OST-James_Newton_Howard_-_The_Postman-1997-55L

Section
MP3/FLAC
Group
55L
Size
102,87 MB
Files
14
Date
2010-03-07

NFO

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█▀              ■  [  5 a f e     5 e x     L o v 3 r 5  ]  ■                 █
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   █                James Newton Howard - The Postman  (OST)                █
   ▄█▄                                                                    ▄█▄
      █    ▄▄                                                      ▄▄    █
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    ▄▀ ▀▄                                                              ▄▀ ▀▄
   █                                                                        █
   █             ARTiST....[ James Newton Howard                             █
   ▄█▄           TiTLE.....[ The Postman                                   ▄█▄
      █          LABEL.....[ Warner Music                                 █
    ▄▀ ▀▄        GENRE.....[ Soundtrack                                 ▄▀ ▀▄
   █             RLS.DATE..[ 18-07-2005                                      █
   █             SOURCE....[ CDDA                                            █
   ▄█▄           ENCODER...[ LAME                                          ▄█▄
      █          QUALiTY...[ VBRkbps / Joint-Stereo                       █
    ▄▀ ▀▄        TRACKS....[ 15                                         ▄▀ ▀▄
   █             SUPPLiER..[ 3D3Q                                            █
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   █           "The critical panning the film ""The Postman""               █
   █           took might cause some soundtrack fans to overlook            █
   █           this score. Their loss, as The Postman OST is                █
   █           another memorable film score by James Newton                 █
   █           Howard. It should be noted that the track list               █
   █           does *not* give an accurate representation of the            █
   █           CD's contents. It's true that only the first seven           █
   █           tracks consist of the orchestral score, whereas              █
   █           the remaining eight are folk-pop songs that are              █
   █           entirely skippable. However, those first seven               █
   █           score tracks occupy a respectable 50 minutes of              █
   █           space. It would be nice, though, if the score was            █
   █           split into a higher number of shorter tracks, as             █
   █           in Howard's Waterworld score, to allow for more              █
   █           selective listening. As for the music itself,                █
   █           well, it's good stuff. As in Waterworld, ""Main              █
   █           Titles"" gets things started right with the                  █
   █           apocalyptic setting. Here it lacks the tribal                █
   █           tinge and instead utilizes desolate strings and              █
   █           percussion. The track soon shifts to a more                  █
   █           dangerous sound, as the strings become more                  █
   █           frenetic, the brass adds force, and modest choral            █
   █           accompaniment perfectly augments the gloomy sound.           █
   █           ""Shelter in the Storm"" tones down the desolate             █
   █           mood to a sense of loneliness, although some                 █
   █           beautifully tender and poignant moments come into            █
   █           play with the help of flute, french horn, and                █
   █           harp. The main theme makes its first appearance in           █
   █           ""The Belly of the Beast"", and boy does it make             █
   █           an impression. Howard builds up to the moment                █
   █           perfectly with ever-increasing orchestral                    █
   █           intensity, until the main theme appears -                    █
   █           uplifting and triumphant. Without fail I find                █
   █           myself raising the listening volume a couple                 █
   █           notches whenever the main theme arises. The rest             █
   █           of the soundtrack is mostly more of the same. It's           █
   █           not at all repetitive, but there are sections that           █
   █           utilize the patient pacing common in film music to           █
   █           accompany minor sequences while biding time for              █
   █           major events. I'd say the only time the score                █
   █           becomes excessively slow and uneventful is the               █
   █           majority of ""Abby Comes Calling"". (It's ironic             █
   █           that this track devoted to the love interest is              █
   █           not as tender and stirring as the passages                   █
   █           accompanying the mule in ""Shelter in the                    █
   █           Storm"".) "                                                  █
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   █                   TRACK LiST                                           █
   █                                                                        █
   █     NR.  TRACKNAME                                            TiME     █
   █    ................................................................    █
   █     01 │ main titles                                        │02:21     █
   █     02 │ shelter in the storm                               │06:23     █
   █     03 │ the belly of the beast                             │06:49     █
   █     04 │ general bethlehem                                  │06:55     █
   █     05 │ abby comes calling                                 │10:50     █
   █     06 │ the restored united states                         │06:43     █
   █     07 │ the postman                                        │09:50     █
   █     08 │ jono manson-almost home                            │03:59     █
   █     09 │ jono manson-it will happen naturally               │02:18     █
   █     10 │ jono manson-the next big thing                     │02:19     █
   █     11 │ john coinman-this perfect world                    │03:38     █
   █     12 │ john coinman-once this was the promise land        │02:06     █
   █     13 │ jono manson and john coinman-i miss my radio       │02:43     █
   █     14 │ john coinman-come and get your love                │03:07     █
   █     15 │ amy grant and kevin costner-you didn't have to be  │03:39     █
   █        │                                                    │          █
   █        │                                                    │          █
   █                                                                        █
   █                                                                        █
   █     TOTAL TiME:                 73:40 min                              █
   █     TOTAL SiZE:                 119,0 MB                               █
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Files

PathSize
01-james_newton_howard_-_main_titles-55l.mp33,98 MB
02-james_newton_howard_-_shelter_in_the_storm-55l.mp310,14 MB
03-james_newton_howard_-_the_belly_of_the_beast-55l.mp311,44 MB
04-james_newton_howard_-_general_bethlehem-55l.mp311,20 MB
05-james_newton_howard_-_abby_comes_calling-55l.mp317,50 MB
06-james_newton_howard_-_the_restored_united_states-55l.mp311,41 MB
08-james_newton_howard_-_jono_manson-almost_home-55l.mp36,22 MB
09-james_newton_howard_-_jono_manson-it_will_happen_naturally-55l.mp33,77 MB
10-james_newton_howard_-_jono_manson-the_next_big_thing-55l.mp33,37 MB
11-james_newton_howard_-_john_coinman-this_perfect_world-55l.mp35,50 MB
12-james_newton_howard_-_john_coinman-once_this_was_the_promise_land-53,05 MB
13-james_newton_howard_-_jono_manson_and_john_coinman-i_miss_my_radio-3,94 MB
14-james_newton_howard_-_john_coinman-come_and_get_your_love-55l.mp35,05 MB
15-james_newton_howard_-_amy_grant_and_kevin_costner-you_didnt_have_to6,29 MB