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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 10-30-2001
Release date : 04-03-2007
Album name : Harry Potter And The Sorcerer's Stone
Artist : John Williams
Ripped by : Team EOS
Genre : Soundtrack
Label : Atlantic
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 19
Size of Files : 105,8 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 02:13 Prologue
02 05:21 Harry's Wondrous World
03 04:25 The Arrival Of Baby Harry
04 03:23 Visit To The Zoo And Letters From Hogwarts
05 04:06 Diagon Alley And The Gringotts Vault
06 03:14 Platform Nine-And-Three-Quarters And The Journey To H
07 03:42 Entry Into The Great Hall And The Banquet
08 03:35 Mr. Longbottom Fies
09 03:46 Hogwarts Forever! And The Moving Stairs
10 02:47 The Norwegian Ridgeback And A Change Of Season
11 08:29 The Quidditch Match
12 02:57 Christmas At Hogwarts
13 03:15 The Invisibility Cloak And The Library Scene
14 02:38 Fluffy's Harp
15 02:21 In The Devil's Snare And The Flying Keys
16 03:49 The Chess Game
17 06:10 The Face Of Voldemort
18 02:14 Leaving Hogwarts
19 05:09 Hedwig's Theme
Total time: 73:34 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
As a fan of J.K. Rowling's massively popular Harry
Potter books and the composer of some of the best
fantasy/sci-fi film scores, John Williams was a natural
choice to write the music for Chris Columbus' film
adaptation of Harry Potter and the Sorcerer's Stone.
His score captures the childhood mischief, magic, and
adventure of the film and the books, mixing winding,
soaring melodies with instrumentation that spans the
delicately spooky to the darkly majestic. However, his
work here won't necessarily dispel Williams' reputation
as an occasionally light-fingered composer: one of the
score's main motifs, a light-as-a-cobweb celesta melody
most clearly stated in "The Arrival of Baby Harry" and
"Hedwig's Theme," recalls the work of both Danny Elfman
and Tchaikovsky, while some of the other melodies sound
like they're just a few notes away from themes in his
own Hook and Star Wars scores. Harry Potter's score
also tends to repeat these main themes a little too
often; fortunately they're reinterpreted fairly
creatively from piece to piece. "Harry's Wondrous
World" and "Visit to the Zoo and Letters from Hogwarts"
are sweeping and lighthearted, while "In the Devil's
Snare and the Flying Keys," "The Chess Game," and "The
Face of Voldemort" close the score with a trio of
menacing, climactic musical cues. In between are
pretty, delicate moments like "Fluffy's Harp" and
whimsical pieces like "Christmas at Hogwarts," which
manages to combine the festive, carol-esque melody with
the atmosphere of a school for witches and wizards. The
pomp and circumstance of "The Quidditch Match" is
probably the score's most typically Williams
composition; a thrilling mix of his heroic style and
the rest of the music's spooky, supernatural feel. Not
surprisingly, considering that Harry Potter and the
Sorcerer's Stone runs nearly three hours long,
Williams' score is on the long side, making it somewhat
difficult to take in outside of the film's context.
While it may not be one of his most inspired works,
it's never less than perfectly appropriate and does
include some brilliant moments.
- allmusic.com
Enjoy.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (efnet)
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