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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Bonobo - Black Sands ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Bonobo ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Black Sands ▓▓▓▓█
████ GENRE...[ Lo-Fi CAT-NO..[ ZENDNL140 ████
████ LABEL...[ Ninja Tune ENCODER.[ Lame 3.97 ████
████ YEAR....[ 2010 QUALiTY.[ vbr 233kbps ████
████ SOURCE..[ WEB MODE....[ Joint-Stereo ████
████ PLAYTIME[ 55:06 min REL.DATE[ 03.27.2010 ████
████ TRACKS..[ 12 RiPPER..[ TEAM OMA ████
████ SiZE....[ 91,0 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Prelude 01:18 ████
████ 02 Kiara 03:50 ████
████ 03 Kong 03:58 ████
████ 04 Eyesdown ft. Andreya Triana 05:26 ████
████ 05 El Toro 03:44 ████
████ 06 We Could Forever 04:20 ████
████ 07 1009 04:30 ████
████ 08 All In Forms 04:52 ████
████ 09 The Keeper ft. Andreya Triana 04:49 ████
████ 10 Stay The Same ft. Andreya Triana 04:45 ████
████ 11 Animals 06:45 ████
████ 12 Black Sands 06:49 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 55:06 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ www.amazon.de/exec/obidos/ASIN/B0039GZNPO ████
████ lame 3.97 -V0 ████
████ ████
████ Simon Green aka Bonobo returns with his ████
████ fourth, most eagerly-anticipated and most ████
████ accomplished album to date, the magnificent ████
████ 'Black Sands.' Green proves once and for all ████
████ with 'Black Sands' that he is an artist and ████
████ producer with his sights set on much higher ████
████ prizes than to rule any dusty subgenre of ████
████ dance music. This is a record of epic reach ████
████ and massive emotional pull, all held together ████
████ by Green's understanding of composition and ████
████ arrangement of live instruments (most of them ████
████ also played by him) as well as his complete ████
████ mastery of the tricks and techniques of the ████
████ digital age. 'Black Sands' is the most ████
████ contemporary record he has ever made. ████
████ ████
████ Opening track 'Kiara' sets out Bonobo's stall ████
████ quickly. Yes, there is an exquisite string ████
████ refrain, reminiscent of Chinese art movies, ████
████ but Green places this within the context of a ████
████ thumping beat, deep synths and cut up vocals. ████
████ 'Kong' seems closer to the soul-jazz template ████
████ which has long influenced the Bonobo sound but ████
████ each further listen showcases both the ████
████ intricacy of his productions and the subtlety ████
████ with which he achieves them. The skipping beat ████
████ of 'Eyesdown' and the way he weaves Andreya ████
████ Triana's vocals through layers of sub-bass ████
████ show Green making his own moves with the ████
████ influences of two-step. 'El Toro' brings a ████
████ Brazilian flavour but without losing any of ████
████ the hard snap of the beats. 'We Could Forever' ████
████ combines high-life guitar lines with ████
████ punishing, melancholy bass. First single, 'The ████
████ Keeper' shows Green and Triana coming through ████
████ with their most intense, emotional soul jam. ████
████ 'All In Forms' once again combines a ████
████ shimmering beauty with some serious beat 'n' ████
████ bass action. 'Wonder When' showcases Andreya ████
████ Triana's voice again, this time in the context ████
████ of a polyrhythmic finger snapper which will ████
████ lead to euphoric scenes on the dancefloor. ████
████ 'Animals' sounds like Joy Division jamming ████
████ with Steve Reich and a bloco band. Title track ████
████ 'Black Sands' finishes the album with a ████
████ perfectly judged, melancholy waltz, waves of ████
████ horns swelling up to the kind of finale that ████
████ sings in your ears even after it has stopped. ████
████ ████
████ Since Simon Green's last album, 'Days To ████
████ Come', he has become one of Ninja Tune's ████
████ biggest artists worldwide, with over fifteen ████
████ million plays on Last.FM and a series of sell ████
████ out tours with his live band which have moved ████
████ from venues such as the Luminaire to the ████
████ Kentish Town Forum and the Roundhouse. This ████
████ combination of superb live shows and studio ████
████ wizardry means that he is now perfectly placed ████
████ to push on into a yet bigger league. With ████
████ 'Black Sands', Bonobo has made the progressive ████
████ record to achieve it. ████
████ ████
████ ████
████ BBC Review ████
████ ████
████ There was little in BonoboÆs first two albums ████
████ û 2000Æs Animal Magic and 2003Æs Dial æMÆ For ████
████ Monkey û to suggest that Simon Green could ████
████ ever craft anything as grand, expansive and ████
████ accomplished as Black Sands. ████
████ ████
████ Back then his moniker could almost have ████
████ referred to his tendency to merely ape other ████
████ trip hop producers without adding anything ████
████ substantially individual himself. 2006Æs Days ████
████ to Come might have scooped Gilles PetersonÆs ████
████ Radio 1 listenerÆs prize for Album of the ████
████ Year, but even then few would have predicted ████
████ that four years later Green would have become ████
████ a one-man Cinematic Orchestra, responsible for ████
████ an album that can stand alongside Every Day or ████
████ Ma Fleur as a classic of its genre. ████
████ ████
████ For itÆs not just a record label that Bonobo ████
████ shares with Cinematic Orchestra these days. ████
████ Like Jason Swinscoe, Green has progressed from ████
████ predominantly sample-based production to more ████
████ live instrumentation, although Green plays ████
████ most instruments himself rather than relying ████
████ on an extended family of musicians. But, more ████
████ to the point, Green has become equally adept ████
████ at mastering mysterious and multi-layered ████
████ atmospheres. ████
████ ████
████ Black SandsÆ 12 tracks arenÆt generally as ████
████ long, interconnected and intricate as those on ████
████ Cinematic Orchestra albums, but Green does ████
████ call on a slightly wider range of influences ████
████ than his contemporaries. So whilst the ████
████ spiralling, symphonic likes of Animals and the ████
████ title-track could indeed have come from Every ████
████ Day, We Could Forever saddles an ████
████ Afro-inflected guitar and skittish flute to ████
████ deep sub-bass and Kiara combines Oriental ████
████ strings with cut-up beats. HeÆs also found an ████
████ ideal vocalist for his beats in the form of ████
████ young singer Andreya Triana, who adds the same ████
████ sort of insouciant elegance to Eyesdown and ████
████ The Keeper familiar from her work with Mr. ████
████ Scruff and Flying Lotus, and which bodes well ████
████ for the pairÆs further collaborations on ████
████ TrianaÆs own forthcoming solo album. ████
████ ████
████ But although the parallels with BonoboÆs peers ████
████ are obvious, his fourth album doesnÆt just ████
████ sits in their shadow. Rather, itÆs an ████
████ inspiring example of how, free of pressure and ████
████ publicity, he has blossomed into something ████
████ beautiful at his own pace. ████
████ ████
████ ████
████ URL: www.myspace.com/sibonobo ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
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████▀ The only thing that really matters is music!!! ▀████
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▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .