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█░ Artist : Glauco Sagebin ░█
█░ Album Title : When Baden Meets Trane ░█
█░ Record Label : Blue Toucan Music ░█
█░ Genre : Jazz ░█
█░ Rip Date : 05/14/2004 ░█
█░ Ripped By : Team CHR ░█
█░ Source : CDDA ░█
█░ Encode Bitrate : VBRkbps ░█
█░ Total Size : 79,1 MB ░█
█░ Tracks : 11 ░█
█░ Total Length : 55:57 min ░█
█░ ░█
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█░ 01 When Baden Meets Trane 04:24 ░█
█░ 02 Fascinating Rhythm 03:40 ░█
█░ 03 Olha Maria 03:41 ░█
█░ 04 Short Story 05:39 ░█
█░ 05 Earlier Departure 04:59 ░█
█░ 06 Villa 05:55 ░█
█░ 07 Nada Como ter Amor 04:09 ░█
█░ 08 Luiza 07:26 ░█
█░ 09 Rio Negro 04:06 ░█
█░ 10 Pra Dizer Adeus 05:27 ░█
█░ 11 Laura 06:31 ░█
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███▀▀▀▀▀▀▀▀▀▀▀▀▀▀ - RELEASE NOTES - ▀▀▀▀▀▀▀▀▀▀▀▀▀▀███
█░ ░█
█░ Blue Toucan Music (USA) presents: ░█
█░ Glauco Sagebin - When Baden Meets Trane ░█
█░ ░█
█░ Personnel: ░█
█░ Glauco Sagebin - Piano ░█
█░ Santi Debriano - Acoustic Bass ░█
█░ Paulo Braga - Drums ░█
█░ ░█
█░ Produced by Glauco Sagebin ░█
█░ Assistant Producer: Paulo Braga ░█
█░ Executive Producers: Tony Spaneo & Carol Jannotte ░█
█░ Recorded and Mixed by Michael Brorby ░█
█░ Mastered at Sterling Sound by UE Nastasi ░█
█░ ░█
█░ Liner Notes: ░█
█░ If pianist Glauco Sagebin had his choice for the ideal business ░█
█░ card, it would say, "Glauco Sagebin, Brazilian Jazz Pianist." ░█
█░ That's because, while he prides himself on being a Brazilian ░█
█░ musical artist, he hates being confined to the stereotype of ░█
█░ Brazilian musiciansà that they "must be from Rio de Janeiro" and ░█
█░ can only play samba or Bossa Nova music. He's from the south of ░█
█░ Brazil, Porto Alegre. For Glauco, his music goes further than any ░█
█░ stereotype. Glauco grew up listening to all the music of Brazil, ░█
█░ plus music from a wide range of outside sources, from Coltrane's ░█
█░ jazz to Mahler's symphonies. Glauco began his professional career ░█
█░ in Sπo Paulo, Brazil as a studio musician and composer. In 1985 he ░█
█░ won the Gramado Brazilian Film Festival Award for Best Original ░█
█░ Soundtrack for Short Animated Film, one of the most prestigious ░█
█░ awards in Brazil for cinema. ░█
█░ ░█
█░ The first time I met Glauco was in Tokyo, Japan where we both ░█
█░ lived in the 1990's, Glauco playingmusic, and myself working on FM ░█
█░ radio. I heard him with a band led by Babe Hanna, a ░█
█░ singer/percussionist from San Francisco. In that band Glauco ░█
█░ showed his total range of talents, from sensual ballads to ░█
█░ straight ahead jazz and he always brought down the house. ░█
█░ ░█
█░ Glauco's intent on this CD is showing the product of an artist ░█
█░ molded by both American jazz and Brazilian music, and he does that ░█
█░ with his band members. Paulo Braga is the drummer and legend of ░█
█░ the Brazilian musical scene, he is held in high regard by the top ░█
█░ jazz players in America, Japan and Europe. Paulo has played with a ░█
█░ wide range of well-known artists like Antonio Carlos Jobim & Joe ░█
█░ Henderson. The bassist, Santi Debriano, first learned about music ░█
█░ from his father. Since then, he has toured the world and worked ░█
█░ with artists like Kenny Barron, Sonny Fortune and Archie Shepp. ░█
█░ ░█
█░ I asked Glauco to give me some background on the music in this CD. ░█
█░ He began by talking about his 5 original songs: ░█
█░ ░█
█░ "When Baden Meets Trane" is the one, in my opinion, that ░█
█░ represents all those things I was trying to create, this hybrid of ░█
█░ jazz and Brazilian song. What I used was the harmonic style of ░█
█░ Baden Powell's Afro sambas full of diminished 7 chords, and on top ░█
█░ of that I started to rearrange things using the cycle of ░█
█░ descending major thirds (a composition technique often used by ░█
█░ Coltrane). That's how I got that result. "Earlier Departure" is my ░█
█░ favorite of the 5. I have the tendency to write in 4/4, so I ░█
█░ forced myself to write something in 6/4. I was pretty happy with ░█
█░ the result." ░█
█░ ░█
█░ "Short Story" is my attempt to write a jazz ballad (and is not to ░█
█░ be confused with Kenny Dorham's song of that title). As Paulo ░█
█░ said, "It seems like your classical side interfered with that." I ░█
█░ was happy because it sounded like an ECM recording date, very ░█
█░ classy." ░█
█░ ░█
█░ "Villa" As the name suggests, is a tribute to the Brazilian ░█
█░ classical composer Heitor Villa-Lobos." ░█
█░ "Rio Negro" was composed with Paulo and Santi in mind, because I ░█
█░ knew the sound I could get from them. The title is an ░█
█░ afterthought. The nipping rhythm interaction reminded me of the ░█
█░ infamous, wild Brazilian river with strong currents and dark ░█
█░ waters full of Piranhas." ░█
█░ ░█
█░ "Fascinating Rhythm" was the suggestion of Paulo Braga, when he ░█
█░ mentioned to me that it was one of Jobim's favorites from the ░█
█░ American songbook. I felt I was able to work some voodoo with ░█
█░ Jobim in the studio, basically knocking it out in the first take. ░█
█░ Actually, the majority of the selections are first or second ░█
█░ takes. I always prefer to compromise with a few mistakes here and ░█
█░ there and keep the freshness and spontaneity. ░█
█░ ░█
█░ "Luiza" was my choice as a waltz for the album. "Olha Maria" is ░█
█░ one of my favorite Jobim compositions. Especially, with Paulo ░█
█░ Braga around, I wanted to record a real bossa-nova track. "Nada ░█
█░ Como Ter Amor" by Carlos Lyra was my choice because it is so ░█
█░ beautiful and not that well-known. "Pra Dizer Adeus," I thought, ░█
█░ would be a great vehicle for Santi. ░█
█░ ░█
█░ "Laura" was a suggestion from the executive producer and its one ░█
█░ "I dug a lot." ░█
█░ ░█
█░ Hey Glauco, that works for me! ░█
█░ ░█
█░ Rob Crocker (WBGO-FM) ░█
█░ New York City, 2003 ░█
█░ ░█
█░ For more information: ░█
█░ http://www.bluetoucanmusic.com/baden.html ░█
█░ ░█
█░ Respect the artists. ░█
█░ Support their work. ░█
█░ If you liked this CD, buy it. ░█
█░ ░█
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