Rafal_Blechacz--Sonatas_Haydn_Beethoven_Mozart-2008-OMA

Section
MP3/FLAC
Group
OMA
Size
54,14 MB
Files
10
Date
2010-01-19

NFO

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 ████    ■    ███▓█                                          █▓███    ■    ████
 ████    ·  ▄▓███▓          OPEN MUSiC ASSOCiATiON            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓        .···. P R E S E N T S .···.         ▓ │▀▀▀█▓▄▄  █████
 ██████▓▀      ▀                                                ▀      ▀▓██████
 █████▀        Rafal Blechacz - Sonatas: Haydn Beethoven Mozart          ▀█████
 ████▀                                                                    ▀████
 ███▀                                                                      ▀███
 █▓▓▓▓    ARTiST..[ Rafal Blechacz                                        ▓▓▓▓█
 █▓▓▓▓    TiTLE...[ Sonatas: Haydn Beethoven Mozart                       ▓▓▓▓█
 ████     GENRE...[ Classical               GRABBER.[ EAC                  ████
 ████     LABEL...[ Deutsche Grammophon     ENCODER.[ Lame 3.97            ████
 ████     YEAR....[ 2008                    QUALiTY.[ vbr 124kbps          ████
 ████     SOURCE..[ CDDA                    MODE....[ Joint-Stereo         ████
 ████     PLAYTIME[ 61:00 min               REL.DATE[ 01.17.2010           ████
 ████     TRACKS..[ 10                      RiPPER..[ TEAM OMA             ████
 ████     SiZE....[ 54,1 MB                 SUPPLiER[ TEAM OMA             ████
 ████                                                                      ████
 ████                                                                      ████
 ████     ▄▀▀███▓▄                                            ▄▓███▀▀▄     ████
 ████    ■    ███▓█      .···. T R A C K  L i S T .···.      █▓███    ■    ████
 ████    ·  ▄▓███▓                                            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓                                            ▓ │▀▀▀█▓▄▄  █████
 ██████▓▀      ▀                                                ▀      ▀▓██████
 █████▀                                                                  ▀█████
 ████▀                                                                    ▀████
 ███▀     NR. TRACK.                                             TiME.     ▀███
 █▓▓▓▓    ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙    ▓▓▓▓█
 █▓▓▓▓                                                                    ▓▓▓▓█
 ████     01  Haydn Piano Sonata in E flat major, Hob.XVIíG52   07:32      ████
 ████         - I. Allegro (moderato)                                      ████
 ████     02  Haydn Piano Sonata in E flat major, Hob.XVIíG52   07:07      ████
 ████         - II. Adagio                                                 ████
 ████     03  Haydn Piano Sonata in E flat major, Hob.XVIíG52   05:42      ████
 ████         - III. Finale. Presto                                        ████
 ████     04  Beethoven Piano Sonata in A major, Op.2 No.2 -    06:23      ████
 ████         I. Allegro vivace                                            ████
 ████     05  Beethoven Piano Sonata in A major, Op.2 No.2 -    07:45      ████
 ████         II. Largo appassionato                                       ████
 ████     06  Beethoven Piano Sonata in A major, Op.2 No.2 -    02:58      ████
 ████         III. Scherzo. Allegretto                                     ████
 ████     07  Beethoven Piano Sonata in A major, Op.2 No.2 -    06:34      ████
 ████         IV. Rondo. Grazioso                                          ████
 ████     08  Mozart Piano Sonata in D major, K.311 - I.        04:11      ████
 ████         Allegro con spirito                                          ████
 ████     09  Mozart Piano Sonata in D major, K.311 - II.       06:07      ████
 ████         Andantino con espressione                                    ████
 ████     10  Mozart Piano Sonata in D major, K.311 - III.      06:41      ████
 ████         Rondo. Allegro                                               ████
 ████                                                    ∙∙∙∙∙∙∙∙∙∙∙∙      ████
 ████                                                    TOTAL: 61:00      ████
 ████                                                                      ████
 ████                                                                      ████
 ████     ▄▀▀███▓▄                                            ▄▓███▀▀▄     ████
 ████    ■    ███▓█   .···. R E L E A S E  N O T E S .···.   █▓███    ■    ████
 ████    ·  ▄▓███▓                                            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓                                            ▓ │▀▀▀█▓▄▄  █████
 ██████▓▀      ▀                                                ▀      ▀▓██████
 █████▀                                                                  ▀█████
 ████▀                                                                    ▀████
 ███▀                                                                      ▀███
 █▓▓▓▓                                                                    ▓▓▓▓█
 █▓▓▓▓                                                                    ▓▓▓▓█
 ████            With still precious few concert performances              ████
 ████            on this side of the Atlantic, piano                       ████
 ████            connoisseurs must rely on a small handful of              ████
 ████            discs to take the measure of Rafal Blechacz               ████
 ████            (pronounced Bleh-kuhsh), the 23-year-old                  ████
 ████            Polish pianist who took home all five top                 ████
 ████            honors at the 2005 Chopin Competition. His                ████
 ████            clean sweep was underlined by the juryÆs                  ████
 ████            decision to not award a second prize to any of            ████
 ████            the other presumably impressive 11 finalists.             ████
 ████            A Deutsche Grammophon contract quickly                    ████
 ████            followed, and his debut with that label                   ████
 ████            featured a polished, lithe account of the                 ████
 ████            Chopin preludes.                                          ████
 ████            There are many who have since anointed him the            ████
 ████            finest young Chopin interpreter on the world              ████
 ████            stage, a verdict I wouldnÆt quibble with. But             ████
 ████            a knack for these preludes isnÆt necessarily a            ████
 ████            predictor of success in the Viennese classics,            ████
 ████            where the long view is such an intrinsic                  ████
 ████            component. Yet his follow-up disc of sonatas              ████
 ████            by Haydn, Mozart, and Beethoven is a genuine              ████
 ████            find, and should settle any doubts about his              ████
 ████            interpretive versatility.                                 ████
 ████            The competition for Beethoven sonatas is                  ████
 ████            fearsome, and while BlechaczÆs reading of the             ████
 ████            A Major Sonata isnÆt likely to supplant any               ████
 ████            collectorÆs favorite, it is nevertheless                  ████
 ████            compelling and remarkably mature. The pace is             ████
 ████            quick, the pedaling is judicious, and his use             ████
 ████            of rubato is subtle, tasteful, and employed               ████
 ████            only at harmonically or formally critical                 ████
 ████            junctures.                                                ████
 ████            The juxtaposition of Beethoven with the Haydn             ████
 ████            Sonata in E? is arguably the most intriguing              ████
 ████            aspect of the disc: the still experimental                ████
 ████            musings of a 62-year-old master are placed                ████
 ████            against the bold exploits a scant two years               ████
 ████            later of the 26-year-old Beethoven. His                   ████
 ████            emphasis on formal clarity and crisp                      ████
 ████            passagework in Haydn call to mind Brendel, but            ████
 ████            the opening pages of the Sonata suggest a more            ████
 ████            dynamically contained and intimate reading.               ████
 ████            Further listening reveals a tendency to                   ████
 ████            reserve a measure of intensity for moments of             ████
 ████            higher drama in minor keys, a pattern he                  ████
 ████            repeats in subsequent movements.                          ████
 ████            The pianistÆs own written comments provide                ████
 ████            insight to his approach to the composer,                  ████
 ████            including a mental exercise aimed at                      ████
 ████            ôorchestratingö the sonatas for string quartet            ████
 ████            or orchestra. Since Haydn was an accomplished             ████
 ████            pianist who arguably composed more                        ████
 ████            idiomatically for the keyboard than for any               ████
 ████            other genre (Charles RosenÆs writings provide             ████
 ████            valuable insight into his compositional                   ████
 ████            processes), this approach might seem                      ████
 ████            unnecessarily convoluted. Happily, the results            ████
 ████            justify the means, and Blechacz wisely                    ████
 ████            harnesses his knack for color distinctions to             ████
 ████            highlight structural points and to underline              ████
 ████            dynamic and textural contrasts. Considerably              ████
 ████            brisker and less pliant than John McCabeÆs                ████
 ████            complete sonatas on London and even a shade               ████
 ████            quicker than Brendel, BlechaczÆs tempos                   ████
 ████            nevertheless seem unforced and organic, and               ████
 ████            certainly not indicative of overt                         ████
 ████            exhibitionism.                                            ████
 ████            Compared to the eccentricities of the two                 ████
 ████            other works, MozartÆs Sonata in D, K 311,                 ████
 ████            seems almost conventional. The aria-like                  ████
 ████            setting of the second movement is spun with               ████
 ████            one lovely lyrical phrase after another, and              ████
 ████            with a light caress and unerring legato. The              ████
 ████            opening section of the finale is crisply                  ████
 ████            rendered with high spirits. Perhaps his tender            ████
 ████            years serve to his advantage here. Even when              ████
 ████            the movement shifts briefly to minor keys, the            ████
 ████            mood remains aerated and effervescent.                    ████
 ████            --FANFARE: Michael Cameron                                ████
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 ████     ▄▀▀███▓▄                                            ▄▓███▀▀▄     ████
 ████    ■    ███▓█          .···. G R O U P .···.           █▓███    ■    ████
 ████    ·  ▄▓███▓                                            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓         MAiL:  oma@never-ever.com          ▓ │▀▀▀█▓▄▄  █████
 █▀ ▀██▓▀      ▀                                                ▀      ▀▓██▀ ▀█
 ██▄██▀                                                                  ▀██▄██
 ████▀            The only thing that really matters is music!!!          ▀████
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.▀ │ ▀▀██▄▓▄               .···. G R E E T S .···.                  ▄▓▄██▀▀ │ ▀
 . ▄▓▓▄ │ ▀▀▀█▄▄                                                ▄▄█▀▀▀ │ ▄▓▓▄ .
    ▀▀          ▀▀▄      FRiENDS / SiTEOPS / NUKENET          ▄▀▀          ▀▀
  ▀ .     ▄ ▄▓▓▄    ▀▄             RIP kHz                ▄▀    ▄▓▓▄ ▄     . ▀
       ▀ ▀▓▀ ▀▀  ▀ .  ▄.···. !kb^faa  08.MARCH 2009 .···.▄  . ▀  ▀▀ ▀▓▀ ▀     .


Files

PathSize
01-rafal_blechacz--haydn_piano_sonata_in_e_flat_major_hob.xvig52_-_i._6,56 MB
02-rafal_blechacz--haydn_piano_sonata_in_e_flat_major_hob.xvig52_-_ii.5,54 MB
03-rafal_blechacz--haydn_piano_sonata_in_e_flat_major_hob.xvig52_-_iii5,26 MB
04-rafal_blechacz--beethoven_piano_sonata_in_a_major_op.2_no.2_-_i._al6,31 MB
05-rafal_blechacz--beethoven_piano_sonata_in_a_major_op.2_no.2_-_ii._l6,49 MB
06-rafal_blechacz--beethoven_piano_sonata_in_a_major_op.2_no.2_-_iii._2,84 MB
07-rafal_blechacz--beethoven_piano_sonata_in_a_major_op.2_no.2_-_iv._r6,50 MB
08-rafal_blechacz--mozart_piano_sonata_in_d_major_k.311_-_i._allegro_c3,88 MB
09-rafal_blechacz--mozart_piano_sonata_in_d_major_k.311_-_ii._andantin4,82 MB
10-rafal_blechacz--mozart_piano_sonata_in_d_major_k.311_-_iii._rondo._5,95 MB