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▀▀██▓▓▄ M A D M P 3
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* P R E S E N T S ... ▓ ▓██▓▓░
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▀ ░▄▄▄▄▄▄ Artist: Slum Village ░█▓▓░ ▄▄▄▄▄▄░ ▀
░▄████▀░ Album: Detroit Deli ██▓░ ▀ ░▀████▄░
░█████░ ░█▓░ ░█████░
░█████░ Ripper/Supplier: MAD CRU ██ ░█████░
▓▓███▓░░ ░ Genre: Hip-Hop █▀ Date: Jul-01-2004 ░ ░░▓███▓▓
▓▓████▓░ ░░ Grabber: EAC ░▀ Encoder: LAME ░░░ ░▓████▓▓
░▓▓████▓▄ Quality: 192kbps / 44.1kHz / Full Stereo ▄▓████▓▓░
░▓▓███████▄▄▄█████▄░ Playtime: 44:36 min ░▄█████▄▄▄███████▓▓░
░▀▀▀██████▀▀ ▀▓░ Size: 61,4 MB ░▓▀ ░▀▀██████▀▀▀░░
░ ░ ▀▄▄▀ Source: CDDA ▄▄░ ▀▄▄▀ ░ ░
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* T R A C K L I S T * ▀▀███████▀░
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01.zoom [02:43] ▀██░
02.do you [03:36] ▀██░
03.dirty (ft. dirt mcgirt) [03:37] ▀██░
04.late 80's skit [01:09] ▀██░
05.selfish [03:45] ▀██░
(ft. kanye west and john legend) ▄▀ ░█▓█░
06.closer (ft. dwele) [04:05] ▀██░
07.old girl/shining star [03:55] ▀██░
08.keep holding on [03:39] ▀██░
09.it's on [03:44] ▀██░
10.the hours [02:24] ▀██░
11.things we do [03:23] ▀██░
12.count the ways (ft. dwele) [04:33] ▀██░
13.reunion (ft. j dilla) [04:03] ▀██░
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░████▓░ * Release Note * ░█▄▄▄ ▀▀▀▀▀▀▀░ █
▓███▓░ ███▓▓ ░░ ▓
░▓███░ When Slum Village emerged in the late ░███▓░ ░░ ▒
░▓███░ 1990s, the highly regarded Detroit ░███▓░ ░ ░
░▓███░ trio of T3, Baatin and Jay Dee made a ░███▓░ ░ ░
░▓███░ startling admission: their group was a ░███▓░ ░ ░
░▓███░ liquid association with members coming ░███▓░ ░ ░
░▓███░ and going during the group's ░███▓░ ░ ░
░▓███░ evolution. True to their word, Slum ░███▓░ ░ ░
░▓███░ Village has already gone through a ░███▓░ ░ ░
░▓███░ number of line-up changes. ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ Rapper-producer Jay Dee left after the ░███▓░ ░ ░
░▓███░ group's first national album, 2000's ░███▓░ ░ ░
░▓███░ Fantastic, vol. 2 (Barak) and rhymer ░███▓░ ░ ░
░▓███░ Elzhi was added to the mix for 2002's ░███▓░ ░ ░
░▓███░ Trinity: Past, Present and Future ░███▓░ ░ ░
░▓███░ (Barak/Capitol). Now, with the release ░███▓░ ░ ░
░▓███░ of Slum Village's new and best album, ░███▓░ ░ ░
░▓███░ the stunningly impressive Detroit Deli ░███▓░ ░ ░
░▓███░ (Barak/Capitol), the group consists of ░███▓░ ░ ░
░▓███░ just T3 and Elzhi. Throughout the ░███▓░ ░ ░
░▓███░ changes, Slum Village's musical ░███▓░ ░ ░
░▓███░ mission has remained constant: to ░███▓░ ░ ░
░▓███░ deliver soul-stirring sonics that ░███▓░ ░ ░
░▓███░ represent Detroit to the fullest. That ░███▓░ ░ ░
░▓███░ vision is fully realized on Detroit ░███▓░ ░ ░
░▓███░ Deli. Throughout the sensational 15- ░███▓░ ░ ░
░▓███░ cut collection, T3 and Elzhi give ░███▓░ ░ ░
░▓███░ listeners an intimate look at life in ░███▓░ ░ ░
░▓███░ The D, from where they shop, hang with ░███▓░ ░ ░
░▓███░ friends and eat to the type of cars ░███▓░ ░ ░
░▓███░ they drive (check "Zoom") and what ░███▓░ ░ ░
░▓███░ clothes they wear. ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ Slum Village represents the Midwest's ░███▓░ ░ ░
░▓███░ funk heritage on the inspirational "Do ░███▓░ ░ ░
░▓███░ You," which was produced by Jay Dee, ░███▓░ ░ ░
░▓███░ and teams with Chicago's Kanye West on ░███▓░ ░ ░
░▓███░ lead single "Selfish," a sly, piano- ░███▓░ ░ ░
░▓███░ driven song where T3, Elzhi and West ░███▓░ ░ ░
░▓███░ rap about their desire to have a ░███▓░ ░ ░
░▓███░ monopoly with women. They then team ░███▓░ ░ ░
░▓███░ with Ol' Dirty Bastard on the riotous ░███▓░ ░ ░
░▓███░ "Dirty" about having to battle for a ░███▓░ ░ ░
░▓███░ woman and deliver a Player's Hand ░███▓░ ░ ░
░▓███░ Guide of sorts on the sensuous "Count ░███▓░ ░ ░
░▓███░ The Ways," Both produced by BR. Gunna. ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ Even though Slum Village excels at ░███▓░ ░ ░
░▓███░ making this type of lighthearted ░███▓░ ░ ░
░▓███░ music, they show on Detroit Deli that ░███▓░ ░ ░
░▓███░ they also hit hard with more serious ░███▓░ ░ ░
░▓███░ subject matter. On the moving, guitar ░███▓░ ░ ░
░▓███░ -driven "Keep Holding On," they rap ░███▓░ ░ ░
░▓███░ about people not losing faith in their ░███▓░ ░ ░
░▓███░ lives, while on the stirring "Old ░███▓░ ░ ░
░▓███░ Girl/Shining Star," T3 and Elzhi send ░███▓░ ░ ░
░▓███░ a open letter of hope and support to ░███▓░ ░ ░
░▓███░ single mothers working hard to ░███▓░ ░ ░
░▓███░ survive. ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ "The inspiration came from my boy's ░███▓░ ░ ░
░▓███░ niece who has a gang of kids and is ░███▓░ ░ ░
░▓███░ out here struggling," Elzhi says. ░███▓░ ░ ░
░▓███░ "She's stringing her kids around on ░███▓░ ░ ░
░▓███░ the bus, just to get by. By me just ░███▓░ ░ ░
░▓███░ looking at that, I'm like, 'I need to ░███▓░ ░ ░
░▓███░ write a song because I know she's not ░███▓░ ░ ░
░▓███░ the only one going through it.' Slum ░███▓░ ░ ░
░▓███░ Village has never touched on ladies ░███▓░ ░ ░
░▓███░ like that and everybody is calling ░███▓░ ░ ░
░▓███░ girls hoes and Bs, dissing these ░███▓░ ░ ░
░▓███░ ladies, so we wanted to touch the ░███▓░ ░ ░
░▓███░ ladies in a different way." ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ The group also takes a different route ░███▓░ ░ ░
░▓███░ on "The Reunion." Jay Dee joins T3 and ░███▓░ ░ ░
░▓███░ Elzhi on the insightful cut, which ░███▓░ ░ ░
░▓███░ offers three different takes on the ░███▓░ ░ ░
░▓███░ group's status. "It's like you're ░███▓░ ░ ░
░▓███░ going through three state of minds at ░███▓░ ░ ░
░▓███░ one time kind of in reverse," T3 says. ░███▓░ ░ ░
░▓███░ "What we're trying to say is that we ░███▓░ ░ ░
░▓███░ wish we were together, we might be ░███▓░ ░ ░
░▓███░ together and then we're not together ░███▓░ ░ ░
░▓███░ at all. We're trying to give you all ░███▓░ ░ ░
░▓███░ the aspects of how people are coming ░███▓░ ░ ░
░▓███░ at us, the type of stuff we're dealing ░███▓░ ░ ░
░▓███░ with and kind of give you a glimpse of ░███▓░ ░ ░
░▓███░ the stuff we're dealing with in the ░███▓░ ░ ░
░▓███░ group." ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ Indeed, songs such as "Keep Holding ░███▓░ ░ ░
░▓███░ On," "Old Girl/Shining Star" and "The ░███▓░ ░ ░
░▓███░ Reunion" signal Slum Village's ░███▓░ ░ ░
░▓███░ evolution; they mark the first time ░███▓░ ░ ░
░▓███░ the group has let listeners in on ░███▓░ ░ ░
░▓███░ their personal feelings. "I don't ░███▓░ ░ ░
░▓███░ think people really know us and we ░███▓░ ░ ░
░▓███░ never really touched on our emotions ░███▓░ ░ ░
░▓███░ like that," T3 says. "We wanted to ░███▓░ ░ ░
░▓███░ bring some realness, besides just the ░███▓░ ░ ░
░▓███░ soul music. Elzhi, as a guy that saw ░███▓░ ░ ░
░▓███░ Slum Village on the outside, he ░███▓░ ░ ░
░▓███░ brought it to my attention that we ░███▓░ ░ ░
░▓███░ never touched on serious topics and ░███▓░ ░ ░
░▓███░ that we should try to touch on them ░███▓░ ░ ░
░▓███░ more. I was with that and I have a lot ░███▓░ ░ ░
░▓███░ to say, so why not?" ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ Detroit Deli also stands as Slum ░███▓░ ░ ░
░▓███░ Village's most musically rich album to ░███▓░ ░ ░
░▓███░ date. BR Gunna producers Black and ░███▓░ ░ ░
░▓███░ Young RJ, both 20 years old, handled ░███▓░ ░ ░
░▓███░ the majority of the beats, while Kanye ░███▓░ ░ ░
░▓███░ West produced "Selfish," Jay Dee ░███▓░ ░ ░
░▓███░ handled "Do You" and T3 along with ░███▓░ ░ ░
░▓███░ young RJ produced "Closer" and "Count ░███▓░ ░ ░
░▓███░ The Ways." The beats are as divergent ░███▓░ ░ ░
░▓███░ as the album's subject matter, ranging ░███▓░ ░ ░
░▓███░ from soulful to futuristic, but they ░███▓░ ░ ░
░▓███░ always remain powerful and innovative. ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ The same can be said for Slum ░███▓░ ░ ░
░▓███░ Village's storied career. After ░███▓░ ░ ░
░▓███░ releasing Fantastic Volume One ░███▓░ ░ ░
░▓███░ independently, Slum Village became one ░███▓░ ░ ░
░▓███░ of hip-hop's hottest groups. While ░███▓░ ░ ░
░▓███░ working on Fantastic, vol. 2, they ░███▓░ ░ ░
░▓███░ were joined in the studio by such ░███▓░ ░ ░
░▓███░ luminaries as D'Angelo, Busta Rhymes, ░███▓░ ░ ░
░▓███░ Kurupt, Pete Rock and A Tribe Called ░███▓░ ░ ░
░▓███░ Quest's Q-Tip, among others. The ░███▓░ ░ ░
░▓███░ resulting album became an underground ░███▓░ ░ ░
░▓███░ classic and Slum Village was seen as ░███▓░ ░ ░
░▓███░ the second coming of the Native ░███▓░ ░ ░
░▓███░ Tongues (A Tribe Called Quest, Jungle ░███▓░ ░ ░
░▓███░ Brothers, De La Soul) by member Q-Tip, ░███▓░ ░ ░
░▓███░ as well as fans and journalists alike. ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ Jay Dee left the group after ░███▓░ ░ ░
░▓███░ Fantastic, vol. 2 in order to work on ░███▓░ ░ ░
░▓███░ his solo career, but Slum Village ░███▓░ ░ ░
░▓███░ pressed on, releasing in 2002 the ░███▓░ ░ ░
░▓███░ Dirty District mix tape and later that ░███▓░ ░ ░
░▓███░ year its third album and first with ░███▓░ ░ ░
░▓███░ new member Elzhi, Trinity. Many fans ░███▓░ ░ ░
░▓███░ looked at rapper-producer Jay Dee as ░███▓░ ░ ░
░▓███░ the group's backbone, but Trinity ░███▓░ ░ ░
░▓███░ proved that Slum Village could provide ░███▓░ ░ ░
░▓███░ without its sonic architect, as that ░███▓░ ░ ░
░▓███░ album's single "Tainted" became the ░███▓░ ░ ░
░▓███░ group's biggest hit. ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ "We've always stuck to our guns," T3 ░███▓░ ░ ░
░▓███░ says. "We've never tried to change to ░███▓░ ░ ░
░▓███░ get commercial success. We always just ░███▓░ ░ ░
░▓███░ did what we did and when you do what ░███▓░ ░ ░
░▓███░ you do, eventually somebody's going to ░███▓░ ░ ░
░▓███░ have to give you your respect for ░███▓░ ░ ░
░▓███░ having the courage to do what you do." ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ With Detroit Deli, Slum Village earns ░███▓░ ░ ░
░▓███░ the respect it craves and deserves. ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ This is the retail with covers...props ░███▓░ ░ ░
░▓███░ to the groups puttin out the ░███▓░ ░ ░
░▓███░ advances... ░███▓░ ░ ░
░▓███░ ░███▓░ ░ ░
░▓███░ Enjoy, ░███▓░ ░ ░
░▓███░ pZ ░███▓░ ░ ░
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