▄▀ ▀ ▀ ▀▄
██ ▄ ▄ ██
▀▓█▄ ▄▓▄ ▄▓▄ ▄█▓▀
▀ ▀▀▄▄▄ █▀▄▄▄ ▀ ▀ ▄▄▄▀█ ▄▄▄▀▀ ▀
▀▀▓█▄ █ ▄▄▀▀░██▄▄ ▄▄██░▀▀▄▄ █ ▄█▓▀▀
▀ ▄ █▓░ █ ███▄ ▀▀███▄███▀▀ ▄███ █ ███ ▄ ▀
▄ █▄ ░█▓░ █ ▀████ ▀█▀ █████ █ ██▓░ ▄█ ▄
▀▓▀ ▄█▀ ▄███ █ █████ █████ █ █▓▓▄ ▀█▄ ▀▓▀
▄▄▓█▄███▀▀ █ ▓████▄ ▄ ▄█████ █ ▀▀█▓█▄█▓▄▄
▄▄█▀▀▀▀ ▄▄▄▄▄ ▄█ ▒██████▄ ███ ▄██████▀ █▄ ▄▄▄▄▄ ▀▀▀▀█▄▄
▄▀ ▄▄███████████▄ ▀▓ ░████░▀██▄███▄██▀░█████ ▓▀ ▄▓▓█████████▄▄ ▀▄
█ ███████████▓▀▓███▄▄▒ ▄████ ▀█████▀ ████▓ ▒▄▄▓▓██▀████████████ █
█ ██████▓▀▀█ ▀███▓░ █████ ▄ ▀█▀ ▄ ████▒ ░▓███▀ █ ▀▀███████ █
█ ▓████▓ ▀█ ▐▓▀ █████▄▀ ██▄ ▄██ ▀▄█████ ▀█▌ ▓ ▀ █████▓ █
█ ░████▌ ▓ ▀ ░ ██████ ▀█████▀ █████▄ ░ ▀ ▀▀ ▒ ▐████░ █
▀ ████▌ ▒ █ █████ ▀ ▀█▀ ▀ █████ █ ░ ▄ ▐████ ▀
▄▀▄████ ░ █ ▀▓▓██ ██▓▓▀ █ ▀▓▀ ████▄▀▄
▀ █████ ▀▀██░▄▄▀▀▄▄ ▄▓▄ ▄▄▀▀▄▄░██▀▀ ▄▄▄▄░ █████ ▀
▄▀ ████ ░ ▀▄ ▄ ▀▀▀▄▄ ▀ ▄▄▀▀▀ ▄ ▄█▀▀▀██▄ ████ ▀▄
█ ░████ ▄ ▓▄ ▀▓▀ ▀█▓▄ ▄▓█▀ ▀▓▀ ▄▓█ ▄ ██ ████░ █
█ ▒████▄ ▀▓▀ ▌██▄ ▄ ██ ██ ▄ ▄███ ▀▄▀ ▄████▒ █
█ ▓██████▄ ▄█████▄ ▀ ▄▀ ▀▄ ▀ ▄█████▄ ▀ ▄██████▓ █
█ █▓███████▄ ▄▄█████▀▀▀▀▀ .;.C M G.;. ▀▀▀▀▀▓▓███▄▄ ▄█████████ █
▀ ▀▀███▄▄▀▀▓▓█████▄████▀▀ ▀▀▓███▄███████▀▀▄▄███▀▀ ▀
▄ ▀▀██▄▄▀▀▓▓████▀▄ ▀▓▄ ▄▓▀ ▄▀▓█████▀▀▄▄██▀▀ ▄
▀▓▀ ▓ ▀██▄ ▀▀▀▀▀ ▓█▄.Council Music Group.▄█▓ ▀▀▀▀▀ ▄██▀ ▓ ▀▓▀
░ ▀▓█ ▄▓▄ ▄▄██▀ ▀██▄▄ ▄▓▄ █▓▀ ░
▀ ▄▀ ▀ ▄▄▄██▀▀ ▀▀██▄▄▄ ▀ ▀▄ ▀
▄▄███▀▀▀ ▀▀▀███▄▄
▀ ▄ ▀ ▄██▀▀ ▀▀██▄ ▀ ▄ ▀
█▀ hans werner henze (gerd albrecht) - gogo no eiko ▀█
▀▓▄ ▄▀ ▄ ▄ ▀▄ ▄▓▀
▀▀▄██░▀▀ ▀▀░██▄▀▀
▄▄▄▄▄▄▄█████▓░ ▄▄██▓▀▀ ;.. General infos ..; ▀▀▓██▄▄ ░▓█████▄▄▄▄▄▄▄
▀▀████▄▄░ ▄█▀█▀▀ ▀▀█▀█▄ ▄▄████▀▀
▀██████▄█ █ █ █▄██████▀
▀▀███ ▓ Type ........: album ▓ ███▀▀
▀ ██ ░ Music Style .: opera ░ ██ ▀
▄ ▐█ Release.Date : 2010-03-13 █▌ ▄
▀▓▀ ▐█ Release.Size : 145,5 MB █▌ ▀▓▀
█ Playtime ....: 109:35 min █
▄▄██ ██▄▄
▀ ▄███▀ █ Grabber .....: eac █ ▀███▄ ▀
▄██▓▀▄▓▄█ Encoder .....: lame █▄▓▄▀▓██▄
█████ ▀ █ Label..:.....: ORFEO Intern. █ ▀ █████
███▓░ █ Source ......: cdda █ ░▓███
██▓░ █ Tracks ......: cd1: 17 cd2: 12 █ ░▓██
██▓░ █ Bitrate......: vbr. 185kbps █ ░▓██
███▓░ █ Frequency....: 44,1kHz █ ░▓███
▄ ▀▀██░▄▄ █ Mode ........: joint-stereo █ ▄▄░██▀▀ ▄
▄ ▀▀▀▄▄ ▄▄▀▀▀ ▄
▀▓▀ ▀██▄ ▄▓█▀ ▀▓▀
▄ ▀▓█ ██ ▄
▀ ▄▀ ▀▄ ▀
▄ ▄
▀ ..;.TracKList.;.. ▀
cd1
01 ::: sommer - erste szene ::: 08:04
02 ::: sommer - verwandlungsmusik - ::: 03:15
noborus traum
03 ::: sommer - zweite szene ::: 04:27
04 ::: sommer - musette ::: 02:36
05 ::: sommer - verwandlungsmusik - ryujis ::: 01:35
traum
06 ::: sommer - dritte szene ::: 06:39
07 ::: sommer - verwandlungsmusik ::: 01:22
08 ::: sommer - vierte szene ::: 04:04
09 ::: sommer - orchesterzwischenspiel ::: 01:29
10 ::: sommer - monolog ::: 02:35
11 ::: sommer - verwandlungsmusik ::: 01:31
12 ::: sommer - fuenfte szene ::: 06:49
13 ::: sommer - verwandlungsmusik ::: 00:29
14 ::: sommer - sechste szene ::: 04:29
15 ::: sommer - verwandlungsmusik ::: 00:50
16 ::: sommer - siebte szene ::: 03:38
17 ::: sommer - achte szene ::: 03:45
cd2
01 ::: winter - vorspiel ::: 00:46
02 ::: winter - neunte szene ::: 04:55
03 ::: winter - verwandlungsmusik ::: 00:13
04 ::: winter - zehnte szene ::: 05:20
05 ::: winter - verwandlungsmusik ::: 00:42
06 ::: winter - elfte szene ::: 09:25
07 ::: winter - verwandlungsmusik ::: 00:50
08 ::: winter - zwoelfte szene ::: 03:35
09 ::: winter - madrigal ::: 04:48
10 ::: winter - kinderlied - ::: 03:58
verwandlungsmusik
11 ::: winter - dreizehnte szene ::: 05:56
12 ::: winter - vierzehnte szene ::: 11:30
Total ::: 109:35
░ ..;Release Notes;.. ░
░ Mari Midorikawa (Fusako Kuroda), Jun ░
░ Takahashi (Noboru, Nummer Drei), Tsuyoshi ░
░ Mihara (Ryuji), Teruhiko Komori (Nummer ░
░ Eins), Zvi Emanuel-Marial (Nummer Zwei), ░
░ Kwang-Il Kim (Nummer Vier) & Yasushi ░
░ Hirano (Nummer Fⁿnf) ░
░ Orchestra Sinfonica Nazionale della Rai, ░
░ Gerd Albrecht ░
░ First staged in 1990, Hans Werner Henze's ░
░ opera Das verratene Meer is based on ░
░ Yukio Mishima's novel Gogo no eiko (The ░
░ Sailor who fell from Grace with the Sea) ░
░ and harks back to the traditions of ░
░ literary naturalism and the verismo of ░
░ early 20th-century music theatre. At the ░
░ suggestion of the conductor Gerd ░
░ Albrecht, Henze prepared a Japanese ░
░ version of the score that was performed ░
░ for the first time in Salzburg in 2006. ░
░ Under Albrecht's direction, the Orchestra ░
░ Sinfonica Nazionale della RAI gave a ░
░ sympathetic account of an iridescent ░
░ score that ranges from exotic ░
░ reminiscences of Japan to the impressions ░
░ of a large city and from the atmospheric ░
░ portrait of a doomed love story to a ░
░ drama about juvenile violence, all of ░
░ which strands are tightly interwoven ░
░ right up to the moment of the final fatal ░
░ confrontation in the closing scene of the ░
░ opera.The cast includes three outstanding ░
░ singing actors, the soprano Mari ░
░ Midorikawa, the tenor Jun Takahashi and ░
░ the baritone Tsuyoshi Mihara, all of whom ░
░ create gripping portraits of the widow ░
░ Fusako Kuroda, her 13-year-old son and ░
░ the boy's stepfather.The recording ░
░ affords further proof of the Salzburg ░
░ Festival's ongoing commitment to ░
░ broadening its repertory and to its ░
░ desire to juxtapose the old and the new ░
░ in thrilling ways that never compromise ░
░ on quality. ░
░ ░
░ -- prestoclassical.co.uk ░
░ ░
░ ░
░ Hans Werner Henze and librettist ░
░ Hans-Ulrich Treichel based their 1988 ░
░ opera Das Verratene Meer, on Gogo no eiko ░
░ on the novella by Yukio Mishima, which is ░
░ usually translated into English as The ░
░ Sailor Who Fell from Grace with the Sea. ░
░ At the urging of conductor Gerd Albrecht, ░
░ Henze expanded and reworked the opera, ░
░ and adapted it to a Japanese libretto for ░
░ this revival at the 2006 Salzburg ░
░ Festival. The music is more romantic in ░
░ tone than that of most of Henze's earlier ░
░ operas, even though it is still ░
░ stylistically disjunct, and its musical ░
░ vocabulary is rarely tonal; it could ░
░ never be mistaken as a work of ░
░ neo-Romanticism. Its gestures can be ░
░ broadly expressive, though, and it has ░
░ moments of sweeping lyricism that set it ░
░ apart from the ironic detachment that ░
░ tended to characterize his earlier ░
░ operas. The plot has two interwoven ░
░ strands, one straightforwardly romantic ░
░ and the other chillingly perverse. A ░
░ grieving young widow discovers love again ░
░ and is moving toward happiness with a ░
░ sailor who has given up a life at sea to ░
░ be with her, while at the same time, her ░
░ 13-year-old son and his gang of friends ░
░ move toward committing an act of ░
░ unspeakable cruelty that will certainly ░
░ destroy her world as well as their own. ░
░ Henze has said that this is his favorite ░
░ work of his later years. The music is so ░
░ strikingly inventive, colorful, and ░
░ powerful, and the composer's sure ░
░ dramatic instincts so masterfully bring ░
░ the story and the characters to life that ░
░ it would be hard to disagree with his ░
░ evaluation; Gogo no eiko has the musical ░
░ substance and dramatic punch to make it ░
░ an opera that deserves to endure and join ░
░ the ranks of contemporary classics. ░
░ ░
░ The opera has a flaw, though, and it's ░
░ one that's insoluble. Henze assigns the ░
░ roles of the five early adolescents to ░
░ adults -- a tenor, two baritones, a bass, ░
░ and a counter tenor -- and thus hugely ░
░ diminishes the impact of their actions, ░
░ particularly in their climactic scene ░
░ with the sailor, a baritone, because ░
░ physically and vocally there's no ░
░ contrast between their extreme youth and ░
░ his maturity. But if Henze had used boys, ░
░ he would have sacrificed the timbral ░
░ variety that's essential for ░
░ differentiating the boy's characters and ░
░ would have had to drastically simplify ░
░ the vocal parts. ░
░ ░
░ Albrecht conducts Orchestra Sinfonica ░
░ Nazionale della RAI in a riveting account ░
░ of the score. The largely Japanese cast ░
░ excels in bringing out the soaring ░
░ lyricism and psychological depth in lines ░
░ that in less skilled hands could sound ░
░ angular and disjointed. Orfeo's sound ░
░ quality is very fine for a live ░
░ performance, with excellent clarity and ░
░ balance, and a minimum of ancillary ░
░ noises. This superb recording of Gogo no ░
░ eiko confirms it as a significant ░
░ addition to the repertoire, a work that ░
░ deserves the attention of anyone with an ░
░ interest in contemporary opera. ░
░ ░
░ --allmusic.com ░
░ ░
░ ░
▒ ▀ ▀ ▒
▓ ▄▀ ▀▄ ▓
▄ ■ ■ ▄
▀ ▄ ▀
▄▀ █ ▄ █ ▀▄
██ ▀ █ ▄███▄ █ ▀ ██
██▄ █ ▀▓██▀ █ ▄██
▀███▄█▄ ▄██▄ ▌▀▐ ▄█▓▄ ▄█▄███▀
▀▀████▄▄ ▀▓█▀▄ ▐▌ ▐▌ ▄▀██▀ ▄▄████▀▀
▀▀▀███▄▄ ▄ ▐▌ ▐▌ ▄ ▄▄███▀▀▀
aeskii by ▄ ▀▀██▄▄ ▄▀ ▀▄ ▄▄██▀▀ ▄
▀▓▀ ▓ ▀██▄ ▄ ▄▄ ▀▀▀▀▀▀▀▀▀▀▀▀▀ ▄▄ ▄ ▄██▀ ▓ ▀▓▀
k!ND ░ ▀▓█ █▀▀ █▄ ▄█ █▀▀ █▓▀ ░
▀ ▄▀ █▄▄ █ ▀ █ █▄█ ▀▄ ▀
v0.2 ▀ ▄ ▀ ..;. Council Music Group .;.. ▀ ▄ ▀