Janek_Schaefer_-_Cold_Storage-2004-BCC
- Section
-
MP3/FLAC
- Group
- BCC
- Size
- 55,81 MB
- Files
- 5
- Date
- 2010-01-19
NFO
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░█ █+ Janek Schaefer - Cold Storage ▄ +█ █░
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░█ +█ Title : Cold Storage ▀▀▀▄▄ ▀█░
░█ ░█ Artist : Janek Schaefer ▀ ▓█ █░
░█▄ █ Genre : Avantgarde ░█ █░
░██ █ Year : 2004 █ ▄█░
░██ █ BCC Rel Date : 09-02-2004 █ ██░
░██ █ Audio Bitrate : VBR kbps / Joint-Stereo █ ██░
░█ ▄▀ Sample Rate : 44,1 kHz Stereo █ ▀█░
░█ █▓ ▀ Encoder : Lame █░ █░
░█▄ ▀▀▄▄▄ Tracks : 05 █+ █░
░█▀ ▄▄▀ Label : DSP Recordings >> dfrgcd89 █▓ █░
░█ █▓ Ripped By : BCC Team ▓█ █░
░█ █+ Source : CDDA +█ █░
░█ █░ Length : 40:59 min ░█ █░
░█ █+ Size : 55,8 MB ▄█ █░
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░█ █░ 01.Room 1 [05:11] ░█ █░
░█ █░ 02.Room 2 [08:18] ░█ █░
░█ █░ 03.Room 3 [12:37] ░█ █░
░█ █░ 04.Room 4 [02:41] ░█ █░
░█ █░ 05.Room 5 [12:12] ░█ █░
░█ █░ ------- ░█ █░
░█ █░ 40:59 min ░█ █░
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░██ █ INFO: █ █░
░██ █ █ ██░
░██ █ Janek Schaefer might be best known for his █ ██░
░██ █ technical innovations, notably the Tri-Phonic three █ ██░
░██ █ arm turntable and the daring customised pressing █ ██░
░██ █ of last year's experimental vinyl pressing 'Skate' █ ██░
░██ █ which recently netted him joint second prize in the █ ██░
░██ █ Prix Ars Electronica 2004. But live improvisations █ ██░
░██ █ and installations are also a major element of his █ ██░
░██ █ work. Like 2002's 'Black Immure', Cold Storage █ ██░
░██ █ started out as a site-specific project when he was █ ██░
░██ █ invited to perform in Rome in a brick vaulted cellar █ ██░
░██ █ previously used as a cold storage room. █ ██░
░██ █ █ ██░
░██ █ Schaefer went about collecting minidisc █ ██░
░██ █ recordings relating to 'cold' and 'storage' and █ ██░
░██ █ incorporated them into a live performance using █ ██░
░██ █ effects pedals and a mixing desk. In preparing this █ ██░
░██ █ definative CD version, he deliberately avoided █ ██░
░██ █ excessive mixing and post production, improvising █ ██░
░██ █ the piece direct to disc and editing as quickly and █ ██░
░██ █ simply as possible, to preserve the sweep and █ ██░
░██ █ spontaneity of the live experience. Indeed, unlike █ ██░
░██ █ other notable sonic excursions into cold and █ ██░
░██ █ storage - one thinks of the glacial austerity of █ ██░
░██ █ Thomas Koener's 'Permafrost', or the gloomy █ ██░
░██ █ claustrophobia of Mattin's recent recordings with █ ██░
░██ █ Mark Wastell inside a bank vault - Schaefer's work █ ██░
░██ █ is decidedly dramatic, collaging all manner of █ ██░
░██ █ reverberant thuds and industrial machine loops █ ██░
░██ █ into the kind of colourful 'musique concrΘte' █ ██░
░██ █ associated with his near-namesake Pierre █ ██░
░██ █ Schaeffer (samples of whose work feature █ ██░
░██ █ extensively on 'Skate'). █ ██░
░██ █ █ ██░
░██ █ If Pierre Schaeffer's observation, "a composed █ ██░
░██ █ structure (such as we perceive it) cannot be █ ██░
░██ █ deduced from separate perceptions of its █ ██░
░██ █ component parts" comes to mind - it is quoted █ ██░
░██ █ and referenced in Janek's essay/manifesto 'Audio █ ██░
░██ █ & Image' (available on his website audiOh.com) - █ ██░
░██ █ so does the work of another Schafer, R Murray, █ ██░
░██ █ whose concepts of keynote sounds, signals, and █ ██░
░██ █ soundmarks are of central importance to the █ ██░
░██ █ British composer's work. Cold Storage is an █ ██░
░██ █ impressive resumΘ not only of Schaefer's own █ ██░
░██ █ career as a sound artist, but of half a century of █ ██░
░██ █ theory and practice of electronic music in all its █ ██░
░██ █ diverse forms. █ ██░
░██ █ █ ██░
░██ █ www.dsprecs.com/development/dfrgcd89.php █ ██░
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Files
| Path | Size |
|---|
| 01-janek_schaefer_-_room_1-bcc.mp3 | 7,03 MB |
| 02-janek_schaefer_-_room_2-bcc.mp3 | 11,03 MB |
| 03-janek_schaefer_-_room_3-bcc.mp3 | 17,41 MB |
| 04-janek_schaefer_-_room_4-bcc.mp3 | 3,57 MB |
| 05-janek_schaefer_-_room_5-bcc.mp3 | 16,77 MB |