    █ █
    █ █                titles, is a definite treat for fans of  █ █
    █ █                the genre. Included in the set are Run   █ █
    █ █                Man Run, Mannaja (A Man Called Blade),   █ █
    █ █                Django and Django Kill. All titles are   █ █
    █ █                available as part of the set or          █ █
    █ █                individually, except for Django which    █ █
    █ █                can only be had with the purchase of the █ █
    █ █                Box Set. Each disc features some         █ █
    █ █                interesting extras along with well       █ █
    █ █                written (and worth the read) liner       █ █
    █ █                notes. The revamped version of Django is █ █
    █ █                destined to be a fan favorite, as well   █ █
    █ █                as a first choice over the previous      █ █
    █ █                Anchor Bay release, but more on that     █ █
    █ █                goodness later. It's time to get down    █ █
    █ █                and dirty and dig in Spaghetti Western   █ █
    █ █                style.                                   █ █
    █ █                                                         █ █
    █ █                Run Man Run - From Sergio Sollima, the   █ █
    █ █                man that brought us Revolver and Violent █ █
    █ █                City, comes an oddball film of sorts     █ █
    █ █                that touches on just about every base    █ █
    █ █                from strong political subtext to bizarre █ █
    █ █                comic relief right down to sheer human   █ █
    █ █                terror. Thomas Milan (Four of the        █ █
    █ █                Apocalypse) reprises his role of         █ █
    █ █                Cuchillo (The Big Gundown) as a man down █ █
    █ █                on his luck that everyone seems to want  █ █
    █ █                a piece of. After he's unjustly          █ █
    █ █                imprisoned, a revolutionary poet named   █ █
    █ █                Ramirez (played by Jose Torres) strikes  █ █
    █ █                a monetary bargain with Cuchillo to help █ █
    █ █                him escape. When Ramirez is unexpectedly █ █
    █ █                gunned down he entrusts and hands off    █ █
    █ █                info to Cuchillo concerning some hidden  █ █
    █ █                gold; Ahhh the riches, but not without a █ █
    █ █                price. Now everyone REALLY wants a slice █ █
    █ █                of Cuchillo's ass and they'll stop at    █ █
    █ █                nothing to get it. Along the way         █ █
    █ █                Cuchillo will be beaten, tortured, shot  █ █
    █ █                at, helped, tied to a windmill, nearly   █ █
    █ █                blown to bits and enjoy a brief stint as █ █
    █ █                a missionary. While not overtly violent  █ █
    █ █                like the other films in the set Run Man  █ █
    █ █                Run does a pretty good job of getting    █ █
    █ █                its point across. While the onscreen     █ █
    █ █                violence may be a bit subdued, the real  █ █
    █ █                violence comes across in the anguished   █ █
    █ █                and tortured expressions on the faces of █ █
    █ █                those involved. Despite the obvious      █ █
    █ █                seriousness of the situation, all the    █ █
    █ █                while there's an unnerving layer of      █ █
    █ █                comic relief that creeps up from time to █ █
    █ █                time. Take for example when Cuchillo     █ █
    █ █                inadvertently steps right into a firing  █ █
    █ █                line, or his constant insistence that "I █ █
    █ █                didn't do anything" or "I wasn't there", █ █
    █ █                as he's constantly captured and          █ █
    █ █                recaptured╔ simply for being there.      █ █
    █ █                                                         █ █
    █ █                Run Man Run certainly makes for an       █ █
    █ █                enjoyable viewing experience despite     █ █
    █ █                some brief instances of slow down.       █ █
    █ █                Thomas Milian is wonderful as always     █ █
    █ █                with exceptional screen presence and     █ █
    █ █                Sergio Sollima once again shows us his   █ █
    █ █                skills as a filmmaker with some          █ █
    █ █                beautifully composed shots and well      █ █
    █ █                executed set pieces. If Run Man Run has  █ █
    █ █                one thing going for it, it's that it     █ █
    █ █                never seems excessive or over the top,   █ █
    █ █                simply for the sake of being so all the  █ █
    █ █                while remaining a fun and entertaining   █ █
    █ █                ride.                                    █ █
    █ █                                                         █ █
    █ █                Extras for Run Man Run include a         █ █
    █ █                16-minute featurette entitled Run Man    █ █
    █ █                Run 35 Years Running that includes       █ █
    █ █                interviews with both Sollima and Milian. █ █
    █ █                As with most of Blue Underground's       █ █
    █ █                original featurettes it a nice           █ █
    █ █                informative piece. Next up is a vintage  █ █
    █ █                60's documentary entitled Westerns       █ █
    █ █                Italian Style that runs about 38         █ █
    █ █                minutes. This retro documentary features █ █
    █ █                some incredible footage and appearances  █ █
    █ █                from celebrities (Klaus Kinski, Thomas   █ █
    █ █                Milian and John Saxon) and directors     █ █
    █ █                (Enzo Castellari, Sergio Sollima, Sergio █ █
    █ █                Corbucci) alike. Also included are a     █ █
    █ █                trailer, solid poster and still gallery  █ █
    █ █                (with some great ad art) and talent bios █ █
    █ █                for both Sollima and Milian.             █ █
    █ █                                                         █ █
    █ █                Mannaja A Man Called Blade - Directed by █ █
    █ █                Sergio Martino (probably best known for  █ █
    █ █                Torso and the gut-munching epic Mountain █ █
    █ █                of the Cannibal God) Mannaja is also at  █ █
    █ █                times a Western of different sorts.      █ █
    █ █                Appearing quite late in the genre        █ █
    █ █                Mannaja stars Maurizio Merli as Blade, a █ █
    █ █                loner and a bounty hunter who's better   █ █
    █ █                with a hatchet than he is with a gun     █ █
    █ █                (which is evident within the first few   █ █
    █ █                frames of the film). Blade wanders upon  █ █
    █ █                a mining town that is run by the corrupt █ █
    █ █                and wheelchair bound McGowan and his     █ █
    █ █                equally corrupt and slickly dressed      █ █
    █ █                sidekick Voller. With multiple scores to █ █
    █ █                settle, McGowan is forced to hire Blade  █ █
    █ █                to track down his missing daughter.      █ █
    █ █                                                         █ █
    █ █                Extremely sadistic and violent Mannaja   █ █
    █ █                once again stands as a fine example of   █ █
    █ █                the genre. Filled with great             █ █
    █ █                performances and fog drenched scenes (to █ █
    █ █                mask imperfections in the sets of all    █ █
    █ █                things) it's a really entertaining run.  █ █
    █ █                Not for the squeamish there are some     █ █
    █ █                scenes that could make even the hardened █ █
    █ █                gore fan run for cover including a scene █ █
    █ █                that rivals the torturous eyes taped     █ █
    █ █                open over needles in Argento's Opera.    █ █
    █ █                Also worth mentioning is the odd yet     █ █
    █ █                effective 70's folk-rock soundtrack,     █ █
    █ █                very catchy.                             █ █
    █ █                                                         █ █
    █ █                Extras include another original          █ █
    █ █                featurette entitled A Man Callled Sergio █ █
    █ █                (12-minutes), which features another     █ █
    █ █                fine interview with director Sergio      █ █
    █ █                Martino. Also included are a brief       █ █
    █ █                stills gallery, trailer, and Sergio      █ █
    █ █                Martino bio.                             █ █
    █ █                                                         █ █
    █ █                Django - Often considered to be one of   █ █
    █ █                the greatest Westerns ever made, the     █ █
    █ █                original Django is without a doubt a     █ █
    █ █                true masterpiece in nearly every sense   █ █
    █ █                of the word. Franco Nero stars as Django █ █
    █ █                a wanderer who travels the countryside   █ █
    █ █                dragging a coffin behind him. He happens █ █
    █ █                upon a young woman being beaten by some  █ █
    █ █                mask wearing mercenaries and it's at     █ █
    █ █                this point that we first learn why       █ █
    █ █                Django's wallet bears the insignia of    █ █
    █ █                bad motherfucker. Django saves the girl  █ █
    █ █                and the two travel to a local town that  █ █
    █ █                is ruled by a prejudice general and his  █ █
    █ █                cronies who likes to spend their spare   █ █
    █ █                time killing Mexicans for sport. Soon    █ █
    █ █                the town learns of the secret that       █ █
    █ █                Django carries in that coffin of his     █ █
    █ █                (this needs to be seen to be believed)   █ █
    █ █                and join forces with Django in a quest   █ █
    █ █                for some gold. If you think things go    █ █
    █ █                exactly the way they were planned then   █ █
    █ █                you'd be sorely mistaken, this wouldn't  █ █
    █ █                be an A Class western without a grand    █ █
    █ █                finale (grand in its efffective          █ █
    █ █                simplicity), and that's just what the    █ █
    █ █                viewer is given.                         █ █
    █ █                                                         █ █
    █ █                Easily one of the most heart wrenching   █ █
    █ █                and violent westerns I can think of,     █ █
    █ █                Django is a first class affair all the   █ █
    █ █                way. Nero is simply fantastic as the     █ █
    █ █                title character and the ruthless yet     █ █
    █ █                effective set pieces will stay with you  █ █
    █ █                long after you hit eject on your DVD     █ █
    █ █                player. The story may not be new, but    █ █
    █ █                the immaculate execution is worth the    █ █
    █ █                price of admission on its own. There is  █ █
    █ █                very little that is funny to be found in █ █
    █ █                Django except for a few moments of the   █ █
    █ █                darkest of black comedy. As a whole      █ █
    █ █                you'd be hard pressed to find anything   █ █
    █ █                wrong with this flick or with its        █ █
    █ █                presentation on this DVD. Django was     █ █
    █ █                previously available from Anchor Bay in  █ █
    █ █                an OK transfer with only a dubbed        █ █
    █ █                soundtrack audio option. This release    █ █
    █ █                from Blue Underground marks a true first █ █
    █ █                as not only is it sourced from original  █ █
    █ █                negatives (colors are extremely          █ █
    █ █                vibrant), but we have the option of      █ █
    █ █                hearing Nero's real voice with English   █ █
    █ █                subs. Easily outclassing Anchor Bay's    █ █
    █ █                disc by a long shot, this is obviously   █ █
    █ █                the way to go and you can only get       █ █
    █ █                Django as part of the Box Set, its not   █ █
    █ █                available on its on.                     █ █
    █ █                                                         █ █
    █ █                Extras for Django include a 13-minute    █ █
    █ █                featurette entitled Django: The One and  █ █
    █ █                Only which includes interviews with Nero █ █
    █ █                and asst. director Ruggero Deodato       █ █
    █ █                (Cannibal Holocaust). Also included are  █ █
    █ █                a trailer, still gallery and talent bios █ █
    █ █                for Sergio Corbucci and Franco Nero.     █ █
    █ █                                                         █ █
    █ █                Django Kill ...If You Live, Shoot! - The █ █
    █ █                liner notes describe this film as an     █ █
    █ █                "art house" or "gothic western" and upon █ █
    █ █                reading those words I couldn't agree     █ █
    █ █                more. Truly an odd film from the start,  █ █
    █ █                the opening scene is literally our hero  █ █
    █ █                Django rising from what was supposed to  █ █
    █ █                have been his grave. Django aims to      █ █
    █ █                catch up with the men who almost killed  █ █
    █ █                him and exact his revenge but the truly  █ █
    █ █                bizarre town they all wind up in will    █ █
    █ █                exact its own type of revenge for him.   █ █
    █ █                This is a town unlike any other and it's █ █
    █ █                up to Django to protect the innocent     █ █
    █ █                from the perverse corruption that        █ █
    █ █                populates this evil place.               █ █
    █ █                                                         █ █
    █ █                Full of bizarre imagery and even more    █ █
    █ █                bizarre editing techniques this Django   █ █
    █ █                is truly like no other. The film is full █ █
    █ █                of dreamlike sequences and oddly edited  █ █
    █ █                set pieces. Bizarre horror, humiliation  █ █
    █ █                and torture abound with more than one's  █ █
    █ █                share of religious metaphors thrown in   █ █
    █ █                for good measure. Lot's of violence to   █ █
    █ █                be found within these walls as well      █ █
    █ █                including a grotesque moment in which a  █ █
    █ █                group of people dig into a mans chest    █ █
    █ █                cavity in search of golden bullets. What █ █
    █ █                else would one expect from director      █ █
    █ █                Guilio Questi who unleashed upon the     █ █
    █ █                world the bizarre horror classic Death   █ █
    █ █                Laid an Egg.                             █ █
    █ █                                                         █ █
    █ █                Extras include a 21-minute featurette    █ █
    █ █                entitled Django, Tell! This feature      █ █
    █ █                includes interviews with Milian, Questi  █ █
    █ █                and actor Ray Lovelack. Also included is █ █
    █ █                a poster and still gallery.              █ █
    █ █                                                         █ █
    █ █                Quality wise, it's nothing but high      █ █
    █ █                marks all around. Each of these films    █ █
    █ █                looks simply outstanding with only trace █ █
    █ █                amounts of minor print damage here and   █ █
    █ █                there. These films look exceptional with █ █
    █ █                absolutely no sign of digital artifacts  █ █
    █ █                and nice, bright solid colors all        █ █
    █ █                around. As usual Blue Underground does   █ █
    █ █                and exceptional job on their transfers,  █ █
    █ █                fans will be ultimately overjoyed.       █ █
    █ █                                                         █ █
    █ █                Audio is equally impressive with each    █ █
    █ █                film featuring mono English and Italian  █ █
    █ █                tracks with a choice of optional English █ █
    █ █                Subs. Both mono tracks on all four films █ █
    █ █                sound equally fine with nice clear       █ █
    █ █                dialogue and absolutely no distortion to █ █
    █ █                speak of. It's worth noting that fans    █ █
    █ █                will truly dig the revamped Django disc  █ █
    █ █                with the optional English subs as we get █ █
    █ █                to hear Nero's real voice, which makes   █ █
    █ █                all the difference in the world and was  █ █
    █ █                missing from Anchor Bay's version due to █ █
    █ █                only a dubbed track being available.     █ █
    █ █                                                         █ █
    █ █                Four exceptional films, four exceptional █ █
    █ █                presentations, Blue Underground has done █ █
    █ █                it again, and are to be truly commended. █ █
    █ █                As a set or individually, these discs    █ █
    █ █                are worth their weight in gold and       █ █
    █ █                should make fans of the Spaghetti        █ █
    █ █                Western sub genre very happy. Keep in    █ █
    █ █                mind that the only way to snatch the new █ █
    █ █                disc of Django is with a purchase of the █ █
    █ █                complete set, which comes highly         █ █
    █ █                recommended from this cult movie fan.    █ █
  ░ ▓ █                                                         █ ▓ ░
  ▓ ▒ █    greets    : sb - amrc - kw - ftd - ube - hbz         █ ▒ ▓
  █ ░ ▓                iMPG - HiT - dps - rac                   ▓ ░ █
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  ▓ ▄ █                                                         █ ▄ ▓
  ▒ █ █ [ tracklist ]                                           █ █ ▒
  ░ █ █                                                         █ █ ░
    █ █ 01.Wolf                                    [03:48]      █ █
    █ █ 02.The Ransom                              [01:51]      █ █
    █ █ 03.Axe and Angela                          [01:11]      █ █
    █ █ 04.Loneliness                              [01:24]      █ █
    █ █ 05.The Casino-Saloon                       [02:44]      █ █
    █ █ 06.Axe is Back                             [02:24]      █ █
    █ █ 07.The Kidnapping                          [02:45]      █ █
    █ █ 08.Axe and Mcgowan                         [01:11]      █ █
    █ █ 09.Seeking Revenge                         [01:21]      █ █
    █ █ 10.Debra                                   [01:12]      █ █
    █ █ 11.No Gold...Only Stones                   [00:40]      █ █
    █ █ 12.Snake                                   [02:42]      █ █
    █ █ 13.The Hatchet                             [02:30]      █ █
    █ █ 14.Out of the Tunnel and Finale            [03:16]      █ █
    █ █                                            -------      █ █
    █ █                                             28:59 min   █ █
    █ █                                            39,100 MB    █ █
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  ▒ █ █ [ group notes ]                                         █ █ ▒
  ░ █ █                                                         █ █ ░
    █ █                                                         █ █
    █ █ Positions open: Mostly ALL :> visit #snakkelfatz        █
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  ▒ ▓ █ We need an archive...                                   █ ▓ ▒
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  █ ░ ▓ Friends : Yes, and thx to all of them :)                ▓ ░ █
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Files

PathSize
01-wolf-sfe.mp35,22 MB
02-the_ransom-sfe.mp32,54 MB
03-axe_and_angela-sfe.mp31,64 MB
04-loneliness-sfe.mp31,93 MB
05-the_casino-saloon-sfe.mp33,77 MB
06-axe_is_back-sfe.mp33,30 MB
07-the_kidnapping-sfe.mp33,80 MB
08-axe_and_mcgowan-sfe.mp31,64 MB
09-seeking_revenge-sfe.mp31,87 MB
10-debra-sfe.mp31,66 MB
11-no_gold___only_stones-sfe.mp3956,45 KB
12-snake-sfe.mp33,72 MB
13-the_hatchet-sfe.mp33,44 MB
14-out_of_the_tunnel_and_finale-sfe.mp34,50 MB