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// //// F U T U R E S O U N D O R i G i N > [2003]
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: Artist: Mileece :
: Title.: Formations :
: Label.: Lo Recordings :
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: Genre...: Electronic :░░░:
: Rel.date: 00-00-2003 :░░░:
: Rip.date: 19-09-2003 \ :░░░ /
: Size....: 63,3 MB \_:___/
: Bitrate.: 192kbps /__ \
: Source..: CDDA /.. \ |
: Software: EAC / LAME \/\_/ |
: /___ |__
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:[ TRACKLISTING ] \___:_____/__/ ))
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: #. : Trackname :Time :░░░:
:----:--------------------------------------:-------- :::::
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: : .
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: 01. Aube [13:35] :
: 02. Formations [08:21] :
: 03. Tridi [01:25] :
: 04. Fern [05:47] :
: 05. Nightfall [14:53] :
: 06. Hidden Track [02:01] :
: ------- :
: 46:02 min:
: :
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:[ RELEASE INFO ] :::
: :
: "24-year-old Mileece has had a remarkable life. :
: When she was growing up, her parents ran a :
: recording studio in Covent Garden, and started an :
: early music video company. Later her father :
: became a director of television programmes such :
: as Fraggle Rock and Countdown, whilst her mum ran :
: a record label. :
: :
: In early life she lived in various parts of the :
: world including "The crystal garden" where she :
: encountered counter-culture figures such as :
: Timothy Leary and Charles Lucy - the inventor of :
: the Lucytune microtonal scale. :
: :
: After this, she moved to a large house full of :
: animals in rural France to escape and learn about :
: classical music. On top of this, her grandfather :
: Max Matthews programmed the first computer :
: generated song, "Daisy, Daisy" which was :
: cynically referenced in Kubricks "2001, A Space :
: Odyssey", sung by the Hal computer as it loses :
: control of its senses. :
: :
: Well that's her life so far, and Formations is :
: her stunning debut album, a charming suite of :
: gentle tones that manages to sound natural, :
: intimate and sunny despite utilising the rigorous :
: theories and practice of up-to-the minute :
: electronic composition. There are no hooks, :
: choruses and sometimes little in the way of :
: melody, but it's an example of an album that I :
: could imagine anyone enjoying. :
: :
: This music was composed using generative musical :
: computer languages, something that in Mileece's :
: words "allows for structures to generate :
: autonomously, the same as a plant or any living :
: thing would". This is beautifully illustrated in :
: track one, "aube" which actually sounds like the :
: musical equivalent of cell division, as delicate :
: tones chime out at seemingly random intervals but :
: constantly keep an internal form and harmonic :
: relationship. :
: :
: The title track sounds more like the familiar :
: music of modern minimalist composition. :
: Repetitive motifs grow out of seemingly random :
: clusters of notes, building up then dropping down :
: in order to regroup, just as it seems the music :
: is getting cluttered. In this track, Mileece's :
: strong grasp of psycho-acoustics is evident as :
: her sparse music sometimes creates :
: difference-tones (two notes together :
: simultaneously creating another audible tone). :
: :
: With the addition of a simple bass guitar :
: accompaniment and a melody that sounds like a :
: traditional fiddle reel trying to work itself :
: out, "fern" creates a sound reminiscent of a more :
: advanced, stripped down Tortoise, whilst :
: "nightfall" adds simple cello and voice to the :
: sine tones to create a warm lullaby. :
: :
: If you are looking for an album of astonishing :
: paradoxes; artificial yet natural, simple yet :
: advanced, harmonic and ordered but random, then :
: look no further than this outstanding release. :
: Beautiful, real musical science." :
: :
: :
: http://www.ambientmusic.co.uk/mileece.html :
: :
: :
: ,:
: /// :░
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