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█┌───────────────────────────█ e v e r y d a y m p 3 z █───────────────────────────┐█ MMMM)
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█│█ █ Artist......: Outkast █░░░ █│█
█│█ █ Album.......: Aquemini █░░░ █│█
█│█ █ Label.......: La Face █░░░ █│█
█│█ █ Genre.......: Hip-Hop █░░░ █│█
█│█ █ Rip Date....: 02/25/2002 █░░░ █│█
█│█ █ Retail .....: 09/29/1998 █░░░ █│█
█│█ █ Ripper......: [-DCI-] █░░░ █│█
█│█ █ Source......: Compact Disc █░░░ █│█
█│█ █ Size........: 102MB █░░░ █│█
█│█ █ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█░░░ █│█
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█│█ █ 01 Hold On, Be Strong 1:12 █░░░ █│█
█│█ █ 02 Return Of The "G" 4:49 █░░░ █│█
█│█ █ 03 Rosa Parks 5:24 █░░░ █│█
█│█ █ 04 Skew It On The Bar-B (feat. Raekwon) 3:15 █░░░ █│█
█│█ █ 05 Aquemini 5:19 █░░░ █│█
█│█ █ 06 Synthesizer (feat. George Clinton) 5:11 █░░░ █│█
█│█ █ 07 Slump 5:08 █░░░ █│█
█│█ █ 08 West Savannah 4:03 █░░░ █│█
█│█ █ 09 Da Art Of Storytellin' (Part 1) 3:42 █░░░ █│█
█│█ █ 10 Da Art Of Storytellin' (Part 2) 2:47 █░░░ █│█
█│█ █ 11 Mamacita 5:52 █░░░ █│█
█│█ █ 12 SpottieOttieDopaliscious 7:06 █░░░ █│█
█│█ █ 13 Y'All Scared (feat. T-Mo, Big Gipp & Khujo) 4:50 █░░░ █│█
█│█ █ 14 Nathaniel 1:09 █░░░ █│█
█│█ █ 15 Liberation (feat. Cee-Lo) 8:45 █░░░ █│█
█│█ █ 16 Chonkyfire 6:10 █░░░ █│█
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█│█ █ Even compared to their already excellent and forward-looking █░░░ █│█
█│█ █ catalog, OutKast's sprawling third album Aquemini was a █░░░ █│█
█│█ █ stroke of brilliance. The chilled-out space-funk of ATLiens █░░░ █│█
█│█ █ had already thrown some fans for a loop, and Aquemini made █░░░ █│█
█│█ █ it clear that its predecessor was no detour, but a stepping █░░░ █│█
█│█ █ stone for even greater ambitions. Some of ATLiens' ethereal █░░░ █│█
█│█ █ futurism is still present, but more often Aquemini plants █░░░ █│█
█│█ █ its feet on the ground for a surprisingly down-home flavor. █░░░ █│█
█│█ █ The music draws from a vastly eclectic palette of sources, █░░░ █│█
█│█ █ and the live instrumentation is fuller-sounding than █░░░ █│█
█│█ █ ATLiens. Most importantly, producers Organized Noize imbue █░░░ █│█
█│█ █ their tracks with a Southern earthiness and simultaneous █░░░ █│█
█│█ █ spirituality that come across regardless of what Dre and Big █░░░ █│█
█│█ █ Boi are rapping about. Not that they shy away from rougher █░░░ █│█
█│█ █ subject matter, but their perspective is grounded and █░░░ █│█
█│█ █ responsible, intentionally avoiding hardcore clichΘs. Their █░░░ █│█
█│█ █ distinctive vocal deliveries are now fully mature, with a █░░░ █│█
█│█ █ recognizably Southern rhythmic bounce but loads more █░░░ █│█
█│█ █ technique than their territorial peers. Those flows grace █░░░ █│█
█│█ █ some of the richest and most inventive hip-hop tracks of the █░░░ █│█
█│█ █ decade. The airy lead single "Rosa Parks" juxtaposes █░░░ █│█
█│█ █ porch-front acoustic guitar with DJ scratches and a stomping █░░░ █│█
█│█ █ harmonica break that could have come from nowhere but the █░░░ █│█
█│█ █ South. Unexpected touches like that are all over the record: █░░░ █│█
█│█ █ the live orchestra on "Return of the 'G'," the electronic, █░░░ █│█
█│█ █ George Clinton-guested "Synthesizer," the reggae horns and █░░░ █│█
█│█ █ dub-style echo of "SpottieOttieDopaliscious," the █░░░ █│█
█│█ █ hard-rocking wah-wah guitar of "Chonkyfire," and on and on. █░░░ █│█
█│█ █ What's most impressive is the way everything comes together █░░░ █│█
█│█ █ to justify the full-CD running time, something few hip-hop █░░░ █│█
█│█ █ epics of this scope ever accomplish. After a few listens, █░░░ █│█
█│█ █ not even the meditative jams on the second half of the album █░░░ █│█
█│█ █ feel all that excessive. Aquemini fulfills all its █░░░ █│█
█│█ █ ambitions, covering more than enough territory to qualify it █░░░ █│█
█│█ █ as a virtuosic masterpiece, and a landmark hip-hop album of █░░░ █│█
█│█ █ the late '90s. █░░░ █│█
█│█ █ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█░░░ █│█
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█│█ █ Every Day Mp3z was created in April 2001. Since then EDM has become █░░░ █│█
█│█ █ a group well known for covering it all. EDM is a multifaceted group █░░░ █│█
█│█ █ that pre-releases music, re-rips old albums on request and regularly █░░░ █│█
█│█ █ fills public FTP sites with newly released music from the MP3 scene. █░░░ █│█
█│█ █ EDM has evolved into a fairly large channel on the IRC EFnet network █░░░ █│█
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█│█ █ it is today. If you have any of the following credentials, join our █░░░ █│█
█│█ █ channel #edmp3 and contact a live op to apply. █░░░ █│█
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█│█ █ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█░░░ █│█
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█│█ █ Greets go out to all of those who support EDM.. and thats it :) █░░░ █│█
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█└───────────────────────────█ [yti] !tah! [cyb] █───────────────────────────┘█
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