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████. ▄ ░░░░▒██▒████████████ ███▒▒░░ ░▒█ █▓▓▒ ▀▓▀ ▄ ■ ████
████ ■ ▀▓▀ . █▒▒░░▒████████████ ██▓░░░░ ▄░█ ▄ █▓▓ ■ ■ ▀▓▀ . ████
████. ░██░░▒███░░░░░█ ░░░░░ ▄ ▀ ■ ▀▓▀ ▀▀█▄ ■████
████ ▄▀▀███▓▄ ▀▀▀▀▀▀▀▀▀▀░░▄░ ■ . ■ . ▄▓███▀▀▄ ■ ████
████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ 801 - Live @ Hull ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ 801 ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Live @ Hull ▓▓▓▓█
████ GENRE...[ Rock GRABBER.[ EAC ████
████ LABEL...[ Expression Records ENCODER.[ Lame 3.97 ████
████ YEAR....[ 2009 QUALiTY.[ vbr 235kbps ████
████ SOURCE..[ CDDA MODE....[ Joint-Stereo ████
████ PLAYTIME[ 78:30 min REL.DATE[ 02.07.2010 ████
████ TRACKS..[ 14 RiPPER..[ TEAM OMA ████
████ SiZE....[ 133,5 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Lagrima 01:47 ████
████ 02 TNK 05:54 ████
████ 03 Flight 19 05:51 ████
████ 04 Listen Now 08:52 ████
████ 05 Law and Order 04:14 ████
████ 06 City of Light 11:19 ████
████ 07 Initial Speed 05:19 ████
████ 08 That Falling Feeling 04:53 ████
████ 09 Without Your Love 02:49 ████
████ 10 Diamond Head 06:27 ████
████ 11 Out of the Blue 08:01 ████
████ 12 Remote Control 06:31 ████
████ 13 Miss Shapiro 03:35 ████
████ 14 You Really Got Me 02:58 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 78:30 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
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███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
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████ Live @ Hull is the third in a reissue series ████
████ of a progressive rock group headed up by Roxy ████
████ Music's Phil Manzanera, a godsend for devotees ████
████ of the progrock genre, which has come in, over ████
████ a three decade period, for a dizzingly ████
████ shifting succession of acclaim, rebuke, ████
████ indifference, and, most recently, rediscovery ████
████ and applause. Many of the otherwise ████
████ historically curious low spots can be ████
████ accounted for in a primarily idiotic punk ████
████ milieu that birthed itself mid-stride in ████
████ progrock's peregrinations. Punkers, diving ████
████ into desperate, and unfortunately successful, ████
████ attempts to put the kibosh on anything that ████
████ would show up their principally laughable ████
████ musicianship, had gained a strong foothold in ████
████ media and poisoned the waters. ████
████ ████
████ As the punkers have come into maturity, ████
████ they've inevitablyùwell, the musicians among ████
████ them anywayùevolved, and a very minute ████
████ percentage have become quite good sound ████
████ artists. Most of the time's pseuds, and they ████
████ were gawdawfully populous, crashed and burned, ████
████ if not through horrific abuse of toxic ████
████ chemicals far outstripping their cousins' ████
████ (hippies) erstwhile practices, then through ████
████ thoroughly unsupportable pretensions to ████
████ slovenly artistry even the most fanatical ████
████ outgrew when waking up again on Monday ████
████ morning. The vast bulk of the time's output ████
████ has thankfully gone to the grave with little ████
████ hope of republication. ████
████ ████
████ Not so with progrock, which survived the ████
████ onslaught of venom from clowns like John Lydon ████
████ (Johnny Rotten) and is presently enjoying ████
████ enthusiastic reconsideration. Where the Sex ████
████ Pistols used to dwell in the youthful Joe ████
████ Bourgeois Snotragge's collection, King Crimson ████
████ now sits, as the trashman escorts Mssrs. ████
████ Lydon, Matlock, Cook, and Jones to a ████
████ well-deserved demise in the trash heap. Why? ████
████ Well, listen to Steve Jones' numbingly boring ████
████ solo LP, and all becomes quite apparent. Nor ████
████ is the post-Pistols PIL likely to evoke ████
████ overmuch enthusiasm, already a completely ████
████ ignored relic. ████
████ ████
████ Live @ Hull demonstrates fully why Lydon Inc. ████
████ & Confreres failed so miserably: punk was a ████
████ slum paradise of void talent whereas 801 and ████
████ the progressive rock batallion so belittled by ████
████ it were the exact opposite: dauntingly ████
████ creative. Punk stole everything they were so ████
████ fitfully able to imitate (which wasn't much) ████
████ from the Kinks and the Who, then dragged it ████
████ through the gutter for that uniquely piquant ████
████ flavor so unique to the mode, fobbing the ████
████ result off in a graceless gutter waltz amidst ████
████ tone-deaf poseurs feasting with panthers, a ████
████ cadre weekending away from its Pacific ████
████ Palisades, Palos Verdes, and Hollywood ████
████ warrens, the demesnes of the well-to-do white ████
████ upper middle class and its progeny. ████
████ ████
████ Manzanera and the prog milieu had come mostly ████
████ from lower middle class families and knew what ████
████ it meant to do without but were rescued by a ████
████ rigorous Brit schooling imbuing them with ████
████ aesthetic basics allowing something Lydon ████
████ (also English, though, given everything about ████
████ the idiot, he could well have been the sorry ████
████ product of American schools) could never hope ████
████ for: true artistry. Loaded with an ████
████ appreciation for classical, jazz, and folk ████
████ musics, the progressive revolution went forth ████
████ to create what I arrogate is really a side ████
████ pocket of neoclassicalism, something reflected ████
████ in a quite decent array of its repertoire and ████
████ obvious to intelligent palates. ████
████ ████
████ That's what you get here. Even when stripped ████
████ down, which is the case as opposed to the 801 ████
████ Live discs (here), there's a much richer ████
████ bedrock, a possession of tools and techniques, ████
████ an immersion in extrapolation, and so many ████
████ other factors that went completely missing in ████
████ punk. 801 is reveling in the rock approach ████
████ sleeping in the basement of prog (previously, ████
████ the group had reversed the emphasis). Thus, ████
████ the listener gets the best of both worlds, ████
████ seeing where the outrΘ had its real roots and ████
████ where the normally highminded intellectualism ████
████ of the genre was able to shed the academy and ████
████ roothog with rocking and rolling brothers in ████
████ kindred style. ████
████ ████
████ ████
████ URL: http://expressionrecords.com/blog/?p=161 ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .