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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 06-23-2009
Release date : 02-06-2010
Album name : Of Faith, Power, And Glory
Artist : VNV Nation
Ripped by : Team EOS
Genre : Industrial
Label : Anachron Sounds
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 10
Size of Files : 69,10 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 02:21 Pro Victoria
02 05:28 Sentinel
03 05:09 Tomorrow Never Comes
04 05:15 The Great Divide
05 05:04 Ghost
06 06:42 Art Of Conflict
07 03:45 In Defiance
08 06:05 Verum Aeternus
09 04:39 From My Hands
10 06:20 Where There Is Light
Total time: 50:48 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Some bands make their mark from the get-go and never
quite seem to escape that first burst of creativity,
while others build on what they started with to reach
newer heights over time. Over the course of many years
and albums, Ronan Harris and Mark Jackson have proven
themselves to be a stellar example of the latter, with
the work of VNV Nation turning from a series of
sometimes overly stern homages to pioneers of
electronic body music to an increasingly warm and
romantic approach combined with an equal love of
rabble-rousing punk shoutalongs and stadium-scaled rave
celebrations. Of Faith, Power and Glory continues a run
of albums in this vein since Futureperfect and is
arguably the pinnacle of the approach, a refinement of
the pattern established by that album and almost a
sequel to 2007's Judgement, down to the monument-in-a-
dark-landscape cover art. As with that release, for
example, here there's a stirring instrumental opener
("Pro Victoria," perhaps as close to an In the
Nursery-style song the group has yet recorded), a
piano-led ballad towards the end ("From My Hands"), a
lengthy near-instrumental with occasional interjections
from Harris ("Art of Conflict"), and a downbeat,
defiantly moody song after an initial series of instant
anthems ("Ghost"). But far from being a simple rehash,
Of Faith, Power and Glory is actually the more cohesive
album, longer than Judgement but feeling more of a
compact piece, surging from strength to strength almost
effortlessly. The album's second song but first full-on
dancefloor pounder, "Sentinel," showcases the band's
gifts nicely -- Harris' tense, rough-edged quaver and
vocals grappling with big issues lyrically, a chorus
you can almost sing along with before even hearing it
in full for the first time, and a recombination of
electronic elements from many different eras of popular
music. But "Tomorrow Never Comes," with a shuddering
introductory riff that melds into a heavenly blend of
swooping string synths and calm piano, and especially
"The Great Divide," featuring a chorus that turns an
already striking song (almost like Neu! gone synth
pop) -- take things even higher; if anything captures
what Harris had once described years earlier as
'future pop,' this might well be it. Other immediately
catchy winners fill out the rest of the album without a
flaw -- the upbeat celebratory groove of "In Defiance,"
the slow build and release of "Verum Aeternus," with
some of Harris' loveliest singing in the second half
after an extended break, and the concluding punch of
"Where There Is Light," a note-perfect conclusion for a
band so dedicated to energetic reinvigoration and going
out to face the world with hope. In a world where bands
like the Hold Steady and the Gaslight Anthem get praise
for similar sentiments delivered via rock & roll, there
seems to be no reason why VNV Nation shouldn't get some
credit of their own.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (EFNet)
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