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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Angela Hewitt - Bach: The Well-Tempered Clavier ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Angela Hewitt ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Bach: The Well-Tempered Clavier ▓▓▓▓█
████ GENRE...[ Classical GRABBER.[ EAC ████
████ LABEL...[ Hyperion ENCODER.[ Lame 3.97 ████
████ YEAR....[ 2009 QUALiTY.[ vbr 145kbps ████
████ SOURCE..[ CDDA MODE....[ Joint-Stereo ████
████ PLAYTIME[ 271:12 min REL.DATE[ 01.11.2010 ████
████ TRACKS..[ 96 RiPPER..[ TEAM OMA ████
████ SiZE....[ 281,4 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ CD1 ████
████ ████
████ 01 No 01 in C major, BWV846: 1. Prelude 02:21 ████
████ 02 No 01 in C major, BWV846: 2. Fugue 02:08 ████
████ 03 No 02 in C minor, BWV847: 1. Prelude 01:35 ████
████ 04 No 02 in C minor, BWV847: 2. Fugue 01:52 ████
████ 05 No 03 in C sharp major, BWV848: 1. Prelude 01:23 ████
████ 06 No 03 in C sharp major, BWV848: 2. Fugue 02:19 ████
████ 07 No 04 in C sharp minor, BWV849: 1. Prelude 03:05 ████
████ 08 No 04 in C sharp minor, BWV849: 2. Fugue 05:24 ████
████ 09 No 05 in D major, BWV850: 1. Prelude 01:25 ████
████ 10 No 05 in D major, BWV850: 2. Fugue 02:14 ████
████ 11 No 06 in D minor, BWV851: 1. Prelude 01:40 ████
████ 12 No 06 in D minor, BWV851: 2. Fugue 03:00 ████
████ 13 No 07 in E flat major, BWV852: 1. Prelude 03:45 ████
████ 14 No 07 in E flat major, BWV852: 2. Fugue 01:40 ████
████ 15 No 08 in E flat minor, BWV853: 1. Prelude 03:58 ████
████ 16 No 08 in E flat minor, BWV853: 2. Fugue 05:17 ████
████ 17 No 09 in E major, BWV854: 1. Prelude 01:24 ████
████ 18 No 09 in E major, BWV854: 2. Fugue 01:07 ████
████ 19 No 10 in E minor, BWV855: 1. Prelude 02:19 ████
████ 20 No 10 in E minor, BWV855: 2. Fugue 01:10 ████
████ 21 No 11 in F major, BWV856: 1. Prelude 01:03 ████
████ 22 No 11 in F major, BWV856: 2. Fugue 01:39 ████
████ 23 No 12 in F minor, BWV857: 1. Prelude 02:12 ████
████ 24 No 12 in F minor, BWV857: 2. Fugue 04:56 ████
████ ████
████ CD2 ████
████ ████
████ 01 No 13 in F sharp major, BWV858: 1. Prelude 01:32 ████
████ 02 No 13 in F sharp major, BWV858: 2. Fugue 02:19 ████
████ 03 No 14 in F sharp minor, BWV859: 1. Prelude 01:02 ████
████ 04 No 14 in F sharp minor, BWV859: 2. Fugue 03:16 ████
████ 05 No 15 in G major, BWV860: 1. Prelude 00:55 ████
████ 06 No 15 in G major, BWV860: 2. Fugue 02:50 ████
████ 07 No 16 in G minor, BWV861: 1. Prelude 02:15 ████
████ 08 No 16 in G minor, BWV861: 2. Fugue 01:42 ████
████ 09 No 17 in A flat major, BWV862: 1. Prelude 01:23 ████
████ 10 No 17 in A flat major, BWV862: 2. Fugue 03:11 ████
████ 11 No 18 in G sharp minor, BWV863: 1. Prelude 01:30 ████
████ 12 No 18 in G sharp minor, BWV863: 2. Fugue 02:08 ████
████ 13 No 19 in A major, BWV864: 1. Prelude 01:29 ████
████ 14 No 19 in A major, BWV864: 2. Fugue 02:01 ████
████ 15 No 20 in A minor, BWV865: 1. Prelude 01:00 ████
████ 16 No 20 in A minor, BWV865: 2. Fugue 05:33 ████
████ 17 No 21 in B flat major, BWV866: 1. Prelude 01:25 ████
████ 18 No 21 in B flat major, BWV866: 2. Fugue 01:45 ████
████ 19 No 22 in B flat minor, BWV867: 1. Prelude 03:51 ████
████ 20 No 22 in B flat minor, BWV867: 2. Fugue 03:08 ████
████ 21 No 23 in B major, BWV868: 1. Prelude 00:57 ████
████ 22 No 23 in B major, BWV868: 2. Fugue 02:25 ████
████ 23 No 24 in B minor, BWV869: 1. Prelude 04:41 ████
████ 24 No 24 in B minor, BWV869: 2. Fugue 06:57 ████
████ ████
████ CD3 ████
████ ████
████ 01 No 01 in C major, BWV870: 1. Prelude 03:05 ████
████ 02 No 01 in C major, BWV870: 2. Fugue 01:39 ████
████ 03 No 02 in C minor, BWV871: 1. Prelude 02:27 ████
████ 04 No 02 in C minor, BWV871: 2. Fugue 02:54 ████
████ 05 No 03 in C sharp major, BWV872. 1. Prelude 01:42 ████
████ 06 No 03 in C sharp major, BWV872: 2. Fugue 02:08 ████
████ 07 No 04 in C sharp minor, BWV873: 1. Prelude 04:48 ████
████ 08 No 04 in C sharp minor, BWV873: 2. Fugue 02:22 ████
████ 09 No 05 in D major, BWV874: 1. Prelude 05:50 ████
████ 10 No 05 in D major, BWV874: 2. Fugue 03:00 ████
████ 11 No 06 in D minor, BWV875: 1. Prelude 01:35 ████
████ 12 No 06 in D minor, BWV875: 2. Fugue 02:22 ████
████ 13 No 07 in E flat major, BWV876: 1. Prelude 02:48 ████
████ 14 No 07 in E flat major, BWV876: 2. Fugue 01:56 ████
████ 15 No 08 in D sharp minor, BWV877: 1. Prelude 04:18 ████
████ 16 No 08 in D sharp minor, BWV877: 2- Fugue 05:00 ████
████ 17 No 09 in E major, BWV878: 1. Prelude 04:42 ████
████ 18 No 09 in E major, BWV878: 2. Fugue 04:18 ████
████ 19 No 10 in E minor, BWV879: 1. Prelude 03:41 ████
████ 20 No 10 in E minor, BWV879: 2. Fugue 02:51 ████
████ 21 No 11 in F major, BWV880: 1. Prelude 03:31 ████
████ 22 No 11 in F major, BWV880: 2. Fugue 01:46 ████
████ 23 No 12 in F minor, BWV881: 1. Prelude 05:07 ████
████ 24 No 12 in F minor, BWV881: 2. Fugue 01:50 ████
████ ████
████ CD4 ████
████ ████
████ 01 No 13 in F sharp major, BWV882: 1. Prelude 03:35 ████
████ 02 No 13 in F sharp major, BWV882: 2. Fugue 02:35 ████
████ 03 No 14 in F sharp minor, BWV883: 1. Prelude 03:22 ████
████ 04 No 14 in F sharp minor, BWV883: 2. Fugue 03:39 ████
████ 05 No 15 in G major, BWV884: 1. Prelude 02:32 ████
████ 06 No 15 in G major, BWV884: 2. Fugue 01:15 ████
████ 07 No 16 in G minor, BWV885: 1. Prelude 04:04 ████
████ 08 No 16 in G minor, BWV885: 2. Fugue 02:46 ████
████ 09 No 17 in A flat major, BWV886: 1. Prelude 04:17 ████
████ 10 No 17 in A flat major, BWV886: 2. Fugue 03:47 ████
████ 11 No 18 in G sharp minor, BWV887: 1. Prelude 04:06 ████
████ 12 No 18 in G sharp minor, BWV887: 2. Fugue 03:22 ████
████ 13 No 19 in A major, BWV888: 1. Prelude 02:22 ████
████ 14 No 19 in A major, BWV888: 2. Fugue 01:13 ████
████ 15 No 20 in A minor, BWV889: 1. Prelude 04:16 ████
████ 16 No 20 in A minor, BWV889: 2. Fugue 01:42 ████
████ 17 No 21 in B flat major, BWV890: 1. Prelude 07:19 ████
████ 18 No 21 in B flat major, BWV890: 2. Fugue 02:40 ████
████ 19 No 22 in B flat minor, BWV891: 1. Prelude 03:30 ████
████ 20 No 22 in B flat minor, BWV891: 2. Fugue 04:54 ████
████ 21 No 23 in B major, BWV892: 1. Prelude 01:52 ████
████ 22 No 23 in B major, BWV892: 2. Fugue 03:50 ████
████ 23 No 24 in B minor, BWV893: 1. Prelude 02:29 ████
████ 24 No 24 in B minor, BWV893: 2. Fugue 01:54 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL:271:12 ████
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█████▀ www.angelahewitt.com ▀█████
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████ 'Her best Bach yet à Not everyone can improve ████
████ on the best, but it looks as if Angela Hewitt ████
████ might have done just that à This is a defining ████
████ moment in the performance history of the '48' ████
████ à Hewitt's second thoughts, enhanced by ████
████ technically outstanding recording, hold me ████
████ totally enthralled' (BBC Music Magazine) ████
████ ████
████ ' If you arenÆt hooked by her Book One C major ████
████ prelude ù noble yet nonchalant, gently flecked ████
████ with rubato ù rush to a doctor immediately. ████
████ And on she proceeds, track after track, ████
████ illuminating the music with great sensitivity ████
████ and interpretative freedom. In the ten years ████
████ since 1999, HewittÆs feeling for Bach has ████
████ widened. The touch of her fingers is lighter ████
████ now; her pulse is more elastic. The piano, ████
████ too, has changed. Now itÆs a Fazioli, luminous ████
████ and microscopically subtle. With HyperionÆs ████
████ recording, even its reverberations are a joy; ████
████ witness those lingering last notes, crowned ████
████ with a halo. Fugal counterpoint, dry on the ████
████ page, dances before us, multicoloured à The ████
████ 2009 Hewitt ù protean, humane, modern but ████
████ respectful, beautifully recorded ù is the ████
████ version to live with. It would even sound ████
████ good, IÆm sure, on the BBCÆs desert island' ████
████ (The Times) ████
████ ████
████ 'A previous document, which draws on her ████
████ development as a person and a performer over ████
████ the past 10 years. Playing of this ease and ████
████ assurance rarely has such a profound ████
████ understanding of the material. This is no ████
████ mechanical journey through the cycle of keys. ████
████ This is life itself' (The Observer) ████
████ ████
████ 'Listening to Angela Hewitt's latest thoughts ████
████ on Bach's Well-Tempered Clavier alongside her ████
████ late-1990s Hyperion cycle, it appears that her ████
████ interpretations haven't changed so much as ████
████ evolved, intensfied and, most important, ████
████ internalised à While both versions hold equal ████
████ validity and stature, Hewitt's remake ████
████ ultimately digs deeper, with more personalised ████
████ poetry' (Gramophone) ████
████ ████
████ 'Angela Hewitt's Bach has long been a thing of ████
████ wonder à This four CD set of both books of Das ████
████ Wohltemperierte Klavier again illustrates how ████
████ she can deploy the timbres and technical ████
████ attributes of the piano to animate the music ████
████ in the most sensitive way. Her palette of ████
████ colours is judiciously chosen, her variety of ████
████ touch and dynamics gauged so that each prelude ████
████ and fugue has a character of its own and ████
████ contributes something special to Bach's ████
████ iridescent kaleidoscope of musical invention' ████
████ (The Daily Telegraph) ████
████ ████
████ 'Her recording is at once airy and ████
████ inexpressibly profound. It has a significance ████
████ way beyond the beauty and depth of her ████
████ playing. In a chaotic, Dante-esque world à ████
████ Angela Hewitt, with her heart-stopping playing ████
████ of Bach on this vital new recording, offers a ████
████ singular voice of clarity and reason' (The ████
████ Glasgow Herald) ████
████ ████
████ 'Ten years ago, Hewitt covered this groundà It ████
████ seemed she was the last word on the subjectà ████
████ Setting out to be the queen of this corner, ████
████ she delivers a new last word on the subject ████
████ giving this work a new life that should have ████
████ come from another interpreter farther down the ████
████ line. If you own the original, you need to ████
████ check out this set and hear that she has found ████
████ more than subtle differences in the work to ████
████ bring out. A tasty and deep outing that ████
████ delivers much more than youÆd expect' (Midwest ████
████ Record Review, USA) ████
████ ████
████ 'Hewitt dares to give us a bejeweled Bach. She ████
████ has admirable independence in etching each ████
████ voice in the fuguesà she shapes and molds each ████
████ phrase through color and rhythmà This is a ████
████ vision of Bach that encompasses an elegant ████
████ sensuality. It doesn't preclude emotion, ████
████ either: At many points, I found myself ████
████ brimming up with the beauty of it all' (Dallas ████
████ Morning News, USA) ████
████ ████
████ 'Best Classical Releases of 2009 (so far): ████
████ "Acclaimed as one of the most creative and ████
████ thoughtful performers of J.S. Bach's keyboard ████
████ music since the innovative performances of her ████
████ compatriot, Glenn Gould, Canadian pianist ████
████ Angela Hewittà brings across the 48 preludes ████
████ and fugues with assured technique and generous ████
████ expression' (All Music, USA) ████
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████ URL: www.hyperion-records.co.uk/al.asp?al=CDA67741/4 ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
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█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
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████▀ The only thing that really matters is music!!! ▀████
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