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`-----------------------:----' : design.by.ant1k
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: : release no ( 10480 ) \ rating |
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: : artist (SPY ) | .---. |
: : title (The Boy Who Cried Wolf / Camouflage) | 0 |%%%| |
: : record label (31 Records (31R043) ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2010/02/27) | 7 |%%%| |
: : street date (2010/04/??) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: (02 tracks) (11:17 min) ( 16.4 mb) | `---' |
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nr times track titles
.----^-------^----------------------------------------------------------------.
| A 5:51 SPY - The Boy Who Cried Wolf |
| AA 5:26 SPY - Camouflage |
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| | | |
| | Recent releases on Metalheadz, Soul:r and | |
| | Innerground have proved heÆs a versatile | |
| | artist and now S.P.Y touched down on the | |
| | legendary 31 records. This the gem of S.P.YÆs | |
| | releases so far. With its immense Bassline | |
| | æThe Boy Who Cried WolfÆ has been shaking | |
| | walls down for months on dub. Crisp, clean | |
| | breaks rolling over deep basslines are his | |
| | stock-in-trade and a busy DJ schedule has | |
| | seen appearances across world everywhere from | |
| | Australia to his native Brazil. HeÆs keeping | |
| | up the pressure in 2010, remixing Deadmau5 as | |
| | well as working on an album with Marky for | |
| | Innerground. | |
| | | |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2010 ]