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████. ▄ ░░░░▒██▒████████████ ███▒▒░░ ░▒█ █▓▓▒ ▀▓▀ ▄ ■ ████
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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ 801 - Manchester ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ 801 ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Manchester ▓▓▓▓█
████ GENRE...[ Progressive Rock GRABBER.[ EAC ████
████ LABEL...[ Expression ENCODER.[ Lame 3.97 ████
████ YEAR....[ 2009 QUALiTY.[ vbr 213kbps ████
████ SOURCE..[ CDDA MODE....[ Joint-Stereo ████
████ PLAYTIME[ 77:36 min REL.DATE[ 02.07.2010 ████
████ TRACKS..[ 13 RiPPER..[ TEAM OMA ████
████ SiZE....[ 117,9 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 TNK 07:41 ████
████ 02 Flight 19 05:59 ████
████ 03 Listen Now 09:12 ████
████ 04 Law and Order 04:29 ████
████ 05 Que 02:36 ████
████ 06 City of Light 09:54 ████
████ 07 Initial Speed 05:23 ████
████ 08 That Falling Feeling 04:40 ████
████ 09 Diamond Head 08:00 ████
████ 10 Out of the Blue 06:46 ████
████ 11 Remote Control 05:55 ████
████ 12 Miss Shapiro 03:42 ████
████ 13 You Really Got Me 03:19 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 77:36 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ Manchester documents a reformed ensemble, this ████
████ time with 10CC's Lol Creme and Kevin Godley ████
████ sitting in along with Andy MacKay (Roxy ████
████ Music). Of the original line-up, only Phil ████
████ Manzanera and Bill MacCormick survive, with ████
████ Dave Skinner (keyboards, vocals), Paul ████
████ Thompson (drums), and Simon Ainley (guitar, ████
████ vocals) forming the core group. The material ████
████ also switches to the bulk of the 801 / ████
████ Manzanera studio works, as Phil was then ████
████ releasing solo albums along with 801 and Roxy ████
████ materials. On the other hand, T.N.K. (Tomorrow ████
████ Never Knows) and You Really Got Me made the ████
████ cut as covers, fan favorites stoking up this ████
████ concert recorded at Manchester University. ████
████ ████
████ The recording date was 1977, but the gig never ████
████ saw the light of documented day until 2001 on ████
████ Manzanera's Expression label. Remastered, it's ████
████ seeing a first rebirth and not a moment too ████
████ soon, in tandem with three other reissuances. ████
████ Manchester is the answer to those looking on ████
████ querulously at consumers buying successive ████
████ live discs and asking "Why on Earth do you ████
████ want multiple versions of the same songs?". ████
████ Here, Tomorrow Never Knows vividly supplies ████
████ the answer. It's stripped down, almost vacant ████
████ of the keyboards that perennially marked it as ████
████ a lush paradise in the repertoire, and almost ████
████ shocking. Where Francis Monkman and Eno had ████
████ previously made it a swirling galaxy of ████
████ floating sound, Dave Skinner, the keyboardist ████
████ on Manchester, ducks out almost completely, ████
████ leaving the chores to Phil, who turns the cut ████
████ into an axehandler's raw take on the song's ████
████ backbone. ████
████ ████
████ Likewise, the comedic backing vocals on Flight ████
████ 19, delivered in mocking falsetto, tune up ████
████ that aspect of the track in parodic ████
████ embroidery. But, by the time the CD's half ████
████ through, the change over to a heavily ████
████ guitar-dominated sound is striking (that, and ████
████ the pushing of Thompson's drums waaaaaay up ████
████ front), making a heavy contrast against the ████
████ original 801 Live. This is a completely ████
████ different approach, and the now-repeated songs ████
████ searingly demonstrate just how many degrees ████
████ Manzanera had turned his head around. Where ████
████ 801 Live had showcased a psychedelic ████
████ orchestral groove, Manchester presents an ████
████ ensemble closer to the ground, rawer, almost ████
████ garagey at times. Even the take on Out of the ████
████ Blue a Roxy chestnut, sounds like it's coming ████
████ from a pub. ████
████ ████
████ All that may seem a quantum leap backwards -- ████
████ and, in ways, it is, as the group's vastly ████
████ more fundamental in its rock sensibilities, ████
████ less fulsomely progùbut that isn't a ████
████ disparagement of quality, not at all. ████
████ Manchester is precisely what collectors go mad ████
████ for, and listening to the reworked versions, ████
████ highly deviated from both studio and live ████
████ dates, a treat. The re-affirming proof is in ████
████ the successor 801 @ Hull (here), which figures ████
████ Ainley back into the mix more strongly, tosses ████
████ the esteemed Eddie Jobson (UK, Curved Air, ████
████ etc.) and his violin in, rebalances the sound ████
████ entirely, shifts the vocal balances, and makes ████
████ the songs seem once again new. If it all ████
████ sounds a bit too complicated, well, that's ████
████ what we proghounds go nuts for: complexity. ████
████ And if the spate of re-creations of repertoire ████
████ might cause the less fanatical to pause, well, ████
████ the whole thing is a luxurious vice no ████
████ connoisseur will apologize for or forsake. ████
████ Genesis, King Crimson, Kansas, Soft Machine, ████
████ and other leonine ensembles still see revenues ████
████ and fame from the practice while consumers ████
████ bask in the light and sonics of a time when ████
████ talent, creativity, and wild chops ruled the ████
████ dayàover and over and over. ████
████ ████
████ ████
████ URL: http://expressionrecords.com/blog/?p=161 ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .